Barbie Almalbis ignites a loving mosh pit in “Platonic” music video

The visuals capture the chaos, clarity, and catharsis of true friendship in motion

Photo by Nina Sandejas

MANILA, PHILIPPINES — Filipino alt-rock icon Barbie Almalbis has dropped the official music video for “Platonic,” a standout track from her critically acclaimed fifth studio album, Not That Girl. Helmed by long-time creative partner and award-winning photographer Nina Sandejas, the video features a gritty glimpse into a night of sweat and sound at Mow’s—an underground music venue in Quezon City.

Set against the backdrop of Barbie’s recent performance at the iconic gig space, the video unravels a documentary-style montage of mosh pits, dance breaks, and crowd surfing—fueled not by angst, but by the deep joy of shared, meaningful experience in music. “I wanna see a pit… lovingly,” Barbie calls out before launching into the two-minute burst of cathartic energy that is “Platonic.”

“This song is about loving people fiercely, unconditionally, generously, vulnerably, in a non-romantic context,” shares Almalbis. “Platonic love has been so enriching in my life, and I’ve really felt much less alone because I have deep friendships to count on or because I can be a friend to someone. I think the world would be less lonely if more people would embrace its joys.”

The idea for the music video came to Sandejas after attending a series of metal shows and noticing the primal yet euphoric energy in the mosh pit. “When I saw Barbie was playing Mow’s, it hit me; we have to document this,” says Sandejas. “Barbie starting a riot? That’s exciting. But of course, it had to be done with love. That’s what makes this different.”

The end result is a raw, kinetic visual experience: a time capsule of the night where friendships collide in the most visceral way. “It was a rush,” adds Sandejas. “We stitched together this fast, chaotic blur of sweat and joy. My favorite moment? That loving pit Barbie asked for. She knew exactly how wild it would get and how to ground it in something beautiful.”

Produced by Nick Lazaro, “Platonic” is Barbie’s first foray into heavier territory. What began as a quiet acoustic sketch quickly transformed into a thunderous anthem, thanks to Lazaro’s instrumentation and contributions from Eclectic Kiss artists Faye Yu, Marika Laciste, Marj Roxas, and Pikoy on gang vocals. “I just said, Nick, I have something—can you make it metal?,” Barbie laughs. “He absolutely did.”

The inspiration for “Platonic” draws from C.S. Lewis’s The Four Loves, specifically his writing on friendship as a rate but vital form of love. In “Platonic,” Barbie’s lyrics explore this idea with honesty and edge, pushed into sonic overdrive through a surprising and exhilarating metal turn.

Watch the music video of Barbie Almalbis’ “Platonic” here.

Source: Nyou

South Korean artist-producer Ziv reflects love lost in translation with “Walkie Talkie,” featuring P-Pop sweethearts KAIA

The song finds magic in miscommunication, channeling vulnerability into an irresistible pop groove

South Korean artist-producer Ziv teams up with P-Pop girl group KAIA for his official new single, “Walkie Talkie,” out today via Sony Music Entertainment.

An ode to the dissonance of one-sided love or infatuation, “Walkie Talkie” uses the metaphor of mismatched frequencies to explore the intricacies of missed connections and unreciprocated feelings.

The track marks Ziv’s first collaboration as a lead artistand his second professional project with a signed act, following his work with award-winning Filipino folk-pop outfit, Ben&Ben on select songs from their third studio album, The Traveller Across Dimensions and their recent single “Saranggola.”

“And for my first collaboration, I am honored that it’s with KAIA,” shares the Philippine-raised, Korean multi-hyphenate in a recent Instagram post. “I saw how passionate and talented they are, and I am very thankful to them for hopping on this song with me! I am really excited to bring this song out for all to hear.”

Ziv reveals that the song was inspired by a friend of his who had a crush he believed felt the same way. However, it turned out the feelings were one-sided. “That’s where the inspiration for the lyrics came from. In hindsight, the fact that he shared everything through messages may have subconsciously sparked the idea of using a communication device as a metaphor.”

For their part, KAIA’s verses, according to them, were born from personal stories and shared experiences. “Our lyrics represent the universal sentiment of talking to someone who doesn’t even care about reciprocating the same enthusiasm,” KAIA explains. “That’s where the ‘walkie-talkie’ idea came in. It’s an ode to the folks whose vibe doesn’t match with each other despite the effort from the other camp. It helped us write our part with a mix of calm and uncertainty, and we wanted to capture and reflect that honesty in the lyrics.”

Known for his smooth, bedroom pop aesthetic with subtle electronic flourishes, Ziv leans into chilled-out sonic territory for “Walkie Talkie,” crafting an irresistible jam with crossover appeal. For their part, KAIA brings a fresh wave of polish and sincerity to the track, infusing their signature bubble-gum pop and 2000s-inspired R&B with quiet introspection.

The collab tune shines with layered textures, velvety vocals, and a delicate balance of restraint and emotion—solid proof that sometimes, contrasting frequencies can still create harmonies.

Ziv shared that the production process was challenging, but it ultimately pushed him to tap deeper into his creative instincts. He praised KAIA for their dedication and artistic discernment, noting how rare it is for artists to take such an initiative in perfecting their vocal recordings to truly honor the song’s message.

He adds, “Usually, I have to be the one to push artist to redo takes, or convey it in a different way. But with KAIA, it was really easy for me in a way because they knew what needed to be done, and I rarely had to be the one to push them. Sometimes, they challenged me on creative standpoint as a producer, which I appreciate.”

A music video accompanying the song is set to premiere soon on Ziv’s official YouTube channel. A joint creative effort, the visual narrative will echo the song’s core theme: the beauty and complexity of connection in a world of crossed wires.

Ziv’s “Walkie Talkie”, featuring KAIA, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

James Vickery Releases A Heartfelt Single "Right Side" Out Now On Red Bull Records & Announces Brand New Studio Album 'JAMES.' Arriving September 12

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ANNOUNCES BRAND NEW STUDIO ALBUM
'JAMES.'
ARRIVING SEPTEMBER 12

Photo Credit: Ashley Verse

After two months of activities that have firmly put him on the map, standout South-London R&B artist James Vickery announced his brand-new studio album, 'JAMES.', will arrive on September 12th via Red Bull Records. Alongside the announcement, he’s also dropped a single, “Right Side”, which is out now. Fans can stream the song here and watch the video here. 

“Right Side” offers a fresh perspective on Vickery’s sound — a bold, groove-infused pop track that reveals a deeper, hidden meaning beneath its infectious rhythm. “I love the idea of something being disguised as a love song, so this was inspired by the fact that I always have to be on the left side of someone due to my deafness,” he explains. 

Following the release of the track, an official video directed by Cully Wright was unveiled, featuring an opening sound excerpt that mimics how James hears the world through his impairment.

James Vickery - "Right Side" (Official Video)

“Right Side” follows James' recent stunning comeback singles "Butter" & "Hotel Lobby", that have received praise across the board with major play-listing support across Southeast Asia. 

Joining forces with longtime collaborator JD Reid (Mahalia, Mabel, Sinead Harnett), producer Larrance Dopson (Kendrick Lamar, Ella Mai, Justin Timberlake) and Grammy-nominated LA songwriter/composer Jonah Christian (Beyonce, Normani, Tems), his stunning new album is a remarkably assured statement – one that introduces a whole new sound to his audience.

“'JAMES.' is an album that I always wanted to make but I never knew how to”, says Vickery. “This is the first time in my life I’ve made music with no restrictions or felt the pressure to please anyone. In this album you will find everything from emotional heart-wrenching ballads to upbeat funk-driven summery bangers. I feel like this album captures every essence that makes up the different components of myself. It’s the most true, raw and authentic reflection of me, James”.

Vickery has a rare gift for transforming deeply personal experiences into universally resonant music. His sense of resilience and catharsis is especially clear on forthcoming songs like “Fall In Your Arms”, a poignant ballad underscored by somber piano chords, where he pleads for just a moment more of closeness. Unafraid to explore new sonic territory, Vickery steps confidently outside his comfort zone on “Higher”, a buoyant, Eighties-inspired anthem where shimmering synths and a soaring chorus showcase his vocal range and optimism.

Together, these tracks form the core of an album Vickery calls his most authentic yet, blending classic R&B, Seventies funk, soul, and the pop sounds of the late Nineties and early 2000s that shaped him. That organic energy is palpable throughout - a bold, emotionally rich statement from an artist fully embracing who he is.

'JAMES.' Tracklisting

1. Hotel Lobby
2. Butter
3. Like That (ft. BIA)
4. All In
5. Right Side
6. Miss A Thing
7. You & I (Interlude)
8. ILU
9. Better Days
10. Higher
11. Hanging On
12. Fall In Your Arms

Stream "Right Side" here: https://james-vickery.ffm.to/rightside
Watch the video here: https://www.youtube.com/watch?v=djkgi1dxAiI
Pre-save 'JAMES.' here: https://james-vickery.ffm.to/james

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About James Vickery

James Vickery bares his soul in 'JAMES.', a bold, self-titled album that redefines his sound. From the cinematic strings of “Hotel Lobby” to the woozy beat of “Higher”, each track showcases his exceptional voice—one he nearly lost due to a life-threatening ear condition. Diagnosed with cholesteatoma at eight, Vickery was left deaf in one ear, but a vocal coach helped him discover his gift. 

His 2021 documentary Louder explored his journey, including his Welsh and South African heritage and struggles with identity. Once driven by a need for acceptance, Vickery has now embraced his truth: “This is real, it’s me". 

“I think my whole career, I was really trying to be accepted by different communities while being afraid that they would reject me,” he says. “I would make music to try and impress people without realising it.” Somewhere along the road, though, he found an inner peace—one that allowed him to fully embrace himself and his artistry.

His career boasts a COLORS SHOW with nearly 40 million views and collaborations with Musiq Soulchild, EarthGang, and SG Lewis. His independent 'Sheet Music' EP highlighted his versatility, while 'JAMES.' moves beyond strict R&B, blending funk, hip-hop, and pop with producers JD Reid, Larrance Dopson, and Jonah Christian. 

Tracks like “Hotel Lobby” groove on bossa nova rhythms, while “Butter”, originally meant for another artist, became a heartfelt confession of yearning. “Right Side” disguises his hearing loss as a love song, and “Higher” channels ‘80s synth-pop with dazzling vocal runs. The album’s finale, “Fall In Your Arms”, is a raw, orchestral ballad closing the emotional journey. 

“This is the most authentic version of me,” Vickery says. Seamlessly merging classic R&B, ‘70s funk, and early 2000s pop, 'JAMES.' cements him as a fearless artist with a sound uniquely his own. 

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Addison Rae releases highly anticipated debut album Addison

Addison Album Artwork

Photo Credit: Ethan James Green

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Pop superstar, songwriter, actress and cultural phenomenon Addison Rae proudly releases her anxiously awaited debut album, Addison, today via Columbia Records. Addison is available now digitally and on multiple physical formats. Fans can choose from black vinyl, limited edition light blue vinyl, tangerine vinyl, Urban Outfitters exclusive magenta vinyl, and CD box set with exclusive t-shirt.

Alongside the 12-track album release, the pop sensation debuts a brand-new music video for the track “Times Like These.” Directed by legendary photographer Ethan James Green—who also shot the album’s artwork—the video marks his directorial debut in music. The concept was creatively led by Addison Rae and Lexee Smith, brought to life by her go-to glam dream team: Dame Pat McGrath and Jenna Kuchera on makeup, Lucas Wilson on hair, and nails by Mei. Shot across New York City scenes, the video blends effortless cool with emotional depth. Fans follow Addison from a breezy boat ride to backstage scenes and ultimately into her signature, high-energy choreography. Art direction was led by Marcs Bird, with movement direction by Danielle Polanco.

Fans have eagerly anticipated Addison Rae’s debut full-length project following the breakout success of her lead single “Diet Pepsi,” released in August 2024. The infectious summer anthem earned widespread acclaim, marked her first Billboard Hot 100 entry, and set the tone for a streak of equally praised singles. She followed with the hypnotic “Aquamarine” and the bold, fashion-forward “High Fashion,” both accompanied by visually stunning videos that reflect her deep ties to the fashion world, featuring collaborators like Dara Allen, Mel Ottenberg, Mitch Ryan, and Dame Pat McGrath. Singles like “Headphones On,” hailed by Harper’s Bazaar as part of her “streak of winning singles,” and “Fame Is A Gun,” her most recent release, have only strengthened her position as one of pop’s most captivating new voices. The album was entirely produced by Luka Kloser and Elvira Anderfjärd, with all tracks written by Addison Rae alongside Kloser and Anderfjärd. Tove Burman contributed as an additional writer on the track “Headphones On.”

Press and critics alike have already begun to embrace Addison as one of the standout pop albums of the year. The New York Times called it “one of the year’s signature pop releases,” praising Addison’s “sweet and foggy” vocals, “as if sung from the outer edge of a dream.” Rolling Stone described the album’s tracks as “hypnotic, trance-like pop songs, pulsating and lush,” celebrating its vivid imagery and Rae’s ability to “make people dance” while never taking herself too seriously. 

A natural-born performer and no stranger to the stage, Addison made her live performance debut last year as a surprise guest on Charli XCX’s sold-out BRAT Tour in Los Angeles, followed by a show-stopping appearance alongside both Charli and Troye Sivan at their SWEAT Tour stop at Madison Square Garden. She continued to build buzz with two unforgettable surprise sets at Coachella: first, joining Arca to perform “Arcamarine,” a reimagining of her single “Aquamarine,” and later reuniting with Charli XCX to deliver their viral remix of “Von Dutch,” complete with Addison’s now-iconic scream. Tonight, she brought the full Addison experience to life with a debut performance of the album at New York City’s legendary venue The Box, electrifying a packed room of fans and tastemakers.

The track list for Addison was revealed globally in a track-by-track unveiling via billboards in different cities announcing each song title leading up to the official complete track list posted to her social account here. The complete track list for Addison below.

Addison Track List:

1. New York

2. Diet Pepsi

3. Money is Everything

4. Aquamarine

5. Lost & Found

6. High Fashion

7. Summer Forever

8. In The Rain

9. Fame is a Gun

10. Times Like These

11. Life’s No Fun Through Clear Waters

12. Headphones On

Addison Rae is managed by Ocean Avenue and represented by WME and The Lede Company. Her attorneys are Felcher & Freifeld, LLP and Nixon Peabody, LLP.

Photo Credit: Ethan James Green

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ABOUT ADDISON RAE

Addison Rae has become one of the most recognizable young stars in Hollywood. In August, she released "Diet Pepsi," marking her first collaboration with Columbia Records. The single made a significant impact, becoming Addison's first to enter the Billboard Hot 100 chart. Released alongside a music video directed by Sean Price Williams and under the creative direction of Mel Ottenberg, "Diet Pepsi" continues to cement Addison’s growing influence in music. She followed “Diet Pepsi” with “Aquamarine,” which featured a dazzling music video shot in Paris, France. Then, with her third single, “High Fashion,” PAPER Magazine declared that Addison had gone “three for three,” calling the new track “hypnotic and euphoric.” She continued the streak with “Headphones On,” a critically acclaimed single that also charted on the Billboard Hot 100, and her most recent hit, “Fame is a Gun.” Her debut album Addison will be released on June 6. Last year, she released her long-awaited debut EP, AR. The EP gained 10 million streams in its first week and features the hit song “2 Die 4,” featuring Charli XCX. Continuing her collaboration with Charli, Addison joined her on the remix of the viral hit song “Von Dutch” this past summer. On the film side, Addison was recently announced as a star in Legendary’s R-rated live-action hybrid Animal Friends, opposite Ryan Reynolds, Jason Momoa, Dan Levy, and Aubrey Plaza. She was also recently seen in Eli Roth’s horror film Thanksgiving, opposite Patrick Dempsey. The film debuted in theaters globally and was later added to Netflix, where it quickly hit #1 (marking her second film to achieve this milestone). In 2021, Addison starred in Netflix’s He’s All That, directed by Mark Waters. The film, a gender-switched reboot of the 1999 cult classic She’s All That, premiered as the #1 movie on the platform in 80 countries. Since the beginning of 2020, Addison has amassed over 88 million followers on TikTok, with over 5.8 billion likes, and 34 million followers on Instagram.

Source: Nyou

EVANESCENCE RELEASES EXPLOSIVE NEW COLLABORATION “FIGHT LIKE A GIRL (feat. K.FLAY)”

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WATCH THE LYRIC VIDEOHERE

FIRST END TITLE TRACK FROM THE HOTLY ANTICIPATED

JOHN WICK UNIVERSE FILMBALLERINA

(Los Angeles– June 6, 2025) – Today, GRAMMY® Award-winning rock band Evanescence and alt-rock visionary K.Flay have released their explosive new song, “Fight Like A Girl.” (SONY). Announced earlier this week, the song is featured as the first end title song inBallerina, the hotly anticipated film set in the world of John Wick, in theaters today. Alongside the new release, they also shared a lyric video for the new track. Watch HERE.

Co-written by Evanescence lead singer Amy Lee, K.Flay, Dylan Eiland, and Ballerina film composer Tyler Bates, who also produced the track, “Fight Like A Girl” follows the release of Halsey and Amy Lee’s thunderous track “Hand That Feeds,” the first original song recently revealed from the film in early May.

Fueled by fierce energy and defiance, “Fight Like A Girl” channels the film’s themes of vengeance, resilience, and female empowerment, mirroring its adrenaline-pumping intensity and emotional depth. Ballerina, starring Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, with Ian McShane, and Keanu Reeves, is set to electrify audiences with its high-octane action and raw emotional stakes. Directed by Len Wiseman and written by Shay Hatten, based on characters by Derek Kolstad, the film is produced by Basil Iwanyk, Erica Lee, and Chad Stahelski.

Taking place during the events of John Wick: Chapter 3 – Parabellum, Ballerina follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.

Lionsgate presents, a Thunder Road Films / 87eleven Entertainment production.

Evanescence will kick off a run of live shows later this fall, making stops on My Chemical Romance:The Black Parade tour and Louder Than Life festival before joining Metallica on their M72 World Tour. Tickets are on sale now and can be purchased here.

EVANESCENCE TOUR DATES

September 13                    Raymond James Stadium               Tampa, FL (with My Chemical Romance)

September 18                              Fiserv Forum                                      Milwaukee, WI (102.9 HOG Havoc)

September 19                              Xcel Energy Center                           Saint Paul, MN (93X Family Reunion)

September 21                    Louder Than Life Festival               Louisville, KY

November 1                       Optus Stadium                                   Burswood, AU (with Metallica)

November 5                       Adelaide Oval                                     North Adelaide, AU (with Metallica)

November 8                       Marvel Stadium                                 Docklands, AU (with Metallica)

November 12                     Suncorp Stadium                              Milton, AU (with Metallica)

November 15                     Accor Stadium                                   Sydney Olympic Park, AU (with Metallica)

November 19                     Eden Park                                            Auckland, NZ (with Metallica)     

ABOUT EVANESCENCE:

In 2003, when the rock charts were dominated by predominantly male nü-metal and post-grunge acts, a young female-fronted band from Arkansas stood out from the crowd, offering something entirely new. They were Evanescence – and with their debut album, Fallen, they transformed the rock landscape. Led by frontwoman Amy Lee, Evanescence’s cinematic blend of metal and symphonic, piano-driven melodies captured a generation, while Fallen set the band on a path to global superstardom, earning them multiple GRAMMYS®, and becoming one of the highest-selling albums of all time.

Released in the spring of 2003, Fallen resonated deeply with fans, selling more than 141,000 copies in its first week and peaking at No.3 on the Billboard Top 200 Albums Chart, where it spent an astonishing 43 weeks in the Top 10. Within a month, Fallen was certified Platinum by the RIAA, while it was a Top 10 hit in more than ten countries, reaching No.1 in the UK, Canada, Australia, and across Europe. Much of the album’s initial success can be attributed to its stratospheric singles, including “Bring Me to Life,” which broke the Top 10 in more than 15 countries and topped Billboard’s Mainstream Top 40 and Alternative Airplay charts. “My Immortal” was a Top 10 hit in over ten countries, including the US, UK, and Australia. 

At the 2004 GRAMMYS®, Evanescence received five nominations, including Album of the Year, Best Rock Album, Best Hard Rock Performance for “Bring Me to Life,” and Best New Artist, taking home the latter two. The following year, “My Immortal” received a nod for Best Pop Performance by a Duo or Group with Vocals.

Today, Fallen holds steady as the sixth best-selling album of the 21^st century (ranking just behind Lady Gaga’s The Fame and ahead of Coldplay’s A Rush of Blood to the Head) and remains one of the best-selling albums of all time, with more than 17 million copies sold worldwide. In 2022, Fallen received a rare Diamond certification from the RIAA, which recognizes 10 million units in US album sales. As a testament to the album’s enduring appeal, the video for “Bring Me To Life” surpassed 1.2 billion views on YouTube, making it one of the most-watched rock videos of all-time while “My Immortal” follows close behind.

To date, Evanescence has released a total of five studio albums, including the multi-platinum The Open Door (2004) and Evanescence (2011), both of which topped the Billboard 200. In 2021, the band thrilled fans with their first album of new material in a decade, The Bitter Truth. Now 20 years on, Evanescence continues to scale new heights.   Featuring a line-up of Amy Lee (vocals, keyboards), Tim McCord (guitar/bass), Will Hunt (drums), Troy McLawhorn (guitars), and Emma Anzai (bass, backing vocals), the band continues to travel the globe, staging some of the most successful shows of their career, including Allianz Parque, a soccer stadium in Sāo Paulo, Brasil, which was the biggest headline show of Evanescence’s career to date, drawing 40,000 fans.  Evanescence’s most recent single, “Afterlife” from the Netflix series, Devil May Cry. has had great success with over 20 million streams and over 10 million views on YouTube in just the first few weeks.  “Afterlife” is the fastest moving single of the band’s career.  Evanescence will perform a small amount of special shows in 2025 Tampa, FL with My Chemical Romance and Australia and New Zealand with Metallica.   To see full show details, please visit Evanescence.com. 

ABOUT K.FLAY:

Based in LA and originally from Illinois, multi-platinum artist K.Flay, born Kristine Flaherty, started rapping and writing songs on a lark while attending Stanford University, and soon began releasing her self-produced mixtapes. In 2017 she released her major label debut album Every Where Is Some Where, earning two GRAMMY Award nominations for the album’s iconic smash single “Blood in the Cut” and sending her to arenas around the world with her kinetic live set. As a songwriter, musician, and producer, she’s lent her talents to numerous collaborations, working with Tom Morello, Imagine Dragons, Mike Shinoda, Fitz and the Tantrums, Bishop Briggs, Louis the Child, Kaskade, Walk the Moon, grandson, The Regrettes, Two Feet, MisterWives, and more. Whether working on her own music or with others, K.Flay’s output remains rooted in her undeniable lyrical skills, an element she attributes to her innate love of language and its infinite possibilities. Her fifth studio album, MONO, is her first since going suddenly and completely deaf in her right ear in 2022. Although K.Flay’s hearing loss deeply informed her songwriting on the album, MONO marked the start of a new era for the artist, who explores an entire spectrum of existential questions and complex matters of the heart and mind on the LP. A relentlessly boundary-pushing artist with more than 1 BILLION streams and 100K+ tickets sold, K.Flay continues to commit herself to constant growth by holding herself to higher and more rigorous standards in every aspect of her artistry.  www.kflay.com

Source: Sony Music

Korean-Australian alternative hip-hop group 1300 drops new single “BANGALANG”

The Sydney-based alternative hip-hop group returns with their first single in 2025 under JADED

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June 6, 2025 - Los Angeles, CA — 1300 return with their latest dance-ready single, “BANGALANG,” their first single of the year, released today under JADED.

On “BANGALANG,” the Korean-Australian alternative hip-hop group explores pop sonics incorporated with pokari.sweatand Nerdie’s strong bass, dance-driven production intended to invoke fun, spontaneity, and playfulness—true to the spirit to which it was made: during one of their weekly studio sessions, rapper DALI HART spontaneously busted out the hook, “Bangalang alang alang alang alang,” which he ended up punching in the booth.

In it, DALI HART, along with rako and goyo, trade bars around bread (빵 ‘ppang’ in Korean), from beloved Asian-style baked goods to croquettes. “It’s a song literally about bread,” 1300 says about the track. “It’s not that deep; it comes from a sense of play and we just wanted to have fun again.”

The five-piece recently wrapped up a round of promotions in LA in May to showcase the single ahead of release. Earlier this year, they made a televised appearance at ABC's New Year’s Eve 2025 concert at the Sydney Opera House.

The single also marks 1300’s first official project since the release of their 2024 mixtape, GEORGE.

“BANGALANG” is the first release under JADED’s label. JADED is a multi-platform independent music company headquartered in Los Angeles. JADED develops, services, manages, and promotes the best emerging Asian artists from around the world.

Source: Nyou

James Reid offers breather in love’s chaos on new single “Pahinga,” featuring TJ Monterde

It serves as the lead single off ‘jgh’ deluxe EP, which also features live versions of “Your Boy,” “Hurt Me Too,” and “Pahinga”—to name a few

Multi-awarded singer, actor, and all-around creative force James Reid has officially dropped his new single “Pahinga,” featuring pop hitmaker TJ Monterde.

The soul-stirring collaboration serves as the focus track off the jgh (Deluxe) EP, released today under Sony Music Entertainment and Careless Music.

Produced by James Reid and Brian Lotho and co-written by both artists with Jason Marvin and TJ Monterde, “Pahinga” offers a refreshing take on love’s quiet resilience. The track doubles as a searing ballad thatreflects the maturity of lovers during difficult moments, not by fighting harder but by pausing with care.

According to James, “Pahinga” doesn’t demand resolution through drama; it seeks solace in stillness. The song essays the quiet understanding between partners who, in the wake of emotional storms, choose to pause, breathe, and stay for love.

“It began with a real-life experience,” James recounts a previous encounter, which became the inspiration in writing the track. “I realized you need to quiet the mind so you can hear your heart. Pahinga is about patience and perseverance in relationships. The blend of country and R&B was something I’ve been wanting to try recently, and I think the genre really helped bring out the sincerity of what we were trying to say.”

From its tender, soothing melodies to its vulnerable lyrics (Pahingi nang isang minuto, mataas lang emosyon ko ngayon. But after all this, mahal pa rin kita), the track carries the weight of truth only lived-in love can bear. With Monterde’s signature warmth and Reid’s introspective sincerity, “Pahinga is a lullaby for grown-up hearts still learning how to rest in love.

But “Pahinga” is just one chapter of a larger story. It anchors the jgh (Deluxe) EP, a carefully expanded edition of James’ 2024 release of the same title. The deluxe version of the EP also contains live versions of all the songs in the previously released record, with the addition of “Your Boy,” “Pahinga” and “Hurt Me Too,” which further underscore the record’s intimate appeal.

“I’ve really enjoyed recording live versions of my songs, so I wanted to package them together with my new song, Pahinga, to wrap up the whole JGH journey back into OPM,” reveals the ‘Mirasol’ singer in a press statement.

Eschewing polish for authenticity, these renditions echo the warmth of a jam session shared among close friends. James and his team wanted the listeners to feel “like they were there in the room with him and the band,” while embracing the imperfection and intimacy that come with an unplugged recording. “I wanted the audience to feel like they’re there hanging out with me,” he adds.

First released in 2024, ‘jgh’ marked James’ pivotal return to making pop-leaning tracks with distinct OPM sensibilities. ‘jgh’ deluxe EP (short for “just got home”)gives an intimate glimpse into the celebrated multi-hyphenate’s past and present life, chronicling how he has matured all these years, both as an artist and as a person.

With a blend of pop, R&B, and OPM sensibilities, the EP captures Reid at his most vulnerable, rediscovering the earnest, grounded parts of his identity that he may have lost touch with and learning to forgive himself and accept the flaws that came with it. Now with the deluxe edition, that homecoming feels even more complete.

James Reid’s new album, ‘jgh’ deluxe EP is out now on all digital music platforms worldwide via Sony Music Entertainment and Careless Music. Watch out for the release of the “Pahinga” live performance video via James Reid’s official YouTube channel.

Source: Nyou

EVANESCENCE REVEALS EXPLOSIVE NEW COLLABORATION “FIGHT LIKE A GIRL (feat. K.FLAY)”

PRE-SAVE HERE

LOS ANGELES – June 2, 2025 – GRAMMY® Award-winning rock band Evanescence and alt-rock visionary K.Flay have teamed up for their first-ever collaboration on the explosive new song, “Fight Like A Girl.” (SONY). The song is featured as the first end title song in Ballerina, the hotly anticipated film set in the world of John Wick. Both the song and the film are out this Friday, June 6^th.

Co-written by Evanescence lead singer Amy Lee, K.Flay, Dylan Eiland, and Ballerina film composer Tyler Bates, who also produced the track, “Fight Like A Girl” follows the release of Halsey and Amy Lee’s thunderous track “Hand That Feeds,” the first original song recently revealed from the film in early May.

Fueled by fierce energy and defiance, “Fight Like A Girl” channels the film’s themes of vengeance, resilience, and female empowerment, mirroring its adrenaline-pumping intensity and emotional depth. Ballerina, starring Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, with Ian McShane, and Keanu Reeves, is set to electrify audiences with its high-octane action and raw emotional stakes. Directed by Len Wiseman and written by Shay Hatten, based on characters by Derek Kolstad, the film is produced by Basil Iwanyk, Erica Lee, and Chad Stahelski.

“Tyler calling me up to create this song for Ballerina couldn’t have come at a more perfect time, I know I’m not the only girl out there ready to dig my heels in and show the world what we’re made of,” said Amy Lee. “I really wanted this song to be a collab, and K.Flay is one of my favorite artists. It is literally a dream come true to do this together!”

“Amy sent me the demo and I was immediately so energized, so inspired,” said K.Flay. “I was on tour at the time, and I wrote my verse backstage after a show, when my adrenaline was still super high. For me, the film and the song are both about how we channel our pain and how we choose to define ourselves. What separates the hero from the villain?”

Taking place during the events of John Wick: Chapter 3 – Parabellum, Ballerina follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.

Lionsgate presents, a Thunder Road Films / 87eleven Entertainment production.

Evanescence will kick off a run of live shows later this fall, making stops on My Chemical Romance:The Black Parade tour and Louder Than Life festival before joining Metallica on their M72 World Tour. Tickets are on sale now and can be purchased here.

EVANESCENCE TOUR DATES

September 13             Raymond James Stadium      Tampa, FL (with My Chemical Romance)

September 18                 Fiserv Forum                           Milwaukee, WI (102.9 HOG Havoc)

September 19                 Xcel Energy Center                Saint Paul, MN (93X Family Reunion)

September 21             Louder Than Life Festival       Louisville, KY

November 1                Optus Stadium                        Burswood, AU (with Metallica)

November 5                Adelaide Oval                         North Adelaide, AU (with Metallica)

November 8                Marvel Stadium                       Docklands, AU (with Metallica)

November 12              Suncorp Stadium                    Milton, AU (with Metallica)

November 15              Accor Stadium                        Sydney Olympic Park, AU (with Metallica)

November 19              Eden Park                               Auckland, NZ (with Metallica)

ABOUT EVANESCENCE:

In 2003, when the rock charts were dominated by predominantly male nü-metal and post-grunge acts, a young female-fronted band from Arkansas stood out from the crowd, offering something entirely new. They were Evanescence – and with their debut album, Fallen, they transformed the rock landscape. Led by frontwoman Amy Lee, Evanescence’s cinematic blend of metal and symphonic, piano-driven melodies captured a generation, while Fallen set the band on a path to global superstardom, earning them multiple GRAMMYS®, and becoming one of the highest-selling albums of all time.

Released in the spring of 2003, Fallen resonated deeply with fans, selling more than 141,000 copies in its first week and peaking at No.3 on the Billboard Top 200 Albums Chart, where it spent an astonishing 43 weeks in the Top 10. Within a month, Fallen was certified Platinum by the RIAA, while it was a Top 10 hit in more than ten countries, reaching No.1 in the UK, Canada, Australia, and across Europe. Much of the album’s initial success can be attributed to its stratospheric singles, including “Bring Me to Life,” which broke the Top 10 in more than 15 countries and topped Billboard’s Mainstream Top 40 and Alternative Airplay charts. “My Immortal” was a Top 10 hit in over ten countries, including the US, UK, and Australia. 

At the 2004 GRAMMYS®, Evanescence received five nominations, including Album of the Year, Best Rock Album, Best Hard Rock Performance for “Bring Me to Life,” and Best New Artist, taking home the latter two. The following year, “My Immortal” received a nod for Best Pop Performance by a Duo or Group with Vocals.

Today, Fallen holds steady as the sixth best-selling album of the 21^st century (ranking just behind Lady Gaga’s The Fame and ahead of Coldplay’s A Rush of Blood to the Head) and remains one of the best-selling albums of all time, with more than 17 million copies sold worldwide. In 2022, Fallen received a rare Diamond certification from the RIAA, which recognizes 10 million units in US album sales. As a testament to the album’s enduring appeal, the video for “Bring Me To Life” surpassed 1.2 billion views on YouTube, making it one of the most-watched rock videos of all-time while “My Immortal” follows close behind.

To date, Evanescence has released a total of five studio albums, including the multi-platinum The Open Door (2004) and Evanescence (2011), both of which topped the Billboard 200. In 2021, the band thrilled fans with their first album of new material in a decade, The Bitter Truth. Now 20 years on, Evanescence continues to scale new heights.   Featuring a line-up of Amy Lee (vocals, keyboards), Tim McCord (guitar/bass), Will Hunt (drums), Troy McLawhorn (guitars), and Emma Anzai (bass, backing vocals), the band continues to travel the globe, staging some of the most successful shows of their career, including Allianz Parque, a soccer stadium in Sāo Paulo, Brasil, which was the biggest headline show of Evanescence’s career to date, drawing 40,000 fans.  Evanescence’s most recent single, “Afterlife” from the Netflix series, Devil May Cry. has had great success with over 20 million streams and over 10 million views on YouTube in just the first few weeks.  “Afterlife” is the fastest moving single of the band’s career.  Evanescence will perform a small amount of special shows in 2025 Tampa, FL with My Chemical Romance and Australia and New Zealand with Metallica.   To see full show details, please visit Evanescence.com. 

ABOUT K.FLAY:

Based in LA and originally from Illinois, multi-platinum artist K.Flay, born Kristine Flaherty, started rapping and writing songs on a lark while attending Stanford University, and soon began releasing her self-produced mixtapes. In 2017 she released her major label debut album Every Where Is Some Where, earning two GRAMMY Award nominations for the album’s iconic smash single “Blood in the Cut” and sending her to arenas around the world with her kinetic live set. As a songwriter, musician, and producer, she’s lent her talents to numerous collaborations, working with Tom Morello, Imagine Dragons, Mike Shinoda, Fitz and the Tantrums, Bishop Briggs, Louis the Child, Kaskade, Walk the Moon, grandson, The Regrettes, Two Feet, MisterWives, and more. Whether working on her own music or with others, K.Flay’s output remains rooted in her undeniable lyrical skills, an element she attributes to her innate love of language and its infinite possibilities. Her fifth studio album, MONO, is her first since going suddenly and completely deaf in her right ear in 2022. Although K.Flay’s hearing loss deeply informed her songwriting on the album, MONO marked the start of a new era for the artist, who explores an entire spectrum of existential questions and complex matters of the heart and mind on the LP. A relentlessly boundary-pushing artist with more than 1 BILLION streams and 100K+ tickets sold, K.Flay continues to commit herself to constant growth by holding herself to higher and more rigorous standards in every aspect of her artistry. www.kflay.com

Source: Sony Music

The Itchyworms to cross continents with #AKinKaNaLangUK Tour

Longtime Beatles fans The Itchyworms gear up for a meaningful UK debut, championing nostalgia, rock music, and Pinoy Rock

Filipino rock icons The Itchyworms marks their long-awaited debut in the UK with the #AkinKaNaLangUK Tour.

The chart-topping act behind the hits “Beer,” “Love Team,” and “Di Na Muli” are set to bring their inescapable live performances and anthemic sound through a three-city tour covering Manchester, Liverpool, and London.

As lifelong Beatles fans, the band is especially thrilled to be stepping onto the same stages and streets that shaped their musical heroes.

“We’re HUGE Beatles fans, so I’m excited to go to Abbey Road with my bandmates, and of course Liverpool, and play at the Cavern Club where the Beatles first performed,” shared Vocalist/Drummer Jazz Nicolas. “England feels like our ultimate frontier.”

The UK leg of the tour follows the band’s well-received shows across Japan, Singapore, the US, Canada, and Taiwan. The response during their tour was met with overwhelming love from global fans—many of whom introduced the band’s music to friends and partners of all nationalities.

“What I realised is they don’t care if they understand the words—they understand the feeling,” said Vocalist/Guitarist Jugs Jugueta, reflecting on the universal language of music.

Between shows, the band hopes to squeeze in some sightseeing and soak up the musical heritage of each city.

Jugs explains, “I’ve been to London three times already, but this is the first time I’m going there with my bandmates. We’ll be geeking out on all things Beatles!”

But touring isn’t without its challenges. With a lean crew that includes only a manager, sound engineer, and sometimes one tech, The Itchyworms emphasize flexibility and endurance on the road.

Kelvin Yu, the band’s bassist, shared some tips when it comes to touring the world as an artist from the Philippines. “Our tip to other bands: Start with Japan or Singapore. They’re close to the Philippines, cheaper, and have great gig opportunities with strong Filipino communities.”

Despite the logistical hurdles, the band remains energized by the global enthusiasm for OPM (Original Pilipino Music).

“OPM deserves to be heard and appreciated internationally—and we’re seeing that happen more and more,” the award-winning band shares in a press statement. “We love it!”

The tour has already yielded some unforgettable moments—from a fan in Osaka who tried to kiss two band members, to an enthusiastic senior in Chicago who attempted a surprise striptease mid-show.

As for what audiences can expect from their live performances, the band puts it simply:

“For more than two hours, we hope the music brings people back to the Philippines. We want them to forget their problems and just enjoy Filipino music with fellow Filipinos.”

And the journey doesn’t stop here. While the UK marks a milestone, the band hints at future legs in Australia, New Zealand, a return to Canada in 2026, and possibly, some stops in Southeast Asia.

To their UK fans, the band has a heartfelt message: “We’re so excited to meet you all in Manchester, Liverpool, and London! If you see us on the streets, don’t be shy to say hello!”

Catch The Itchyworms on the #AkinKaNaLangUK Tour:

June 22 (Sun) - Night & Day Cafe (Manchester)

June 23 (Mon) - Cavern Club (Liverpool)

June 28 (Sat) - Dingwalls Camden (London)

Tickets available at: www.itchyworms.com

Follow The Itchyworms on social media for updates and behind-the-scenes moments:

Facebook: The Itchyworms Facebook Page

Instagram: @theitchyworms

X (formerly Twitter): @theitchyworms

Spotify: The Itchyworms on Spotify

TikTok: @theitchyworms

YouTube: The Itchyworms Official Channel

 Source: Nyou 

YARA flips the script with “Sabi Ko Na (Remix),” featuring Nateman

The remix reframes the narrative with sharp verses and streetwise tension, challenging perceptions in the age of curated realities

Rising P-Pop group YARA joins forces with drill rapper Nateman for the newly released “Sabi Ko Na (Remix),” out today via Sony Music Entertainment.

Originally written by award-winning producer, singer, and songwriter JRoa and produced by Yung Bawal, the Y2k-inspired track gets a swagger-filled upgrade. Nateman’s incisive yet playful verses add grit and depth to the material, transforming the song into a more dynamic version of itself.

“Nateman came in hard with his straightforward bars and a laid-back yet intense delivery,” shares the Filipina pop alphas. “His flow was sharp, and his confidence really came through. He added this gritty, street-smart flavor that made the track different. It wasn’t just a remix anymore; it had a whole new personality. He was the perfect guy to represent the flip side of the story.”

While “Sabi Ko Na” revolves around gut instinct—knowing something’s off without clear evidence—the remix takes a more nuanced approach. Nateman’s verse offers a compelling counterpoint that challenges assumptions and injects tension to the narrative.

“In a world where people can easily curate how they appear, we felt it was important to show both sides,” explains the sassy four-piece act. “The remix isn’t just a one-sided callout anymore, it becomes a conversation about doubt, perception, and how hard it can be to really know someone. That complexity is what makes the message hit deeper.”

YARA adds, “People are quick to judge based on what they see online, so it felt important to push for deeper thinking. We want listeners to not just feel, but also question, reflect, and really understand both sides before making conclusions.”

YARA also reflects on their creative synergy with Nateman during the recording phase. The Filipino hip-hop soloist emphasized emotion over technical perfection, an insight that remarkably left a lasting impression.

“That’s when he shared something that really stuck with us: in hip-hop, perfection isn’t always the goal,” the P-Pop quartet shares. “Sometimes, it’s the little imperfections: the sabit and the raw moments that bring out the authenticity and emotion in a track. That perspective gave us a whole new appreciation for letting go and just feeling the music.”

With lush melodies, infectious hooks, and Darkchild-style production, the song finds YARA at their most confident, delivering attitude and sonic sophistication in equal measure. Thanks to Nateman’s lyrical edge and sonic swagger, the reimagined version breathes new life into the track, giving it a second wind worth the listen.

YARA and Nateman’s “Sabi Ko Na (Remix)” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch out for the release of“Sabi Ko Na (Remix)” music video on YARA’s official YouTube channel.

Source: Nyou

ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET Celebrate Major Wins and Nominations at Music Awards Japan 2025

ATARASHII GAKKO!, FRUITS ZIPPER, and CUTIE STREET, three standout acts under Japanese creative agency ASOBISYSTEM, made a powerful statement at Music Awards Japan 2025, winning major honours and earning multiple nominations across key categories. Together, the boundary-breaking artists highlight a bold new era for Japanese Pop - defined by individuality, innovation and global resonance.
 
Creative powerhouse ASOBISYSTEM, the talent agency and production company behind these artists also received the Innovator of the Year award, in recognition of its trailblazing approach to Japanese pop culture and its efforts in championing non-conventional artists on a global stage.
 
ASOBISYSTEM founder and CEO, Mr. Yusuke Nakagawa, reflected on the company’s recognition:
 
“At ASOBISYSTEM, we’ve always believed in the power of creativity to shift culture. ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET embody that mission perfectly, being fearless and original. We’re deeply grateful to the Music Awards Japan for recognising not just our artists, but the creative community that supports them.”
 
Upon receiving the Best Japanese Dance-Pop Artist Award, ATARASHII GAKKO! member SUZUKA shared:
 
“I want to thank everyone for this award. Honestly, we can’t get enough of expressing difficult emotions and subtle nuances that cannot be expressed in words through our dance. We hope to continue to create a sense of unity with all of our fans and everyone around the world through dance, and to have as much fun as possible.”
 
MIZYU also reflected on their win in the Best Dance Performance Award category:
 
“The song ‘OTONABLUE’ was created in 2019, before the pandemic, and released in 2020. It’s such an important song that really triggered our popularity in 2023, and so many people were introduced to ATARASHII GAKKO! because of it. We’re so thankful for music, and to be able to sing and dance around the world every day. We want to keep fighting on the Japan stage, the world stage, and the global stage as ATARASHII GAKKO!”
 
Meanwhile, rising idol group FRUITS ZIPPER was also honoured, with member Suzuka Chinzei expressing heartfelt gratitude on receiving the Best Idol Culture Song Award:
 
“We want to thank everyone from the bottom of our hearts for this wonderful award. In particular, we’re thankful for Mr. Sho Yamamoto, who created the song, for all of the staff members, and for our fans who continue to love and support us. We want to keep introducing ‘NEW KAWAII’ to the world and to continue contributing to the expansion of idol culture.”
 
ATARASHII GAKKO!, whose name translates to “New School Leaders”, has captivated fans globally with their bold fusion of punk energy, traditional Japanese motifs and unfiltered individuality. From FRUITS ZIPPER’s kawaii-meets-cool evolution of idol pop to CUTIE STREET’s viral buzz and digital-native charm, ASOBISYSTEM’s roster is redefining what it means to be a pop act in 2025. These recognitions reflect a growing appetite for genre-fluid, expressive artistry both in Japan and internationally.
 
The awards also underscore the impact of ASOBISYSTEM’s long-standing commitment to cultural innovation, having nurtured distinctive, boundary-pushing talents such as Kyary Pamyu Pamyu, Yasutaka Nakata and more.
 
As part of the Music Japan Awards 2025 ceremony, ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET took part in the powerful opening segment, “RYDEEN REBOOT – YMO”, a tribute project to the legendary Yellow Music Orchestra. The performance encapsulated ASOBISYSTEM’s forward-thinking ethos, with all three acts honouring YMO’s legacy while infusing it with their own unique energy and contemporary flair. Watch it here.
 
ATARASHII GAKKO!
Best Japanese Dance-Pop Artist - WINNER
Best Dance Performance ("Otonablue") - WINNER
Best Japanese Dance-Pop Song (“Otonablue”) - NOMINEE
 
FRUITS ZIPPER
Best Idol Culture Song (“Watashi no Ichiban Kawaii Tokoro”) - WINNER
Best New Artist - NOMINEE
Best Idol - NOMINEE
Best of Listeners’ Choice: Japanese Song (“Watashi no Ichiban Kawaii Tokoro”) - NOMINEE
 
CUTIE STREET
Best Idol - NOMINEE
Best Idol Culture Song ("Kawaii Dake ja Dame Desu ka?") - NOMINEE
Best Viral Song ("Kawaii Dake ja Dame Desu ka?") - NOMINEE
Best of Listeners’ Choice: Japanese Song ("Kawaii Dake ja Dame Desu ka?") - NOMINEE
 
About ASOBISYSTEM
Founded in 2007, ASOBISYSTEM is a Tokyo-headquartered entertainment company at the forefront of promoting Japanese pop culture and creativity on a global scale with its innovative approach to artist development and brand building. ASOBISYSTEM manages a diverse roster of artists, models, actors and creators including pop icon Kyary Pamyu Pamyu, electronic music producer Yasutaka Nakata and multi-disciplinary artist Sebastian Masuda to deliver captivating content and engaging events for wide-ranging audiences. Working across various platforms such as music, visual arts, fashion, pop-up stores and events, ASOBISYSTEM is a driving force in Japanese pop culture, fostering creativity and diversity within the industry.
 
About ATARASHII GAKKO!
ATARASHII GAKKO! is a four-member girl group known for their high-energy performances, theatrical visuals and genre-bending music. With a mission to challenge stereotypes and embrace individuality, the group is a rising force in Japan’s new wave of cultural exports.
 
About FRUITS ZIPPER
FRUITS ZIPPER is a new-generation idol group whose upbeat, playful style and catchy anthems have quickly gained attention across Japan and overseas. With a mission to promote “NEW KAWAII”, the group blends nostalgia with innovation to lead the next wave of idol culture.
 
About CUTIE STREET
CUTIE STREET is a rising idol group celebrated for their energetic vibe, internet-savvy appeal, and viral performances. Known for connecting deeply with Gen Z audiences, the group reflects the next chapter in fan-powered, digital-first pop.
 
About Music Awards Japan (MAJ)
The Music Awards Japan 2025 aimed to “connect the world and light up the future of music”. The show is one of the largest international music award presentations in Japan. It aims to promote the music of Japan and other Asian countries around the world, to further highlight the pride of Japanese musicians and to encourage foreign artists to enter the Japanese market. It was established as an opportunity for the five major music industry organizations in Japan (Recording Industry Association of Japan, Japan Association of Music Enterprises, Federation of Music Producers Japan, Music Publishers Association of Japan, All Japan Concert & Live Entertainment Promoter's Conference) to transcend barriers and collaborate with the global music industry to create the future of music.
 
MAJ determines the best works/artists in a total of 62 categories, including six major categories, out of a total of 3,000 entries/artists by voting by artists and other music professionals. The Grand Ceremony was held on 22 May and was broadcast live on NHK and streamed worldwide on YouTube (excluding some regions).
 
The total of 62 categories represented at MAJ celebrate a wide variety of music culture. The six main categories are “Best Song”, “Best Album”, “Best Artist”, “Best New Artist”, “Best Asian Song”, and “Top Global Hit from Japan”. In addition, an unprecedented number of other categories have been created over the years, including categories open to general music listeners and awards honouring Japanese music that has received recognition abroad.
 
This year's entries, totaling approximately 3,000 songs, are available on Spotify in the form of a “museum” playlist, and playlists for each category, including the six main categories, are available on dHits and other music distribution services. Excluding some songs that are not available on music distribution services.
 
MUSIC AWARDS JAPAN 2025
Date: 21-22 May
Event Week: 16-22 May
Venue: ROHM Theater Kyoto
Official Site HERE

In collaboration with: Agency for Cultural Affairs / Ministry of Economy, Trade and Industry
Sponsors: Kyoto Prefecture / City of Kyoto / Kyoto Chamber of Commerce and Industry / JETRO

Follow ATARASHII GAKKO!
Website | Facebook | Instagram | X | TikTok | Youtube

Follow FRUITS ZIPPER
Website | Facebook | Instagram | X | TikTok | Youtube

Follow CUTIE STREET
Website | Instagram | X | TikTok | Youtube

Follow ASOBISYSTEM
Website | Facebook | Instagram | X | Youtube

For more information, contact blackstar

Thai rapper Milli showcases emotional side with new single “MENACE”

Explosive Thai rapper MILLI has just released a peek at her upcoming album with the second single ‘MENACE’, a suave crossover track with introspective lyrics that represent MILLI’sinner emotions, showing a stark contrast from her previous hard-hitting release ‘ONE PUNCH’.

“After the intense ‘ONE PUNCH’, I’m shifting towards R&B vibes with this new song ‘MENACE’. The intensity of the two songs is very different. This song has a much lighter groove, but the lyrics are extremely heavy because they represent my own pain of choosing to walk away from a relationship that was hurting me,” said MILLI.

Listen to MILLI’s ‘MENACE’

Alongside the single, MILLI has also released a music videofor ‘MENACE’, marking a significant transformation for her as she showcases her growth and sexiness in this new era. The music video is directed by Rose-Ruangsroi Aksornsawang, an award-winning film director who has created beautiful cinematic visuals for ‘MENACE’, showing an intense storyline that reflects the themes of the upcoming album HEAVYWEIGHT.

Watch the music video for “MENACE

Revealing more about ‘MENACE’, MILLI said, “This is a confident step forward, with me telling myself that I will no longer be the only one being victimized, that I am good enough. The song is a result of a collaboration with a foreign producer during an 88Rising song camp in Los Angeles. I’m also very excited for everyone to check out my new album HEAVYWEIGHT, which will be released in less than a month!”

MILLI is a dynamic Thai rapper, singer and songwriter who made history as the first Thai artist to perform on the main stage at Coachella in 2022. Known for constantly reinventing her image and delivering fierce rap flows, MILLI has quickly become a standout artist under her label YUPP! Entertainment. MILLI's talent caught the attention of artists across different labels, leading to numerous collaborations. Notably, her collaboration with the Thai band Tilly Birds on ‘Just Being Friendly’ has garnered over 100 million views on YouTube. Similarly, her feature on ‘Mirror Mirror’ alongside F.HERO and Changbin from Stray Kids also surpassed 100 million views.

In addition to these achievements, MILLI has worked with the global record label 88rising, contributing to the official remix of BIBI's ‘The Weekend’, which has garnered over 80 million views on YouTube. She also collaborated with Jackson Wang on the track ‘Mind Games’ which received widespread attention from music fans around the world. She was selected by Spotify's EQUAL campaign, an initiative promoting women in the music and audio industry, featuring herself in the popular music streaming service. As part of this campaign, her upcoming single’s artwork was displayed on a giant screen in New York’s Times Square. In 2022, she was named one of the 100 most influential women in the world by the BBC, further cementing her status as a global icon.

Her talent has been recognized with numerous awards, both nationally and internationally, including ‘Best New Asian Artist Thailand’ (Mnet Asian Music Awards: 2020 MAMA), Top Ten2020 The Hottest Songs (JOOX Music Thailand Top 100 2020), Hip-Hop Song of the Year and New Face of the Year (Rap is Now Awards 2020), and the Rising Star (Kazz Awards 2020). Inlate 2022, MILLI released her highly anticipated debut album, BABB BUM BUM, which earned her Best Album of the Year and Best Solo Artist of the Year at the TOTY Music Awards 2022.MILLI will return in 2025 with her second album on June 26.

INSTAGRAM | YOUTUBE | TIKTOK | SPOTIFY | APPLE MUSIC

Source: Nyou

Morissette returns to the concert stage with "Ember"

Manila, Philippines — The fire is back, and it’s brighter than ever. Asia’s Phoenix, Morissette, is set to headline her most anticipated solo concert yet: Ember, taking place on October 28, 2025, 8:00 PM at the Smart Araneta Coliseum. This show celebrates 15 years of music, milestones, and global impact.

From her early days as a powerhouse teen vocalist on The Voice of the Philippines to performing alongside icons like Michael Bolton and Alan Menken, Morissette has risen as one of the most compelling voices of her generation. Now, she returns to the stage not just as a singer, but as a creative force driving Original Pilipino Music to new heights.

A Landmark Year for Asia’s Phoenix

2025 is shaping up to be a milestone year for Morissette. In addition to Ember, she stars in the highly anticipated musical film Song of the Fireflies, premiering on June 25, where she showcases both her dramatic range and signature vocal prowess. Her latest collaboration with acclaimed band December Avenue, titled “Ahon,” reveals a more intimate, acoustic side of her artistry—captivating longtime fans and drawing in new listeners alike.

Beyond the Philippines, Morissette continues to represent proudly on the world stage, performing in a series of TFC (The Filipino Channel) shows across the US and Europe. Her global presence reinforces her status not only as a local icon but as a worldwide ambassador for Filipino music and talent.

Ember: A Concert Like No Other

Ember marks Morissette’s return to the Araneta stage for her first major solo show since Morissette is Made in 2018. This performance is set to be a deeply personal and sonically spectacular journey through her past hits, current projects, and a glimpse into what’s next under her own label, Underdog Music.

Expect soaring vocals, raw emotion, and unforgettable moments—Morissette is not just looking back on 15 brilliant years, she’s setting the tone for her next chapter.

Event Details

● Date: October 28, 2025

● Time: 8:00 PM

● Venue: Smart Araneta Coliseum

Here are also some remarkable features:

1. The hashtags #AsiasPhoenix15thAnniv and #HappyBirthdayMorissette quickly trended on X after the announcement during her birthday production on ASAP Live.
2. Ticketing details and additional information will be released soon.
3. Ember marks her return to the big stage as a solo headliner, following her successful solo debut concert, Morissette Is Made, held on February 20, 2018.
4. The event is produced by Underdog Music and Gabi Na Naman Productions (GNN).

This is More Than a Concert—It’s a Cultural Moment

Morissette’s journey is far from over. From film to international tours to musical evolution, Ember is the culmination of a legacy-in-the-making.

Save the date. Witness the passion. Feel the fire.

Source: Nyou

Miley Cyrus releases new album Something Beautiful

Miley Cyrus’s ninth studio album, Something Beautiful, is out now via Columbia Records and available on all streaming platforms. Listen HERE.

The 13-track album blends emotional clarity with expansive, cinematic production. It features the new song “Easy Lover,” alongside previously released tracks “More to Lose” and “End of the World,” as well as new highlights like “Walk of Fame.”

A full-length visual companion to the album premieres June 6 at the Tribeca Festival. Directed by Miley Cyrus, Brendan Walter, Jacob Bixenman, and acclaimed filmmaker Panos Cosmatos, the film brings the world of Something Beautiful to life. Naomi Campbell also appears in the visual for “Every Girl You’ve Ever Loved”.

Produced by Miley Cyrus and Shawn Everett, with contributions from Brittany Howard, Maxx Morando, and Michael Pollack, Something Beautiful is introspective, sonically adventurous, and emotionally grounded.

The visual album will have a one-night theatrical release in the U.S. and Canada on June 12, with international screenings beginning June 27. The link to buy the film tickets is here: www.MileyCyrusSomethingBeautiful.com

Source: Nyou

Kiana V releases "Falling Out," the first single off her upcoming full-length album

The Filipina R&B powerhouse opens up about toxic love, hard lessons, and finally choosing herself first

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Acclaimed Filipina singer-songwriter Kiana V returns with the release of “Falling Out,” a slow-burning R&B track that transforms emotional reckoning into an empowering anthem for women everywhere.

Released as the first single off her upcoming full-length album, “Falling Out” plunges into the quiet chaos of toxic love, the kind that lingers long after it should have ended. Inspired by her own experience—and the quiet confessions of friends stuck in similar loops— Kiana delivers an unflinching portrait of the patterns we perpetuate when self-worth is sidelined.

“The track captures that all-too-familiar feeling of knowing you need to walk away, but staying anyway,” Kiana adds.

Set against dreamy instrumentation and gliding, sensual production, the song pairs vulnerability with sonic elegance. Kiana’s feathery vocals, reminiscent of early 2000s R&B icons Aaliyah and Tamia, float effortlessly over smooth, hypnotic beats. The result is a modern slow jam imbued with an undercurrent of subtle strength: a song that soothes even as it confronts.

At its best, “Falling Out” is a rallying cry for women learning to reclaim their narrative. It’s a love letter to the women who have stayed and suffered too long, lost themselves in someone else’s version of love, and are finally ready to choose themselves.

The soulful new track also marks a pivotal moment for Kiana as she learns and unlearns the ropes of adulthood while rebuilding her sense of self— this time, away from the person contributing harm to her mental and emotional well-being.

About Kiana V

A luminary in the contemporary Filipino pop and R&B music scene, Kiana V continues to carve her own space with her intimate songwriting, velvety tone, and effortlessly cool sonic identity. As anticipation builds for her forthcoming album, her most mature and sonically adventurous work to date, Kiana V redefines what it means to be a Filipina artist on the world stage.

With a dedicated global fanbase eagerly awaiting new material, this album is poised to mark a significant step forward in Kiana V's burgeoning international career.

Kiana V’s “Falling Out” is out now on all digital music platforms worldwide. Music link: symphony.to/kiana-v/falling-out

 Source: Nyou

Offshore Music pays tribute to Eraserheads’ Cutterpillow with all-star compilation

Offshore Music, one of the Philippines’ leading independent labels, honors the timeless legacy of The Eraserheads’ Cutterpillow with a tribute record featuring some of the most exciting emerging and established acts in the country.

Marking the 30^th anniversary of the landmark alternative rock album, the compilation release offers a fresh take on the classic tracks, reimagined by the indie label’s eclectic roster. Each artist brings a modern sensibility to the material: some putting their own stamp with genre-bending reinterpretations, while others sticking closer to the original arrangements and infusing it with their own flavor.

“We didn’t set any parameters,” explains Ely Buendia, CEO of Offshore Music. “We just told the artists that it was a tribute album, and they can interpret it as they see fit. Some totally changed the feel, genre, and energy of the song, and some stayed faithful to the material but added some sprinkles of their own musicality in it. The balance just came naturally. The decision is left to the artists, and we trust that they have the taste and wisdom to determine whether they are enhancing the original song or giving it some sort of a sonic makeover that appeals to a specific generation of listeners.”

Audry Dionisio, the General Manager of Offshore Music, emphasizes the label’s commitment to artistic freedom and integrity. She notes that Offshore Music has always empowered its artists to push boundaries, whether by challenging conventions or breathing new life into timeless material.

“Each artist was given complete creative freedom,” Dionisio explains. “Some producers collaborated directly with the band, but Ely and Pat Sarabia oversaw the entire project. We’re fortunate to have one-fourth of the Eraserheads guiding the process and lending his seal of approval. All the artists decided on what they were going to do, and we were just here to guide them. Even Rayms, Buddy, and Marcus gave their input on some tracks.”

Cutterpillow: Tribute Album art

Cutterpillow: Tribute Album brings together a diverse array of standout performances, including Diego’s Scenes and Ligaya Escueta’s emo-charged take on“Back2Me,” Elton Clark’s synth-pop spin on “Torpedo,” Carousel Casualties’ knockout rendition of “Walang Nagbago,” Pinkmen’s harmony-rich version of “Ang Huling El Bimbo,” Pixie Labrador’s Lilith Fair-flavored style “Fill Her,” ALYSON’s slick city pop render of “HuwagMo Nang Itanong,” ena mori’s theatrical reworking of the title track, and Amateurish and Stef Aranas’ dynamic redo of “Superproxy,” which serves as the album’s focus track.

The year-long campaign of the tribute album launched earlier this year with limited-edition merchandise designed by award-winning artist Tarantadong Kalbo (Kevin Eric Raymundo). The t-shirts and tote bags, which featured his signature illustrations, quickly sold out in a matter of days.

In addition to the album’s digital release, Offshore Music is set to premiere a companion docuseries on June 6, 2025, with new episodes dropping every Friday through August. The online series will showcase behind-the-scenes footage from the recording sessions, as well as interviews with the artists and producers involved.

“Additionally, in this documentary, you’ll witness the highs and lows of their journey as part of the tribute album—from their first reactions to joining the project to brainstorming, recording take after take, and their spontaneous bursts of creativity,” shares Offshore Music in a press statement. “The documentary is more than just a recording of the process; it's a celebration of passion, creativity, and the timeless impact of Cutterpillow.

Check out the tracklist of Cutterpillow: Tribute Album:

1. “Superproxy” - Amateurish feat. Stef Aranas

2. “Back2Me” - Diego's Scenes and Ligaya Escueta

3. ‘Waiting for the Bus” – MI MI and Eliza Marie

4. “Fine Time” - Sansette

5. “Kama Supra” - Seedy and the Years

6. “Overdrive” - JUICEBOX

7. “Slo Mo” - GundamFunk

8. “Torpedo” - Elton Clark

9. “Huwag Mo Nang Itanong” - ALYSON

10. “Paru-Parong Ningning” - Her Name is Noelle

11. “Walang Nagbago” - Carousel Casualties

12. “Poorman's Grave” – Grave Aviators

13. “Yoko’ - neytan

14. “Fill Her” - Pixie Labrador

15. “Ang Huling El Bimbo” - Pinkmen

16. “Cutterpillow” - ena mori

17. “Overdrive (Reprise)” – OFFSHORE MUSIC

Cutterpillow: Tribute Album is out now on all digital music platforms worldwide via Offshore Music and Sony Music Entertainment.

About Sony Music Entertainment

At Sony Music Entertainment, we honor the creative journey. Our creators shape movements, culture, communities, even history. And we’ve played a pioneering role in music history, from establishing the first-ever music label to inventing the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse and distinctive roster of talented creators at every level and on every stage. Situated at the intersection of music, entertainment, and technology, we bring imagination and expertise to emerging products and platforms, embrace new business models, and employ breakthrough tools—all to support the creative community’s experimentation, risk-taking, and growth. And we form deep, trusted, cause-based partnerships to uplift and empower communities around the world. Sony Music Entertainment is part of the global Sony family. Learn more about our creators and labels here. 

About Offshore Music

Offshore Music is an independent record label founded by a mix of businessmen and musicians in 2016. Its aim is to guide the listeners of Filipino music toward artists with the ability to make the familiar sound fresh. Driven by initiative and imagination, Offshore Music provides an honest space of creativity, and above all, an avenue for quality music.

In June 2023, the company entered a partnership with Sony Music Philippines and has since propelled Offshore Music into greater heights with a new fervor and passion for music.

Source: Nyou

BlackB x Polygroove Productions Rocking Independence Day with Music and Celebration

The stage is set, the lights are on—are you ready for a music revolution? Prepare for a night of unfiltered energy, homegrown sound, and pure musical freedom.

Save the date for Black B x Polygroove Productions Malaya: In Celebration of Araw ng Kalayaan,celebrating Independence Day and happening on June 11, 2025, at 70’s Bistro, Quezon City for an epic musical experience. The stage will blaze with performances from some of the most exciting upcoming bands in the local scene, including Wax.wav, The Revisors, Kettle Mata, A for A, and Dear Dina.

Don’t miss out on the celebration of artistic independence, cultural pride, and the unstoppable rise of the new wave of OPM. Support the scene, wave your flag, and let the music move you at Malaya: In Celebration of Araw ng Kalayaan.

You can purchase tickets via https://tinyurl.com/malayagigjune112025. This event is presented by Black B Productions and Polygroove Productions

About Black B and Polygroove

Black B starts with an idea of showcasing quality artists and music, and from that, a first gig prod was made on October 13, 2022 for a Double Single Launch at Saguijo Bar for Sean Archer’s “Mamaya Na” and Vanessa’s “Kape”. It was a fun night filled with a good audience and great bands and from then on, it continued to produce gigsto various places such as 19East with their headliner Tanya Markova, Seltsam, 70’s Bistro etc.

Polygroove, a rehearsal studio and production house based at University Mall, Taft, offers live instrumental music, full band setups for shows, song arrangements, and music mentorship. Their goal is to bring reliable, high-quality music support to artists and collaborators. They recently did a fundraising gig for their relocation of rehearsal studio and hospital bills for their cat Mocha. The event took place in Sari Sari Cocktails, Makati on April 11, 2025, with their headliner The Itchyworms along with great artists and bands.

Source: Nyou

Reverb Worship PH’s New Instrumental EP Release

Reverb Worship PH, the official music arm of CBN Asia, released its first-ever instrumental hymns project, Sound Waves (Instrumental Hymns) Vol. 1, on May 30 across all major streaming platforms. The extended play offers a reflective, modern take on classic Christian hymns—reimagined through moving piano, cello, and violin arrangements.

Featuring beloved songs such as “Blessed Assurance,” “Amazing Grace,” “It Is Well With My Soul,” and “Great Is Thy Faithfulness,” this four-track collection marks a significant new direction for Reverb Worship.

“For the past few years, Reverb Worship has been dedicated to creating Christian contemporary music,” shares project head and co-producer Ivy Catucod. “This time, we are excited to present a refreshing instrumental hymns EP, designed for our listeners to enjoy during quiet moments of reflection and communion with God.”

The music was arranged, recorded, and mixed by EboyRefuerzo at The Apartment studio, with performances by Theodore Philip Amper on cello and Mara Leigh Guevara on violin.

Inspired by verses such as Romans 8:31-39, Psalm 46:1-3, and Lamentations 3:22-23, the EP explores themes of grace, peace, and unwavering faith. With no lyrics, the arrangements allow space for personal reflection, prayer, and deep rest in God’s presence.

The track “Amazing Grace” builds gradually from solitary piano to rich string harmonies, capturing the journey from brokenness to redemption, while “It Is Well With My Soul”offers a calm, steady rhythm that evokes peace in the midst of life’s storms.

“Our prayer is that each listener will experience a powerful outpouring of worship to the Lord. May God's love and mercy shine brightly in their lives on their daily journey with Him,” Catucod said.

Stream Sound Waves, Vol. 1 now on YouTube, Spotify, and Apple Music. Follow Reverb Worship PH on Facebook, Instagram, and YouTube for updates, behind-the-scenes content, and upcoming music releases that will continue to inspire and uplift.

Source: CBN Asia

HEAD IN THE CLOUDS ANNOUNCES LIVESTREAM OF 2025 LOS ANGELES FESTIVAL

WEBSITE HERE
OFFICIAL TRAILER HERE

Head In The Clouds LA 2025 livestream admat

Head In The Clouds announces the official livestream of the LA festival’s 2025 edition taking place on May 31st and June 1st. The star-studded lineup will be livestreamed via 88rising’s official YouTube page HERE.
 
Head In The Clouds has brought its unique programming to New York City, Jakarta, Manila and China in recent years and now returns home to Los Angeles, where it will serve as a celebration of Asian-centric music, art, and cuisine. Described by Rolling Stone as a “who’s who’ of top Asian talent,” HITC brings its biggest lineup yet with headliners G-Dragon, 2NE1, Dean, DPR Ian, Rich Brian, Porter Robinson (DJ Set), a highly anticipated Higher Brothers reunion, The Magic Show?!? and 88rising’s 10-Year Anniversary Finale.
 
HITC marks G-Dragon’s exclusive 2025 North American Festival performance. One of the biggest global stars who has transcended K-pop, G-Dragon, will be joined by other notable superstars of the genre 2NE1, the pioneering and highly influential K-pop girl group, and Dean, the Korean RnB phenom. Other highlights include DPR Ian, the Australian-born singer who has become one of the world’s most streamed K-pop solo artists; Rich Brian, the 88rising-signed rapper and singer; and the long-awaited reunion of Higher Brothers, the Chinese rap group who became one of China’s biggest musical exports; a mysterious set titled “The Magic Show ?!?” which calls to mind a certain similarly titled smash album; and the always-anticipated 88rising finale set which promises to bring together a host of artists from across the label’s 10 year history.
 

HITC LA HEADLINERS - IN BILLING ORDER
G-Dragon
2NE1
Dean
DPR Ian
Rich Brian
Porter Robinson
Higher Brothers
THE MAGIC SHOW?!?
88rising’s 10-year Anniversary Finale

HITC LA SUBHEADLINERS - IN ALPHABETICAL ORDER
4EVE
ARMNHMR
BABEBEE
Bixby
DPR Artic & DPR Cream
Jonah Love
Karri
Milli
Miso
Number_i
no na
PIAO
PISCEE
Seiji Oda
SF4AM
Stephanie Poetri
Sunkis
Tabber
WANG OK
Warren Hue
Xin Liu
Youha
Yung Kai
YY

 
ABOUT 88RISING
88rising is a pioneering global music and media company representing the best of Asian talent. Since its inception, 88rising has paved the way for many music industry firsts: the first to have an Asian artist top the Billboard R&B/Hip-Hop charts, Spotify’s Weekly Global Albums chart and enter the top 10 on Mediabase’s Top 40 chart, the first to launch an all-Asian radio channel in North America, and the first and only record label to have a main stage slot at Coachella. 88rising is also most notably the first company to launch an Asian-centric music festival in the United States, Head in the Clouds Music & Arts Festival, in partnership with powerhouse promoter Goldenvoice. The flagship festival expanded globally for the first time to Jakarta, Indonesia and Manila, Philippines in 2022. In 2021, 88rising executive produced and curated the soundtrack to Shang-Chi and the Legend of the Ten Rings - Marvel Studios’ first Asian-American superhero. 88rising continues its film endeavors with Jamojaya which premiered at the 2023 Sundance Film Festival, and stars multi-hyphenate Rich Brian and is executive produced by 88rising founder & CEO Sean Miyashiro. Previously, in 2019, 88rising was awarded Label of the Year by NetEase, one of the largest music streaming platforms in China. With over 160 million followers across global social media platforms and over 50 billion total streams and views, 88rising’s global influence is undeniable.

Connect with Head In The Clouds Festival:
Website | Instagram | TikTok | X | Facebook

Connect with 88rising:
Website | Instagram | X | TikTok | YouTube | Facebook

For more information, contact blackstar

Tothapi hits universal nerve with jazzy pop single “Ulan”

The eight-piece band returns with a soulful song that takes a deeper dive into romantic ambiguity

Bicol-based pop outfit Tothapi continues to make a name for themselves in the local music scene—thanks to their brand of heartfelt pop tunes that brim with crossover appeal. Their breakthrough hit “Celeste” has racked up more than 16 million streams on Spotify, fueled by the viral buzz on TikTok and a resounding co-sign from Asia’s Songbird, Ms. Regine Velasquez.

Now basking in the glow of newfound popularity, the eight-piece band returns with their latest single, “Ulan,” a suave, jazz-laced tune that paints a vivid picture of a love that’s constantly shifting: hot and cold, much like the seasons.

Lyrically introspective and sonically lush, “Ulan” captures the experience of being entangled in a relationship marked by uncertainty and half-presence. It’s a modern love story told through someone caught in a loop of seasonal love, drawn back in only when it’s convenient for the other person. As the band describes it, it’s “falling in and out of love in the digital age,” a sentiment that resonates deeply with a generation navigating ghosting, mixed signals, and emotional limbo.

“In terms of the overall theme of the song, we made sure that chords and notes we used in the arrangement reflected an array of emotions such as sadness, grief, and desperation,” shares the band. “Just like the persona in the track, the chords and melodies are in a push-and-pull dynamic—never quite settled, always in motion.”

Penned during their senior high school days, “Ulan” comes from a place of earnestness and real-life experience. “It came from something deeply personal,” the band recalls. “But like most meaningful songs, it grew into something more universal, something that a lot of people could see themselves in.”

With their trademark blend of warm melodies and lyrical melancholy, Tothapi once again proves their ability to transform simplicity into something striking. Their sound is rooted in the honesty of their youth, their charm in the authenticity of their bond. Throughout the track, the group showcases not only musical chemistry but technical finesse.

“Every process of recording is a challenge to us, especially as a full band with different types of instruments, but our bond makes the work a bit easier,” they say in a collective statement. “We definitely tried to showcase that each of our band members can sing. In terms of the overall music production, we also did it in our home studio with the help of our very own producer, Beej. Every session we create becomes a memorable experience for us because we are not just a band; we have also formed a friendship that makes us treat each other like family.”

The story of “Ulan” continues with a music video set to drop soon. It stars Josh, better known online as “Golden Retriever Boy,” who recently went viral for his appearance on an online dating show and a cheeky TikTok video comparing his resemblance to Patrick Bernardino, ex-husband of TikTok personality MeikoMontefalco. Expect a playful visual companion to an emotionally loaded song.

Tothapi’s “Ulan” is out now on all digital music platforms worldwide via Sony Music Philippines. Stay tuned for the release of the official music video on Tothapi’s official YouTube channel.

Follow them on their socials:

Facebook: https://bit.ly/Tothapi-FB
Twitter: https://bit.ly/Tothapi-TW
Instagram: https://bit.ly/Tothapi-IG
TikTok:https://bit.ly/Tothapi-TT
Spotify: https://spoti.fi/44JsPpD

 Source: Nyou