All Of The Noise 2026 expands to 3 days, amplifying Filipino and Asian Music on the global stage

Live performances, documentary premieres, networking sessions, and industry talks converge in TRIN’s most expansive edition yet.

The Rest Is Noise (TRIN), a music curation and events production outfit based in the Philippines, returns with the fourth edition of All Of The Noise 2026. The showcase and conference event will take place in three venues across Metro Manila: Astbury Makati (April 17 and 19), Sari-Sari in Makati City (April 17 and 19), and 123 Block in Mandaluyong City (April 18).

This year’s edition will feature dynamic, multi-format music programming centered on community building, cross-cultural collaboration, and visibility, positioning Filipino and Asian music as vital forces within the global creative economy.

“This year’s programming is more expansive than ever, growing from two days to three, with each day offering a different entry point into the experience and live music happening throughout,” shares Mary Christine Galang, co-founder and creative director of The Rest Is Noise PH. “We’re welcoming more than 20 artists this year, including Filipino artists from across the country as well as international acts from across Asia-Pacific.”

Originally conceived as a year-end, midsized music festival, the fourth iteration of All Of The Noise 2026 brings together live performances, talks and panel discussions, documentary screenings, a music market, networking, and private studio sessions into one shared experience.

“We want people to come in not only to discover artists, but to engage with the ideas, conversations, and communities that shape the music around them,” Galang adds. “That has always been at the core of what we do at TRIN.”

Live music programming

The live music showcase will run in multiple venues across three dates, with highly anticipated performances featuring New Zealand’s Phoebe Rings, Indonesia’s Grrrl Gang, Arash Buana, and Gavendri, Singapore’s Shye and Pines, and Taiwan’s Heng Jones.

Other performers include BP Valenzuela, Fitterkarma, SOS, Ourselves the Elves, Elijah Canlas, DJ Love (Davao), VVINK, Playertwo, fern, August Wahh, School Girl Classic(Cebu), Delinquent Society (Davao), Alyson, Novocrane, Amateurish (Baguio), Carousel Casualties, Magiliw Street,and kyleaux.

Music Conference

All Of The Noise 2026 announces the return of its flagship conference program, Cut Through The Noise. Designed to address the evolving needs of the local and regional music sectors, the program will feature panel discussions and keynote presentations addressing the most pressing trends, challenges, and opportunities shaping today’s music ecosystem.

Each panel will have a moderator and resource speakers who will discuss each respective topic, providing insights and expert opinions. From market development and cross-border collaboration to innovation, policy, and audience growth, Cut Through The Noise aims to equip stakeholders with the knowledge and networks necessary to navigate an increasingly competitive global landscape. Panelists and speakers will be announced in the coming days.

The topics include:

·   ​Inside a Thriving Regional Scene: What the music community in Baguio City tells us about decentralization, crossover, and cultural sustainability

·   ​Curating Across Cultures: Programming music festivals in Asia’s diverse markets

·   ​Dissecting Diary Ng Panget soundtrack: A poptimist’s dream

·   ​Indie Cred vs. Commercial Pressure: how labels grow without losing trust, taste, and cultural capital

·   ​Unlocking the potential of Southeast Asia: findings, insights, and discussions in the world’s next music powerhouse

Music-themed Documentary Screenings

This year, All Of The Noise 2026 will feature local and international music documentaries that intersect music, movements, culture, and politics through its Echoes of the Noise program. This year’s film selection includes the international premiere of Alulu Kuo’s Elephant Gym: More Real Than Dreams, which captures the band’s journey as they faced a potential breakup before a world tour and explored their unique musical world. The Philippine screening will also include a talkback with Elephant Gym’s very own Tell Chang.

Other music documentaries that will be screened include Nolan Bernardino’s Rosas: The Song. The Journey, which became an anthem of hope during the national elections in 2022; and Frazier de Mesa’s This is Hannah+Gabi, which explores the beloved band’s thoughts and process in music-making and performing from the perspective of the filmmaker.

Culture and Community

“Beyond the performances, we’re especially proud of this year’s curation of documentary films, cultural discussions, and community-driven moments that create space for deeper exchange,” Galang explains. “AOTN 2026 is about presenting independent music as something immersive, thoughtful, and deeply connected to culture and community. It’s also about underscoring the Philippines as an important music market—both in the way we understand ourselves and in the way we connect to the rest of the world.

All Of The Noise 2026 is also supported by its international and local music partners ONErpm, Symphonic Distribution, Astbury, 123 Block, Sari-Sari, Nyou Consultancy, and Guevarra’s.

Ticket Details

Tickets are available via allofthenoise2026.helixpay.ph with the following packages:

PHP 999 - 3-day pass: (access to Days 1, 2 & 3), inclusive of all programs

PHP 400 – Day 1 (access to April 17 program – Friday), inclusive of all programs

PHP 700 – Day 2 (access to April 18 program – Saturday), inclusive of all programs

PHP 400 – Day 3 (access to April 19 program – Sunday), inclusive of all programs

About The Rest Is Noise PH

The Rest Is Noise PH (TRIN) is a music curator, events production, and online publication based in Manila, Philippines.

Founded in 2015, TRIN has curated and produced more than 30 live music events, including Summer Noise and All Of The Noise music festivals, which featured critically acclaimed and up-and-coming homegrown and international musicians, primarily dedicated to showcasing Asian and Asian diaspora music artists, such as Japanese Breakfast, Phum Viphurit, Elephant Gym, Turnover, Deafheaven, Last Dinosaurs, Up Dharma Down, Sandwich, and more.

In 2020, TRIN co-founded AXEAN Festival (formerly ASEAN Music Showcase Festival), a first-of-its-kind traveling regional showcase festival that aims to put the spotlight on music artists and communities from Southeast Asia—rooted in music discovery, community-based networking, and music industry education—by incorporating structured, artist- and community-centric initiatives including music conference, industry matchmaking/speed meetings, and songwriting camp, resulting to meaningful career opportunities (such as music export) and creative, cultural exchanges.

TRIN’s co-founders have worked with global music partners, including Warner Music Asia, Sony Music Philippines, SXSW, HipHopDX Asia, and programmed, collaborated with, and

participated at numerous music showcase festivals in the United States of America, Canada, Mexico, France, Spain, Finland, New Zealand, Japan, South Korea, Taiwan, Hong Kong, Singapore, Thailand, Indonesia, Vietnam, and India.

 Source: Nyou

Skye Newman continues her ascent with bold new single ‘Walk’

LISTEN HERE / ARTWORK HERE / PRESS SHOT

27th February 2026 – Today, South London singer-songwriter Skye Newman returns with her new single ‘Walk’, a sharp and defiant release that captures her at her most direct and unfiltered.

The track unfolds as a lyrical confrontation as it documents a moment every listener can relate to - where patience runs out and self-preservation takes over. Skye’s delivery is typically controlled but cutting - pairing emotional clarity with dark humour. It is a song about recognising emotional damage for what it is and choosing to step away rather than absorb it.

Written by Skye Newman alongside long-time collaborators Boo and Luis Navidad, and marking her first collaboration with Chrissi, ‘Walk’ continues Skye’s reputation for turning lived experience into sharply observed songwriting. The production remains restrained, allowing the lyrics to carry the weight and leaving nowhere for the narrative to soften.

Lyrically, ‘Walk’ traces the imbalance of a relationship in vivid detail. Skye captures frustration, humiliation and emotional exhaustion with a bluntness that feels conversational and typically honest. Lines are delivered without embellishment as she documents defending someone at her own expense, chasing loyalty that is never returned and finally drawing a clear boundary. The repeated image of walking becomes both literal and symbolic - a final act of reclaiming control.

Speaking on the release, Skye explains, “Walk is about taking back your power when a relationship is no longer serving you, putting your heels on and walking away.”

The release arrives as Skye Newman wraps a short stint in the US performing shows in NYC and Los Angeles, and continues a remarkable ascent. She is the winner of BBC Radio 1’s Sound of 2026, a two-time BRIT Awards nominee for Song of the Year and Breakthrough Artist and a MOBO Awards nominee for Best Newcomer. Her catalogue has now surpassed 196 million global streams, with Skye ranking as the number 13 biggest streaming British female solo artist in the UK in 2025 and number 71 worldwide. She is also the only UK female artist in the past decade to have three debut singles reach the Top 20.

Recent releases have cemented her impact on both charts and culture. ‘Family Matters’ peaked at number five, spent seven weeks in the Top 10 and is certified Gold, while ‘Hairdresser’ reached number 15 and remained on the chart for 14 weeks, also achieving Gold status. Skye has amassed over 1.5 billion short-form video views, supported Lewis Capaldi across the UK and Ireland, appeared on stage with Ed Sheeran in Ipswich and joined Sienna Spiro on her EU tour. In December of this year, Skye Newman will head to Sydney, Australia to open for Harry Styles on his Together Together tour.

Beyond music, Skye has been recognised by British Vogue as one of 8 Artists to Watch in 2026 and named by ELLE UK as One to Watch for 2026. Last year, Skye also brought Maya Jama out of radio retirement for a one-off broadcast on Rinse FM, resulting in a conversation that deeply resonated with fans.

With her upcoming ‘The Woman I Am’ Tour selling out in minutes, ‘Walk’ is a defining next step. Uncompromising, self-assured and emotionally fearless - it marks another clear statement from one of the UK’s most compelling new voices.

‘Walk’ is out now on all major platforms.

Skye Newman on socials:

Instagram / TikTok

Source: Nyou  

Mitski’s New Album, Nothing's About to Happen to Me, Is Out Today via Dead Oceans

Watch the Video for “If I Leave”

Global Performances Kick Off Next Week

Playing Starland Ballroom in Sayreville, NJ on Saturday

Plus Tansy House Exhibit Announced for The Shed in NYC

Photo Credit - Lexie Alley

“The best songwriter of her generation.” — The Guardian*****

“As a songwriter, Mitski harnesses resignation like no one else . . . But her most powerful moments often come when she lets us accompany her far past her breaking point."

— Pitchfork

“[Mitski] continues to blaze her own curious and captivating trail.” — Record Collector ****

“Nothing’s About to Happen to Me is a gutsy new record that returns to her roots with guitar-forward songs that center her candid lyrics.” — Bandcamp

Mitski releases her eighth studio album, Nothing's About to Happen to Me, today via Dead Oceans, and the video for album standout, “If I Leave.” Following “I’ll Change For You,” her “bossa nova-infused tune of desperation” (The Needle Drop), Mitski now presents a tale of conflict and reluctance with “If I Leave.” Displaying her “peerless ability to sound refined and overwhelmed all at once,” (Stereogum) she sings: “If I leave // Somebody else will find you // But nobody else could see me // Quite as clearly as you.”

“If I Leave” by Emily Flake

The “If I Leave” video, directed by Jared Hogan, is at once stunning, unsettling, and darkly funny. Set in a house breathing with menace and history, each room carries its own traces of the lives and eerie moments it once contained. Mitski and members of her band perform within these spooky spaces with calm indifference, their straight forward presence grounding us even as the rooms around them bristle with unease. The house is the true character here; Mitski and her music are the throughline tying its eras and horrors together.

Watch the Video for “If I Leave”

“If I Leave” Video Still

Mitski wrote all of the songs and performed all of the vocals on Nothing’s About to Happen to Me. Produced and engineered by Patrick Hyland and mastered by Bob Weston, the album continues the musical through line established with 2023’s The Land Is Inhospitable and So Are We, and features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, engineered by Michael Harris.

Mitski will present Nothing’s About to Happen to Me in select cities around the world with residencies in select major cities: six nights at The Shed in New York City (plus a separateTansy House Installation), five nights at Hollywood High School in Los Angeles, and four nights at the Sydney Opera House in Sydney. Additional stops include Mexico City,Istanbul, Paris, Brussels, Amsterdam, London, Manila, Bangkok, Jakarta, Kuala Lumpur, and Singapore. Tickets are now available here with many dates already sold out.

In addition to the Mitski performances, The Shed will be hosting a Tansy House Exhibit from Friday, February 27th throughout the run of shows. The Tansy House Exhibit offers fans a chance to explore the rich visual world of Nothing’s About to Happen to Me with a house outlined in fabric that reveals itself one room at a time. Fans will be invited to step inside an environment where lived-in vignettes and subtle stories unfold. From hints of Victorian charm to subtle kitschy mess tucked into its corners, each space reflects the album’s spiritual home, The Tansy House.  More information on the exhibit is available here.

Listen to/Purchase Nothing’s About to Happen to Me

Watch Mitski Perform I’ll Change For You” on The Late Show With Stephen Colbert

Watch the Video for “I’ll Change for You”

Watch the Video for “Where’s My Phone?”

Mitski Presents Nothing’s About to Happen to Me:

Sat. Feb. 28 - Sayreville, NJ @ Starland Ballroom

Mon. March 2 – New York, NY @ The Shed #  [SOLD OUT]

Tue. March 3 – New York, NY @ The Shed #

Wed. March 4 – New York, NY @ The Shed #

Fri. March 6 – New York, NY @ The Shed *  [SOLD OUT]

Sat. March 7 – New York, NY @ The Shed *  [SOLD OUT]

Mon. March 9 – New York, NY @ The Shed *

Mon. March 23 – Mexico City, MX @ Auditorio Nacional $

Mon. March 30 – Los Angeles, CA @ Hollywood High ^  [SOLD OUT]

Tue. March 31 – Los Angeles, CA @ Hollywood High ^  [SOLD OUT]

Thu. April 2 – Los Angeles, CA @ Hollywood High ^  [SOLD OUT]

Fri. April 3 – Los Angeles, CA @ Hollywood High ^  [SOLD OUT]

Sat. April 4 – Los Angeles, CA @ Hollywood High ^  [SOLD OUT]

Sat. May 2 – Istanbul, TR @ Kucukciftlik Park ⇗

Tue. May 5 – Paris, FR @ Zenith Paris - La Villette %

Wed. May 6 – Amsterdam, NL @ AFAS Live !

Thu. May 7 – Amsterdam, NL @ AFAS Live !

Sat. May 9 – Brussels, BE @ Forest National +

Thu. May 21 – London, UK @ Royal Albert Hall +  [SOLD OUT]

Fri. May 29 – Sydney, AU @ Sydney Opera House [SOLD OUT]

Sat. May 30 – Sydney, AU @ Sydney Opera House  [SOLD OUT]

Sun. May 31 – Sydney, AU @ Sydney Opera House  [SOLD OUT]

Mon. June 1 – Sydney, AU @ Sydney Opera House

Tue. July 14 – Manila, PH @ Mall of Asia Arena ~

Thu. July 16 – Bangkok, TH @ UOB Live ~

Sat. July 18 – Jakarta, ID @ Tennis Indoor Senayan ~

Mon. July 20 - Kuala Lumpur, MY @ Zepp KL ~

Tue. July 21 – Singapore, SG @ The Star Theatre ~

Sun. July 26 - Niigata Prefecture, JP @ Fuji Rock Festival

# = w/ special guest Sex Week

* = w/ special guest Gustaf

$ = w/ special guest La Zorra Zapata

^ = w/ special guest Haley Heynderickx

⇗ = w/ special guest Canozan

% = w/ special guest Maria Somerville

! = w/ special guest Tarta Relena

+ = w/ special guest Gwenifer Raymond

~ = an evening with

More Praise for Mitski and Nothing’s About to Happen to Me

“[A] thundering, theatrical single.” — New York Times on “Where’s My Phone?”

“An indie-rock anthem” — Billboard on “Where’s My Phone?”

“A gorgeous, orchestral ballad.” — Brooklyn Vegan on “I’ll Change For You”

“Mitksi takes us firmly back to good old Rock and Roll. It’s a genre that particularly suits her uniquely visceral lyricism and heightened emotional range.”  — FADER

“Mitski meets the moment perfectly on [‘Where’s My Phone?’].” — NYLON

"The new material is shining right alongside the old classics.” — Stereogum

“Glamorous, fuzzy rock” — Consequence

“[Mitski’s] music [is] powerful, relatable and necessary.” - Michigan Daily

Download Cover Art & Hi-Res Images of Mitski

Nothing’s About to Happen to Me Cover Artwork | Painting by Marc Burkhardt

Website | Facebook | X | Instagram | YouTube | TikTok

For more information, contact:

Mark Bonifacio | blackstar PH –

mabuhay@blackstar.space

Abramorama acquires Eraserheads: Combo On The Run in historic first for Philippine music docs, ahead of official SXSW 2026 event

The distribution giant’s first Philippine documentary will screen in multiple cinemas across US and Canada on April 24, 2026

In a historic first, Abramorama has acquired the theatrical rights to screen Eraserheads: Combo On The Run in North America, marking the distributor’s first Philippine documentary.

Following a strong festival run abroad, the docu film joins Abramorama’s slate of prestige music film titles, including The Beatles: Eight Days (Ron Howard), The Sparks Brothers (Edgar Wright), and Radiohead’s Meeting People Is Easy(Grant Gee).

The acquisition will be marked by an official event at SXSW 2026 next month to celebrate its forthcoming theatrical release in Canada and the United States.

Directed and produced by Maria Diane Ventura, Eraserheads: Combo On The Run tells the story of the Philippines’ most influential band, tracing their meteoric rise from their formation in UP Diliman to becoming a defining voice of a generation, their painful breakup, and their eventual resurgence years later.

Set against the backdrop of the Philippines’ shifting socio-political landscape, the film situates the band’s journey within a country grappling with deep political polarization, reflecting how their music and story became intertwined with the nation’s cultural memory.

Blending intimate interviews, never-before-seen archival footage, and unfiltered behind the scenes access, the film explores fame, fracture, growth, legacy, and the enduring bond between the band and generations shaped by their music.

“I’m incredibly excited about this partnership with Abramorama,” said director and producer Maria Diane Ventura. “They are the perfect home for this film, not just because of their legacy in music documentaries, but because they understand stories that resonate on a deeper cultural level. While the film is rooted in the Eraserheads’ music, it ultimately speaks to division, reconciliation, and healing during a turbulent political moment. Those themes feel especially relevant today, not only for Filipinos, but for audiences everywhere.”

Ventura adds, “It’s also deeply important to me that this film helps reintroduce the band and their music to a new generation, and that it creates space for Filipino stories, nuance, and complexity to be seen with greater depth. Filipinos are part of so many communities around the world, and I hope this film allows people to see us more fully, while also reminding audiences more broadly how powerful it is to feel seen in culture. When people recognize themselves in a story, it creates empathy, connection, and a sense of shared humanity across communities. Ultimately, this film is about how stories and music can bring us closer to one another, even across divides and differences.”

The film has already marked several key milestones, including becoming the first Filipino music documentary to receive the widest theatrical release in the Philippines through Warner Bros., and the first Filipino film to be featured and screened at San Diego Comic-Con.

It has also been recognized on the global festival circuit, winning Best International Documentary at the Ierapetra International Feature Documentary Festival in Greece, and screening as part of the official Spotlight on the Philippines program at the 44th Annual Hawaii International Film Festival, as well as Doc Berlin and the Liverpool Film Festival.

For updates, announcements, and ticket information, visit eraserheadsfilm.com

Trailer: 

https://youtu.be/HlAt0p2kQbM?si=cVCbqXSj-mMRnhnF

Source: Nyou

Filipino-Japanese artist ena mori hardens the edges on her 2026 EP, Ore

Sharper in tone and stronger in stance, Ore transforms cultural memory and adulthood into abrasive pop anthems

In 2025, ena mori reaffirmed her position as one of the most compelling creative forces in Asian pop music. The avant-pop shapeshifter greeted the year with high-profile festival appearances, brand deals, and a growing international listenership, culminating in the release of her six-track EP rOe. Informed by restraint and emotional fragility, rOe showcased ena mori’s ability to translate vulnerability into a riveting pop fantasia. As expected, the EP earned universal praise from critics and fans, landing on several year-end lists across the globe.

Today, February 27, 2026, ena mori completes that orbit with Ore, a six-track companion piece that both mirrors and resists its predecessor. Originally conceived alongside rOe as part of a single body of work before unraveling themselves as fraternal counterparts, the two projects diverge in tone and intent, with the latter retaining emotional nuance while foregrounding sharper textures and stronger assertions.

“As I worked on new songs, I started to feel it would be a better representation if I separated them into two,” the Heartbreak Generation singer-songwriter reveals. “With Ore, I wanted this record to have an edge—a rough texture in its feel—while still sharing the soft and delicate feeling of rOe. Ore is kind of like a bigger sister to rOe: more direct and opinionated, rougher and grittier in appearance, and not afraid to speak her mind.”

Conceptually, Ore traces ena’s passage into adulthood, confronting emotions she once avoided and approaching them with greater clarity and resolve. The EP reflects on independence, uncertainty, and the process of defining oneself outside inherent expectations. In shaping chaos into form, the acclaimed indie pop star found herself quietly repairing—healing to an extent.

As a Filipina-Japanese straddling cultures, ena locates Orewithin a deeply personal geography. Cultural identity remains central to the record, so intact and specific, it cuts through the fiber of every track in the EP.

“As I listen back to the record, I realize that it captures a very Asian experience,” ena recounts. “Growing up in an Asian household, surrounded by its values, taboos, societal pressures, and hidden passions, has shaped the way I perceive the world. Navigating my twenties between two cultures—sometimes similar, sometimes polar opposites, braided together.” The EP carries the ambient imprints of her life as is: rainstorms, rice cooker chimes, arcade noise, hot wind against a truck horn.

Produced in close collaboration with Tim Marquez, Oreemphasizes abrasive, disjointed soundscapes over the fluid softness that defined rOe. The project was mixed by Sam Marquez and mastered by Emil Dela Rosa, whose finishing touches preserve both its sharpness and its air.

“Tim and I gravitated toward sounds with humps and bumps—textures that feel tactile in an auditory way. Some might even find them unpleasant or irritating. But that friction felt honest.”

Across its six tracks, Ore balances dance-oriented momentum with reflective lyricism. The arrangements are lean but deliberate, allowing percussive elements and synth lines to carry emotional weight without overwhelming the vocal center. It’s club music without the need to feel escapist: to be specific, it’s music for dimly lit rooms, for underground spaces where self-discovery feels more communal than solitary.

The focus track “19 Underground” anchors the EP’s narrative. Written from the vantage point of a nineteen-year-old teenager trying to figure things out on her own, the song captures her artistic and personal awakening, but most of all, the year when she finally found her tribe. Ena adds,“I chose it as a focus track because it carries that belief: that nothing is born from a single soul. Music is communal, even when you write it alone. We inspire each other, we bruise each other, we love each other. That friction, is the great human exchange.”

Tracklist - Ore

1. Funny

2. Insomnia

3. Ore

4. 19 Underground (FOCUS TRACK)

5. La Loba

6. Pomegranates

ena mori’s Ore is out now on all digital music platforms worldwide.

Source: Nyou

2X Grammy-Winning Artist Laufey Announces Deluxe Edition of Grammy-Winning Album 'A Matter Of Time: The Final Hour' Out April 10 + New Song "How I Get" Out Now

PRE-SAVE HERE

FEATURING NEW SONG
"HOW I GET"
OUT NOW

Photo Credit: Emma Craft

“…her singular spot in modern music makes 'A Matter of Time' so triumphant: her latest full-length sounds unstuck from sonic or storytelling expectations, and thus, Laufey once again surpasses them” – Billboard

February 26th, 2026 – 2X GRAMMY®-winning, LA-based Icelandic-Chinese artist, composer, producer, and multi-instrumentalist Laufey has announced 'A Matter of Time: The Final Hour', the deluxe edition of her GRAMMY®-winning album 'A Matter of Time'. The expanded project will be released on April 10via AWAL/Vingolf Recordings and features four additional tracks, including the new single “How I Get”, which is out now. Fans can presave the album here and stream the new track here. 

“"How I Get" is about the contrast between being disciplined, grounded and in control in every area of my life, except when it comes to one person,” says Laufey. “It explores that unsettling shift where I suddenly find myself chasing the rush and justifying behavior I swore I’d never fall into, because with them, that’s just how I get”.

Produced alongside longtime collaborator Spencer Stewart and GRAMMY®-winning artist Aaron Dessner (Taylor Swift, Ed Sheeran), ‘A Matter of Time: The Final Hour’ captures Laufey’s emotional renaissance as she embraces the anxieties and vulnerability that accompany experiencing “real love” in its many forms. The deluxe edition will feature the album’s fifteen original tracks plus four previously unreleased songs.

Laufey - "How I Get" (Official Lyric Video With Chords)

Earlier this month, Laufey took home Best Traditional Pop Vocal Album for ‘A Matter of Time’ at the 68th GRAMMY® Awards. The win is her second in the category, following a statue for ‘Bewitched’ at the 2024 awards which made her the youngest artist to win the honor. ‘A Matter of Time’ was released to widespread critical acclaim in August, debuting at #4 on the Billboard 200 chart and #1 on the Jazz Albums chart (where it continues to hold a spot in the top 10). In January, Laufey was presented with Icelandic knighthood, the prestigious Order of the Falcon, by President Halla Tómasdóttir.

The deluxe album continues to add to a landmark year for Laufey, who is currently on tour throughout the U.K. and Europe with dates already sold out at various locations. 

Laufey’s first children’s book, 'Mei Mei The Bunny', is set for release on April 21 via Penguin Random House and a live album, ‘A Matter of Time: Live at Madison Square Garden’, is set for release April 18for Record Store Day. 
 

Pre-save 'A Matter of Time: The Final Hour' here
Listen to "How I Get" here

About Laufey

Laufey (pronounced lay-vay) has captivated a generation with virtuosic songs of love and self-discovery by manifesting her vision of jazz- and classical-infused pop music. Raised between Reykjavik and Washington, D.C., she learned piano and cello as a child, later studying at Berklee College of Music. There, she wrote her debut EP, 2021’s 'Typical of Me', whose striking single “Street by Street” debuted at No. 1 on Icelandic radio—the first of many achievements that have grown to include nearly 7 billion global streams, a social media audience of 25 million, the biggest jazz LP debut in Spotify history, a growing pile of Platinum plaques, a Forbes 30 Under 30 designation and being named one of TIME’s 2025 Women of the Year. She’s sold out the Hollywood Bowl, Radio City Music Hall, Madison Square Garden, Crypto.comArena and London’s Royal Albert Hall; performed backed by the LA Phil, the National Symphony Orchestra and the China Philharmonic Orchestra; shared the stage with the likes of Noah Kahan, Hozier, Jon Batiste and Raye; and collaborated on records with artists including Barbra Streisand, Role Model, Beabadoobee and Norah Jones. 

Following her sold-out shows across Asia last year—including Singapore, Indonesia, Thailand, the Philippines, Malaysia, Japan, and Taipei—Laufey continues to make waves in the region, further cementing her status as a global sensation. She continues to see strong streaming numbers in the region, with the 🇵🇭 Philippines, 🇮🇩 Indonesia and 🇲🇾 Malaysia among her top 10 global streaming markets.

FOR MORE INFORMATION
SECRET SIGNALS | AWAL

FOLLOW LAUFEY

Instagram

YouTube

Twitter

TikTok

Facebook

Website

Barq turns grind into power on new single “TUMATAK”

The rising rapper delivers a heavy-hitting anthem about risk, resilience, and building a legacy that lasts

Barq, the rap moniker of Arkin Magalona, delivers another knockout punch with the release of his latest single, “TUMATAK,” under Sony Music Entertainment. The heavy-hitting track chronicles his journey as a young artist who honored the grind with the determination to make it in the industry.

“It’s all about leaving your mark on the world,” shares the rookie hip-hop act. “No matter what you’re doing in life, you should always aim to create something that lasts, something worth remembering. It’s a reminder that impact isn’t just about fame or status; it’s about legacy.”

Propelled by thunderous production and razor-sharp lyricism, “TUMATAK” is an inspiring jam that shows a more reflective, intimate side of Arkin. It debunks some pre-conceived notions about his principles and way of life, while also unlocking his potential as a storyteller.

Raised among figures who overcame adversity to reach remarkable heights, Barq speaks directly to the relentless dreamers who had to endure doubt, pressure, and expectations their entire lives but managed to be committed to their professional and life goals without the need for shortcuts.

“I wrote the track from a very personal place,” he shares. “It reflects where I am right now: not just as an artist, but as a person.”

The song was recorded at Doppla Studio and produced by longtime collaborator Denz A.K.A D. Vaughn, who helmed the track’s commanding sonic template. Inspired in part by the energy of “Gold On My Teeth” by ClicKlak and Isaiah Falls, the production blends booming beats with textured samples, including a vocal element from BARQ’s previous collaboration “Career High,” featuring Manila-based creative Migswell.

“It’s the same Barq, but a different bite,” the youngest son of the late Francis Magalona admits. “I’m like a fusion restaurant serving multiple flavors: it’s up to you to pick from the current or old selections which food you would choose to try out.”

Barq adds, “Every time you release something with your name and your truth on it, that’s a risk. You’re putting your heart out there for people to judge. But growth requires risk. Legacy requires risk.”

Barq’s “TUMATAK” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

Source: Nyou

From Davao to the World: Hara drops pre-debut single “My Love”

The rising P-Pop group makes a confident first impression with a bop about girlhood and self-worth

Emerging as one of the most prominent P-Pop exports from Davao City, Hara is steadily gaining attention for their commanding stage presence and undeniable charisma. The six-member girl group, whose name is derived from a pre-colonial term that means “beauty” and “strength,” carries their identity with intention. They are currently managed by Unique Music Management, led by Paul Widger, best known for his work with Craig David.

“Being the first 100% homegrown P-pop group from Davao under Unique Music Management is something we’re really proud of,” shares the breakthrough P-Pop group. “They believed in our potential and helped guide us creatively while still allowing us to express stories and emotions. Their mentorship pushed us to aim for high quality in our performance, sound, and overall artistry.”

Hara recently secured a recording deal with Sony Music Entertainment, joining the label’s growing roster of P-Pop acts that includes SB19, KAIA, YARA. Marking their first team-up with the global music company, the Davao-based alphas unveiled the Eurohouse-flavored pop track “My Love” as their pre-debut single.

Buoyed by subtle piano chords and sophisticated grooves, “My Love” transports the listeners into clubland fantasia, where suave, confident vocals and magnetic dance-pop production create a mesmerizing sonic experience. The track was produced, mixed, and mastered by Pao Lofranco and Aldy, who worked closely with the group to bring their vision to life.

“The production and arrangement were carefully crafted to match the emotions of the lyrics,” Hara explains. “We worked closely with our producers and creative team to make sure the sound complemented the story of the song. From the instrumental to the vocal layers, everything was arranged to highlight vulnerability while still sounding polished and modern.”

According to the six-piece act, “My Love” was written as a nod to girlhood: a transitory but important phase in life where women experience loving deeply, feeling things intensely, and sometimes giving one’s heart to people who don’t deserve even a fraction of it. “The song talks about heartbreak but also about realizing your worth. It’s about women learning that not everyone is worthy of their love and that it’s okay to walk away. At the same time, we also wanted to show that women aren’t just victims of heartbreak: we’re strong, we make choices, and sometimes we’re the ones who choose ourselves first. The message we hope listeners take away is self-love, empowerment, and knowing your value.”

The track sets the tone for their creative direction: earnest, emotionally resonant, and unapologetically empowering. “These are the stories that we want to tell,” the members add. “We wanted our first song to connect with people emotionally and show that HARA is here to speak for girlhood, growth, and strength.”

HARA’s “My Love” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video here.

Source: Nyou

Barbie Almalbis, Clara Benin, Janine Berdin, syd hartha, and more to headline GNN’s Lilet Fair this March 2026

From pop-rock icons to drag performers and industry trailblazers, the event champions women onstage and behind the scenes

syd hartha photo courtesy of Sony Music Entertainment; Janine Berdin’s photo care of Universal Music Group

Manila, Philippines – Despite women’s significant contributions to the entertainment industry, they continue to face significant challenges throughout history, from being at the receiving end of discrimination and harmful stereotypes to being overlooked for production roles or leadership positions. Apart from the lack of opportunities, they often experience pay inequity, harassment, and underrepresentation in major industry spaces, overlooking the power they hold as creative forces and culture shifters.

For the upcoming Women’s History Month, GNN celebrates women who have been at the forefront of community building and creative expression, opening new spaces, building opportunities for others, and using their platform to rally for meaningful changes within and outside the system.

“The number of women behind the scenes remains relatively low,” shares Marie Lara Pauline Bobier, GNN’s events director. “While the music community is generally welcoming and respectful toward women, there are still instances in which they are made to feel that they must continually prove their credibility and competence in the field. This celebration is not only about championing female practitioners in music and entertainment, but also about recognizing the female fans and pro-women advocates who actively support the local music scene.”

Enter Lilet Fair, a multi-format festival that features the outstanding and emerging talents in music, art, comedy, improvisation, and drag. The event’s name is derived from the iconic Lilith Fair, an all-female music festival organized by Sarah McLachlan in the ‘90s.

“Lilet Fair is a women-centered music and creative space that amplifies not just performers, but the women working behind the scenes who power the industry,” says Milley Habito, the production head of GNN. “By creating intentional platforms like this, we foster representation, mentorship, and real opportunities, proving that when women are centered, the entire music community thrives.”

Headlining Lilet Fair are some of the most prominent artists in the local music scene, including pop-rock powerhouse Barbie Almalbis, whose introspective songwriting and intricate guitar work influenced generations of Filipino singer-songwriters and bands. Also joining the bill are Clara Benin, syd hartha, Janine Berdin, August Wahh, Coeli, and Shanne Dandan.

Other artists in different disciplines are set to take the center stage, including A II Z, a comedy duo formed through their mutual love for improv comedy and music, and Lady Boses(Jeannie Lacay, Di Aaron and Khaye Asco), a group of all-female stand-up comedians who advocate for women to take up space in comedy, in the workplace, and in everything in general. M1SS Jade So and Inah Demons are set to complete the incredible roster of performers, representing drag.

Apart from show-stopping performances, the event is also packed with activities and booths run by women themselves: Drafts Gift Shop (flowers), FiliFerniana (live art photobooth), Maan Simbajon (tattoo), Putik Friends (ceramics), and more!

For its pre-event programming, GNN will host a panel discussion featuring women who are making significant contributions to the independent music scene behind the scenes: Alex Majam, co-owner of Jess & Pat's; Bel Certeza, label head at EMI Records Philippines; Katrina Romero, manager of Over October; Kris Rocha, founder and music photographer at Neon Oven; and Ziera De Veyra, head of Funky Beat Entertainment. The discussion is titled She Means Business: Women Paving The Way.

Lilet Fair will take place at 123 Block in Mandaluyong City, on Saturday, March 21, 2026, from 3:00 PM onwards. Tickets are available online at PHP 800 for Early Bird and PHP 900 for Regular Admissions. Get your Early Bird tickets via https://liletfair2026.helixpay.ph/.

Source: Nyou

A fresh sound for 2026: Christian Bautista to release city pop-inspired anthem “Sa’yo Lamang”

The track pairs modern pop ballad with groove-driven polish

​​Celebrated as Asia’s Romantic Balladeer, Christian Bautistaembraces his signature romantic charm while exploring a fresh sonic direction—pairing nostalgic pop glow with a stylish, contemporary edge.

In “Sa’yo Lamang,” his new single under Sony Music Entertainment, Bautista embraces the romantic love song template with renewed confidence, pairing its feel-good energy with sophisticated production and city pop grooves. Imagine the neon glow of ‘80s Tokyo at twilight, yet the atmosphere feels distinctly Pinoy in its comforting glory. That’s how it sounds.

“Sa’yo Lamang captures exactly where I am musically and emotionally: fully committed, joyful, and ready to connect,” shares the award-winning OPM icon. “This year I’m all in. I want listeners to feel uplifted, have fun, and start the year with good energy.”

Produced by Ziv, the track benefits from its intentional marriage of global and local flavors, past and present sounds, and the insistence of not wanting to be easily defined or pinned down. From slick arrangements to meticulous production, Ziv’s instincts for groove—particularly in the drum pattern and basslines—anchor the track’s smooth, vintage edge while allowing Bautista’s vocals to shine and charm their way through the listeners.

Christian Bautista describes his collaboration with Ziv as a game-changing experience. “His attention to detail in sound design and vocal production elevated every element, while his clear vision and collaborative approach pushed us to take creative risks. The process was smooth and professional from start to finish, and his contributions shaped a final mix that truly exceeded our expectations.”

The vibrant personality of “Sa’yo Lamang” seamlessly translates into its upcoming music video, which incorporates smooth retro styling, warm neon tones, and playful choreography. Designed to be a joyful night out, the MV captures intimate singing moments, carefree dancing, and lilting city snapshots that somehow mirror the easygoing vibe of the track. “There’s also a small Easter egg hidden in the karaoke machine: make sure you look for that,” Bautista adds.

The music video is directed by Tristan Ortega and conceptualized in collaboration with the Sony Music Philippines team and Balcony Productions, with creative direction by Rico Blanco.

As Bautista steps into a new era, music fans can look forward to celebrating the moment live. He is set to share the stage with Mark Bautista for an exciting night of timeless hits and exciting new music. Dubbed “Bautista x Bautista,” the concert is set to take place on March 6, 2026, at the New Frontier Theater in Cubao, Quezon City. Tickets are available via ticketnet.com.ph.

Bautista is managed by NYMA Management. 

Christian Bautista’s “Sa’yo Lamang” will be out on Wednesday, February 25, 2026, on all digital music platforms worldwide via Sony Music Entertainment. The music video will be released on the same day, at 6:00 PM.

Source: Nyou

Multi-platinum Global Superstar Hilary Duff Highly Anticipated Sixth Studio Album 'luck... or something" + New Song "Weather For Tennis" Out Now

LISTEN HERE

WITH NEW SONG "WEATHER FOR TENNIS" OUT NOW

Photo Credit: Alfred Marroquin

“a cohesive, no-skips record that offers an update on Duff’s life, including honest looks at motherhood, marriage, and the passing of time… a pop record that holds very little back, offering a realistic, at times unglamorous portrait that is highly relatable”
– ROLLING STONE

“The sense you get listening to ‘luck… or something’ is that Duff is firmly in the driver’s seat”
– GLAMOUR

February 23, 2026 — Philippines – Multiplatinum global superstar Hilary Duff has officially released her highly anticipated sixth studio album, ‘luck… or something’, accompanied by its opening track, “Weather For Tennis”. Fans can stream the album here and watch the music video here. 

Co-written by Hilary and produced by her husband, GRAMMY® Award-winning songwriter/producer Matthew Koma (Britney Spears, P!nk), and Brian Phillips (Alec Benjamin, blink-182), the 11-track collection features previously released singles, “Mature” and “Roommates”. 

"There’s that question of whether women can have it all, and through this process I learned I had to sacrifice some things in order to put the record first,” shares Hilary. “As hard as that is, I still believe it’s okay to choose yourself sometimes and do what scares the hell out of you. Carving out the time to make an album after all these years was incredibly powerful for me, and now I can’t wait to share it with the world".

Hilary Duff - "Weather For Tennis" (Official Video)

Pulled between the chaos and clarity of motherhood, marriage, and finding herself in her 30s, Duff dreamed up a batch of songs that uncover the secret corners of her inner world: her hidden longings and quiet insecurities, intrusive thoughts and deepest obsessions. In a bold evolution of her artistry, she crafted every track with equal parts sensitivity, self-awareness, and wildly charming wit.

‘luck… or something’ was heralded by its first single, “Mature”. Hailed by VOGUE for “pushing Duff’s sound in new directions while still feeling quintessentially Hilary,”  the sardonic, shimmering track – which quickly earned over 5M global streams in its first week of release – arrived as a piece of autofiction inspired by romantic misadventures in her formative years. Set against bright pop production and layered with Duff’s signature wit and vulnerability, “Mature” is accompanied by an evocative music video directed by Lauren Dunn (Olivia Rodrigo, Dove Cameron, Saweetie), which has garnered nearly 4M views via YouTube. 

Currently supported by major radio stations, the album’s second single, “Roommates”, was met with high-profile praise from outlets including Billboard, V Magazine, and Rolling Stone, the latter of which declared it “10 OUT OF 10…one of her best songs”. “Roommates” is accompanied by an official music video directed by Matty Peacock (Billie Eilish, Ariana Grande) and currently boasting over 2M views on YouTube.

Duff will celebrate ‘luck… or something’ with “the lucky me tour”, her first full-scale global headline run in almost two decades. Spanning seven countries, with dates across the US, Canada, Mexico, the UK, Ireland, Australia, and New Zealand. For complete details and ticket information, please visit the official website here.

Hilary’s landmark 2026 kicked off last month with her “Small Rooms, Big Nerves” dates, an instantly SOLD-OUT global run of very special live shows marking her first headline concert appearances in over a decade.

“I constantly get asked how I still have my head on straight after growing up in this industry,” says Hilary. “The album title is my way of answering that question, which felt right for a record that’s about where I’ve landed and all the things I’ve been through along the way”.

'luck...or something' Tracklisting

1. Weather For Tennis
2. Roommates
3. We Don’t Talk
4. Future Tripping
5. Growing Up
6. The Optimist
7. You, From The Honeymoon
8. Holiday Party
9. Mature
10. Tell Me That Won’t Happen
11. Adult Size Medium

Listen to 'luck...or something' here
Watch the music video for "Weather For Tennis" here
More info on "the lucky me tour" here

About Hilary Duff

One of the defining stars of her generation, multiplatinum global icon Hilary Duff is returning to the pop world with her boldest and most self-assured project yet. After rising to fame as the titular star of the Disney Channel blockbuster, 'Lizzie McGuire', Duff first kicked off her music career with 2003’s 4X platinum 'Metamorphosis' (featuring the Top 40-charting “So Yesterday” and “Come Clean”), then released her platinum-selling 2004 self-titled LP and 2007 autobiographical dance-pop collection 'Dignity'. With those three albums alone selling a collective 15 million copies worldwide, she also established herself as a producer, entrepreneur, philanthropist, and New York Times-bestselling author, all while continuing to deliver standout performances in TV and film, including her award-nominated turn on Darren Star’s 'Younger'.

Recently signed to Atlantic Records, Duff is now launching a thrilling new chapter and sharing her first new music since 2015’s "Breathe In. Breathe Out." (a No. 5 debut on the Billboard 200, made with an extensive lineup of producers/co-writers including Tove Lo and Ed Sheeran). 

With over 32.3M+ social media following, 🇵🇭 the Philippines is at #3 on her top 10 audience across platforms! 

FOR MORE INFORMATION
 SECRET SIGNALS |  ATLANTIC RECORDS

FOLLOW HILARY DUFF

Instagram

Facebook

YouTube

TikTok

Website

Multiplatinum Recording Artist Bebe Rexha Releases "Cike Cike" + Announces New Album

LISTEN HERE

ANNOUNCES NEW ALBUM 'DIRTY BLONDE' ARRIVING JUNE 12 

February 20th, 2026 – Multi-platinum recording artist, songwriter, and hitmaker Bebe Rexha releases “Çike Çike”, the second official single from her forthcoming album, ‘DIRTY BLONDE’. Fans can listen to the track here and pre-save the album here.

The new single follows last week’s album announcement, which arrived alongside the project’s first release, “I Like You Better Than Me”, and a first-of-its-kind supercut — a high-octane, 4-minute mashup that merges 13 of her upcoming singles and corresponding video elements into one adrenaline-packed release. Serving as the first official drop from her forthcoming album ‘DIRTY BLONDE’, the supercut offers a fast, chaotic, and enticing glimpse into Rexha’s boldest era yet and serves as a prelude to upcoming body of work. 

The supercut is the opening move into a first-of-its kind rollout, built on a digital first approach around the way fans actually discover music today — through engaging moments, social-first storytelling, and tailored trends. Designed to be attention-grabbing, highly interactive and endlessly shareable, the release invites fans to clip, remix, and reimagine the project across social media while teasing the full versions of the singles still to come.
 

Bebe Rexha - 'Dirty Blonde' [The Super Dirty Cut]

This new chapter also coincides with Rexha’s recent partnership with independent label EMPIRE, which has championed the creative freedom behind this boundary-pushing campaign. Free from traditional rollout limitations, Rexha is embracing a faster, more direct connection with her audience — delivering music in a format that feels immediate, disruptive, and entirely on her own terms.

“This next chapter is about creative freedom — trusting my instincts, trusting my voice, and finally doing things the way I’ve always wanted to. I’ve learned a lot, I’ve lived a lot, and I’m fully tuned into myself now. Following my gut has been one of the best decisions I’ve made in my career. This era is fearless, loud, and unapologetic — no filters, no limits. 'DIRTY BLONDE' is me owning exactly who I am”.

Stream '“Çike Çike” here
Pre-save 'DIRTY BLONDE' here
Watch the supercut here

About Bebe Rexha

Multi-Platinum global superstar Bebe Rexha is an award-winning singer, songwriter, and creative force whose powerhouse vocals and genre-blending sound have made her one of the most impactful artists of her generation. With billions of global streams and a catalog of chart-dominating hits, Rexha has earned acclaim for both her solo work and her collaborations across pop, dance, hip-hop, and country. Known for her fearless honesty, undeniable hooks, and bold creative vision, Rexha has written and recorded some of the most recognizable songs of the last decade, cementing her reputation as both a hitmaker and a boundary-pushing artist. From sold-out tours to major festival stages, she continues to captivate audiences worldwide with her dynamic performances and unapologetic artistry. For more information, visit: https://areudirty.com.

FOR MORE INFORMATION
SECRET SIGNALS | EMPIRE

FOLLOW BEBE REXHA

Instagram

YouTube

Twitter

TikTok

Website

SB19 turns frustration into fire with era-defining anthem “VISA”

The P-Pop trailblazers raise the stakes with a song that channels global ambition and systemic frustration into a rallying cry for change

SB19 marks a watershed moment in P-Pop with the release of “VISA,” their first official single of 2026 and the bold follow-up to the Simula At Wakas era. Delivering a more confident and uncompromising approach in artistic direction, SB19’s “VISA” tackles socially relevant themes that stand as both a prologue and a promise: an assertion that the new musical era will not only entertain, but also dare to challenge, provoke, and shake up comfort for conviction.

[LISTEN TO “VISA” HERE]

Their brand-new song confronts the lived realities of Filipinos striving to shift culture and build a life of security and stability for their families. It channels the frustrations of overseas Filipino workers, athletes, creatives, and professionals, who dedicate their hard work and talent to representing the Philippines, only to be met with systemic barriers that hinder their goal and recognition. Through piercing lyricism that confronts as it wounds, the five-piece powerhouse “calls out the invisible cages that restrict opportunities” on their brand-new track, emphasizing the irony of a people celebrated for their resilience yet burdened by bureaucratic inequities.

“This release will really define SB19’s sound, personality, and the way we present ourselves,” Stell admits. “We have always been known for being vocal, but this time it is even stronger. We are addressing sensitive and current topics that people can relate to, even if not everyone agrees with us. We are ready to face any reaction. This release is very powerful and a strong way to start the year and introduce this new era."

Inspired in part by real-world events and ongoing conversations around visa denials affecting Filipino talents, SB19’s latest single also serves as a commentary on access and privilege, on the disparity between global contribution and mobility. By centering these themes with a more defined perspective, SB19 transforms personal and collective frustrations into an anthem of awareness, and, to an extent, resistance.

“We were very affected by visa applications during our tour,” Pablo reveals. “SB19 has been active for seven years, and we hope that songs like these can reach officials and encourage laws that make it easier for athletes, artists, and others working overseas to access visas. This could include creative acts, producing content, or receiving rebates for spending related to the arts. This is not just an attempt to produce music, but to push Filipino culture forward. There is little support from the government, so it is important that our work can make an impact not only personally but also on a national level."

Josh echoes the familiar frustration, sharing parallels with the struggles of athletes who train and work hard to compete abroad and make Filipinos proud. "I have always had this dream during our tour, as someone who represents the Philippines all over the world. I have also seen the struggles of athletes when they represent the country. They give so much for the Philippines, but it often feels like the country does not give back. There needs to be a change."

Justin chimes in on the ongoing issue while highlighting the intentional messaging of the track. "We are highly skilled and hardworking, and we’ve significantly contributed to raising the morale of Filipinos abroad, as well as impacting the economy in positive ways. But somehow, it often feels like we are at the end of the line.”

Musically, “VISA” mirrors its thematic tension with bold, unconventional production and brass sounds. Conceived from a melody Pablo imagined in one of their brand campaign shoots, the track fuses satire, personal experience, and commentary with sonic experimentation.

Ken explains, "This song is very unconventional and unorthodox. The instruments are not the usual ones, especially the melody. It is kind of unusual, but in a good way. The melody is impactful, and the instruments we used in the track are well chosen. The percussions, ad-libs, and other elements are perfectly placed, making it a very pleasing experience for the ears."

SB19’s “VISA” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Follow SB19 on their socials:

YouTube: https://www.youtube.com/channel/UCm4v7afBTnJKRm4SlfHJzyg

Facebook: https://www.facebook.com/SB19Official/

X: https://twitter.com/SB19Official

Instagram: https://www.instagram.com/officialsb19

TikTok: https://www.tiktok.com/@officialsb19

Source: Nyou

MITSKI Immersive fan experiences in Southeast Asia bring new album Nothing's About to Happen to Me to life ahead of July tour dates

Photo Credit - Lexie Alley

In celebration of Mitski’s new song “I’ll Change for You”, from her forthcoming album Nothing’s About to Happen to Me, selected thrift stores around the world are participating in the Second-Hand Shop event, running now through 20th February.Announced via @TheMitskiVerse, fans can visit participating stores to shop and create looks inspired by the album’s visual world, snap photos with in-store mirror decals and pick up limited-edition pins (while supplies last). They are also invited to share videos of their outfit finds tagging @TheMitskiVerse and #IllChangeForYou for a chance to be featured on Instagram.

“I’ll Change for You” is a nostalgic and mid-tempo track that spotlights Mitski’s gorgeous vocal range over lush instrumentation. The music video, directed by Lexie Alley and edited by Rena Johnson, draws audiences deeper into the chaotic Tansy House universe, rendered with tactile, unsettling beauty: printed frame by frame onto film with hand-drawn marks and subtle distortions, it feels like a roll of film discovered amid the house’s clutter, dilapidated and probably buried under a pile of books. Watch the video here.

“I’ll Change For You” Second-Hand Shops (Southeast Asia)

Manila, PH - Season Pass
Singapore, SG - Vintagewknd

Nothing’s About to Happen to Me will be released on 27th February via Dead Oceans, unfolding as a richly detailed narrative centered on a reclusive woman living in an unkempt house - a deviant to the outside world, but free within her own walls. Bringing that world to life, the Tansy House Listening Events on 21st February invite fans into the “home” for an early listen of the album alongside a scrapbooking session. Attendees at participating record stores will receive Tansy House letterhead to write, doodle and scrapbook on as they listen; finished pages will be added to a “Desk of Mitski” poster displayed in-store, and stores can submit photos of their decorated posters and favourite pages for a chance to be featured on Instagram via @TheMitskiVerse. The album is also available for pre-order and for pickup on release day via participating stores.

Tansy House Listening Event (21st February, Southeast Asia)
Bali, ID - Millers Records
Bangkok, TH - Have You Heard Records x Entertainment Project
Cebu City, PH - Filla Killa Shop x Solar Pop
Jakarta, ID - Millers Records
Kuala Lumpur, MY - Tandang Store
Makati City, PH - Acetate Music
Quezon City, PH - Good Vibrations Records x Rosano Records
Singapore, SG - Bizarro Market

Mitski has also recently announced global live dates including stops in Manila, Bangkok, Jakarta, Kuala Lumpur, and Singapore this July, ticketing details can be found at Mitski.com. 

Mitski Presents Nothing’s About to Happen to Me:
Tue. July 14 – Manila, PH @ Mall of Asia Arena
Thu. July 16 – Bangkok, TH @ UOB Live 
Sat. July 18 – Jakarta, ID @ Tennis Indoor Senayan
Mon. July 20 - Kuala Lumpur, MY @ Zepp KL
 Tue. July 21 – Singapore, SG @ The Star Theatre

Pre-Order/Pre-Save Nothing’s About to Happen to Me
Download Cover Art & Hi-Res Images of Mitski

Connect with Mitski:
Website | Facebook | X | Instagram | YouTube | TikTok

FOR MORE INFORMATION, CONTACT blackstar
CONNECT WITH US AT OUR WEBSITE HERE

‘Songs For Selina’ to debut in Philippine cinemas next month

The film delves into the realm of power, fame, and survival within the music business

Its official: music-themed drama Songs For Selina will hit cinemas across the Philippines starting March 18, 2026  

Previously picked up by Amazon Prime US and Tubi for its North American release last year, the film delivers a harrowing yet grounded portrayal of the music industry’s grim realities. Songs For Selina stars Mica Javier and Rachel Coates as Selina and Maya—musical soulmates whose bond is fractured by the unforgiving and cutthroat nature of the industry they once dreamed of conquering together.

[WATCH THE TRAILER HERE]

[MORE PRESS PHOTOS]

“The entire film is deeply personal,” shares Jay R, CEO of Homeworkz Entertainment and the R&B singer behind enduring hits such as Sining and Bakit Pa Ba. “It draws from our own lived experiences, the stories of our peers, and the unspoken truths that quietly exist within the industry. As artists ourselves, we understand the fear of being marginalized or blacklisted for addressing uncomfortable truths, especially in systems where power is unevenly distributed. That vulnerability is precisely why we chose to tell this story through film and music.”

Jay R, who served as one of the film’s executive producers, highlights the importance of independent storytelling in an industry often driven by commercial considerations.

“Major studios and networks are not the only path,” the King of R&B notes. “There is a space for us, and it’s time we collectively step into it—to strengthen, diversify, and elevate the state of our entertainment industry.”

Songs For Selina features an ensemble cast that also includes Rachel Alejandro, Audie Gemora, Nicole Laurel, Leanne Mamonong, Gian Magdangal, and Jay R himself.

Jay R also co-wrote and produced the film’s original motion picture soundtrack, which features solo and duet performances by lead stars Mica Javier and Rachel Coates.

“The tracks were very much inspired by my own career, which made the songwriting process feel natural and intuitive,” reveals Jay R. “Each song was carefully shaped to serve the story—tailoring the lyrics and emotion to the script so that the music actively moves the narrative forward.”

Songs For Selina is brought to you by Homeworkz Entertainment and is distributed in the Philippines by Black Cap Pictures.

Source: Nyou

Fil-Am Yvng Jin’s music shows jaw-dropping talent NOBODY can deny

“Wala Nang Iba(Nobody)” WATCH:

https://youtu.be/oa3ewYST300?si=7Ir0lbtOxdIGbwVY

LISTEN:

https://music.empi.re/walanangiba

4EVER YVNG

https://music.empi.re/4everyvng

20-year-old Filipino-American Yvng Jin is fast gaining serious momentum in his young music career, and theincredibly talented singer, songwriter, and producer justreleased his latest single, WALA NANG IBA (NOBODY). It’s a mesmerizing showcase of talent—a grand arrival of sorts for this amazing artist who proudly declares he is a pure-blooded Pinoy despite being born and raised in the US.

Already with millions of streams across YouTube, Spotify,and other platforms, Jin looks clearly poised to be one of the biggest names in music globally, and once you hear his music, you’ll know exactly why. Gifted with an exceptionally smooth voice and undeniable songwriting prowess, combined with a work ethic rarely seen from young

people his age, it’s no longer a question of if—but ratherwhen—that global superstardom finally comes. The safe bet is much sooner than later.

“Music’s always been a part of my life”, admits the youngsinger. “I started making music in the 7th grade. I fell in love with it quick.” Asked about his new single NOBODY, the proud Filipino part of him was excited to point out that he dropped a Tagalog version of the song called Wala Nang Iba (Nobody) aside from the English single “NOBODY.” It explores the feeling of finding somebody that nobody else you know compares to”, he adds.

Jin also confesses that being signed by global music labelpowerhouse EMPIRE before even reaching 20 years of age feels like a huge blessing. “People work tirelessly and dream of being signed to a label like EMPIRE and here I am at 20 (already) having reached that goal.” His first album under the label is playfully titled 4EVER YVNG.

When asked what’s next for him, he disclosed that he’s already starting work on his second album, and that he plans to visit the Philippines again since he was still a little kid when he last came here. “Excited to experience beingback in the motherland as a young man”, he says with a smile.

Yvng Jin’s “4EVER YVNG” album is available on musicstreaming platforms now under The Record Company/ EMPIRE.

ABOUT YVNG JIN:

From the bright neon lights of Las Vegas, Nevada, YvngJin is a 20-year-old Filipino-American R&B singer, songwriter, and producer. His sound is influenced by the likes of Bryson Tiller, Chris Brown, and The Weeknd. Utilizing the melodies of R&B and the flows of rap, Jin creates music that can be felt by any listener anywhere in the world.

Find YVNG JIN online:

YouTube- https://www.youtube.com/channel/UC_0uHrEB7E1G4rbztLkqUwA

Instagram- https://www.instagram.com/yvngjin/

TikTok- https://www.tiktok.com/@yvngjin

For press inquiries, contact:

Mark Bonifacio- mark.bonifacio25@gmail.com

Ben&Ben serenades Pasig couples in Valentine’s Day Kasalang Bayan

Their latest single Duyan, a song about everlasting commitment, welcomes 30 couples into the married life in a ceremony led by Pasig City Mayor Vico Sotto

Duyan closes the Mahiwaga Trilogy, which also includes Pagtingin and Araw-Araw

14 February 2026 — For 30 lucky Pasigueño couples, today was the most memorable Valentine’s Day of their lives. Not only did they solemnize and legalize their union on this day, but they also got a once-in-a-lifetime chance to be serenaded by the country’s top folk-pop band Ben&Ben.

As a special treat for Pasigueño couples who tied the knot today during Pasig City’s annual Kasalang Bayan, the nine-piece band surprised the newlyweds and their guests with a heartfelt performance of their latest single Duyan.

It was a fitting song for the occasion, as it was originally the wedding vow of Ben&Ben frontman Miguel Benjamin, which he and the band decided to share with the world this year. In performing the song for today’s 30 newlywed Pasigueño couples, the band hoped to leave a lasting message of commitment, encouragement, and unconditional love.

“We’re entering a chapter of our lives where we feel like this is all uncharted territory: becoming full-fledged adults, being partners and spouses. Like the millions of people who are in this phase of their lives, there are many challenges. Things are never easy. We also get to discover many things about ourselves that we may not have really known before – our strengths, our weaknesses, and so much more,” Miguel shared.

“Every step that we take is made with unconditional love. That serves as our guide and our anchor in this journey, no matter how imperfect life is. This is the message we would like to impart with our song Duyan,” he added.

The Pasig City government holds the annual KasalangBayan for constituents who would like to experience a memorable wedding – including walking down the aisle and having a reception – without having to worry about expenses. The city government covers all expenses related to the event, including reception meals for six guests per couple. The ceremony is officiated by Pasig City Mayor Vico Sotto.

This year’s Kasalang Bayan was made even more special with Ben&Ben’s special performance. Aside from Duyan, the band also performed the other songs in their Mahiwaga Trilogy – Araw-Araw and Pagtingin. The trilogy features the band’s thematic arc on love and romantic relationships, with Duyan as the culminating song.

The song is accompanied by a music video starring real-life couple and actors Gabbi Garcia and Khalil Ramos, who also appeared in the previous installments of the Mahiwaga Trilogy.

“Maraming salamat sa Ben&Ben! Tuwang-tuwa ang mgakinasal. It was an unexpected surprise for the couples, and made this day extra special for them,” Pasig City Mayor Victor Ma. Regis “Vico” Sotto said.

Ben&Ben’s Duyan is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video of Duyan on Ben&Ben’s official YouTube channel.

--

About Ben&Ben

Ben&Ben is a multi-awarded Filipino band known for their anthemic sound and electrifying live performances. With critically acclaimed albums that set records in streaming and sales, the nine-piece collective explores personal, emotional, and socio-political themes with underlying messages of human connection, courage, hope, and vulnerability. In less than a decade, they’ve managed to shape an entire generation’s cultural awakening through music that uplifts, inspires, and invites introspection. The band’s songs also serve as both a mirror and a compass, which guide listeners on a journey of self-discovery.

Source: Nyou

Global superstar Meghan Trainor releases new single “Get In Girl”

Photo Credit: Dana Trippe

Global superstar Meghan Trainor has delivered the perfect Galentine’s Day anthem, “Get In Girl,” out today via Epic Records. The track is featured on her seventh full-length album, Toy With Me, out April 24.

Whether you were ghosted by your situationship, suffered another failed talking stage, or just need a little pick-me-up, “Get In Girl” is ready to help you rally. On the song, Meghan shares, “This song is for everyone who finally realized they deserve more. Sometimes you just need a song that reminds you that love shouldn’t feel exhausting, and that leaving is okay and might be the most powerful thing you can do.”

Following the release of Toy With Me, Meghan will be bringing the new music on the road for The Get In Girl Tour, produced by Live Nation. The tour kicks off June 2026 and sees Meghan return to iconic venues including Madison Square Garden in NYC and the Kia Forum in Los Angeles. Tickets are on sale now at MeghanTrainor.com. See full routing below.

“Get In Girl” is the second track Meghan has shared off the new album, following the release of “Still Don’t Care” late last year. The song serves as a reminder to stop worrying about judgement from others and celebrate who you are. This was exemplified in the accompanying music video, which saw Meghan freely dancing across iconic Los Angeles landmarks, including The Grove, Rodeo Drive, and even crashing a celebrity sighting shuttle tour.

WATCH THE OFFICIAL VIDEO FOR “STILL DON’T CARE” HERE

Toy With Me Artwork

Website / TikTok  / Twitter / Instagram / Facebook

Source: Nyou

Filipino indie artist Peej confronts the loneliness that comes with choosing solitude in his debut album, King of Sadtown

Written and produced in his bedroom, the album turns independence into an emotional reckoning

Filipino bedroom pop soloist Peej will drop his full-length debut album, King of Sadtown, on Friday, February 13, 2026, on all digital music platforms worldwide. 

[STREAM THE ALBUM HERE IN ADVANCE]

Inspired by Death Cab for Cutie, Matt Maltese, Bon Iver, Damien Rice, Tom Misch, Frank Sinatra, and Mac DeMarco, the 13-track release finds a young artist unafraid to confront the consequences of choosing solitude. The album unfolds as a series of interconnected stories: destructive habits, romantic disappointments, fleeting encounters, and, ultimately, the conscious decision to withdraw.

“Most times writing songs is like a therapy session for me,” Peejadmits. “I’ll often sing out a random line during the writing process—and it’s only then I realize that this topic is something that has been eating me up inside—so naturally I have lots of things to say about it, and the song slowly takes shape.”

For what it’s worth, King of Sadtown mirrors Peej’s tendency to avoid deep, intimate relationships in favor of personal independence. The songwriting explores what it means to rule one’s own world, make one’s own rules, and answer to no one, only to realize that freedom can feel hollow when the world is empty.

Written, produced, and primarily mixed by Peej in his bedroom during the later years of the pandemic, King of Sadtown carries a deeply personal, almost diaristic quality. Here, Peej allowed himself to experiment freely in his production, incorporating new textures, such as adding prominent sax parts, while letting the emotions guide each arrangement.

The album was mixed by Peej, with additional mixing by Nikhil Amarnani on “Islands” and “These Walls,” and mastered by Jan Fuertez. Carefully sequenced, Sadtown eases listeners in with lighter, easy-listening moments before gradually sinking into heavier emotional territory.

Peej adds, “I hope the vulnerability and honesty shines through the album. I want my music to continue living in that space, especially when it comes to the lyrics. And while I might have “a sound,” I also feel that I have done a lot of sound experimenting with this album, so I’m hoping to continue experimenting and getting better at producing in future songs to come.”

Track list – listen to the album

1. ​Same Mistakes

2. ​She Likes to Dance

3. ​Islands

4. ​I Broke My Heart

5. ​Sad Love Song

6. ​King of Sadtown

7. ​Stay If You Want

8. ​Most Nights

9. ​Nothing to Hold

10.  These Walls

11.  I’m Stone and I Still Think of You

12.  Sad Love Song (Reimagined)

13.  Islands (Deluxe)

Source: Nyou

She & Him strikes viral gold with “I Thought I Saw Your Face Today”

Seventeen years after its release, the classic indie duo stages a remarkable placement in the Philippine music charts, reigniting interest in the their music and catalog

She & Him, an indie pop duo consisting of Zooey Deschaneland M. Ward, continues to break the internet with the renewed success of its 2008 song “I Thought I Saw Your Face Today.” 

Initially released as part of their debut album, Volume One via Merge Records, the track received enormous attention from listeners worldwide—thanks to a TikTok trend that pairs the music with nostalgic and cinematic videos.

In the Philippines, the resurgence in popularity has been especially pronounced. Over the past month alone, the track has generated more than 650 million TikTok views and 28 million YouTube views locally. The sleeper hit also climbed the major charts, peaking at No. 15 on the Daily Spotify Philippineschart, No. 24 on the Billboard Philippines Hot 100, and No. 1 on Spotify’s Daily Viral Philippines chart.

Driven by streaming momentum and organic traction on social media, She & Him consistently ranks among the top 200 biggest artists on Spotify Philippines, averaging more than 3 million listeners on the platform locally.  

In response to the overwhelming support from Filipino audiences, She & Him recently released an official Tagalog lyric video. In just two weeks, the video has racked up more than 70,000 YouTube views.

About She & Him

She & Him is an indie pop duo consisting of Zooey Deschanel and M. Ward. Formed in Portland, Oregon in 2006, the musical partnership introduced a distinct folk-pop sound that integrates wistful songwriting with vintage-inspired melodies. Nearly two decades later, the emotional ballad “I Thought I Saw Your Face Today” found new life with audiences across the globe. The song became the first track in Merge Records’ history to surpass100 million streams on Spotify.

Source: Nyou