Early bird tickets sold out for Over October’s biggest concert yet

Strong demand prompts organizers to advance general ticket selling to August 15, with 80% of all concert tickets already sold

Visual Credits: Photo by Andrea Beldua; Creative Director: Karen dela Fuente; and Art Director: Elliesha Angeles

Good news! Early bird tickets to Over October Live at the New Frontier Theater have officially sold out.

Strong demand has prompted organizers to move the regular ticket-selling schedule up to August 15, 2026, a week earlier than its supposed rollout.

With 80 percent of tickets already sold, the Ikot band expressed gratitude to the fans who have supported their biggest headline concert yet.

“Knowing that so many people want to be part of this concert makes the occasion even more special to us,” shares Over October in a press statement. “We’ve prepared so many surprises for this concert, and we’re definitely inspired to make the experience worthwhile for everyone.”

Over October Live at the New Frontier Theater will happen on October 4, 2026, serving as the band’s last show featuring the original five-member lineup.

Before their 2026 solo headline concert, the band has mounted two sold-out concerts at the Music Museum and the band’s successful 2025 anniversary show at the MOA Sky.

Tickets are available via TicketNet Online and participating outlet stores, with regular tickets available now.

Over October Live at the New Frontier Theater is presented by Over October, with GNN, Move It, and Swee Lee Philippines as partners.

Source: Nyou

ICONA POP RELEASE NEW ALBUM, RITUAL – OUT NOW

OUT NOW

[ULTRA RECORDS / ICONIC SOUND RECORDINGS]

UNVEIL OFFICIAL VISUALIZER FOR ALBUM FOCUS TRACK 

“HURT” - WATCH

FALL U.S. TOUR DATES ON SALE NOW

High-Res Album Artwork Available HERE

TRACKLISTING:

Hurt

Ritual (feat. Daya)

Dance To This

Butterfly Feelings

Cooler

Yellow Top

Mad Love

Didn’t Mean It Like That

Never Over

Foreverness

WATCH

“HURT”

LISTEN

RITUAL

2026 NORTH AMERICAN TOUR DATES

09/25 – Baby’s All Right – Brooklyn, NY

10/02 – Lincoln Hall – Chicago, IL

11/20 – TBA – Las Vegas, NV

11/21 – Moroccan Lounge – Los Angeles, CA

Multi-platinum, award-winning duo Icona Pop release their new album, Ritual, out now via Ultra Records/Iconic Sound Recordings. Alongside the album, Caroline Hjeltand Aino Jawo unveil its deeply personal focus single, “Hurt,” accompanied by a new official visualizer co-directed by Icona Pop and Nicole Walker.

Listen to Ritual HERE and watch the official visualizer for “Hurt” HERE.

A late-night conjuration of emotional electro-pop, Ritual finds Icona Pop at their most emotionally open and creatively confident. Across club-ready rhythms, euphoric synths, bittersweet pop melodies, and raw, vulnerable lyrics, Caroline and Aino explore friendship, reinvention, healing, motherhood, heartbreak, and joy—reclaiming the dancefloor as a space for release, connection, and transformation.

At its core, Ritual is an album about ownership. Caroline and Aino are owning who they are now - as mothers, creative partners, entrepreneurs, leaders, sisters, and women. The record channels that evolution into a feminine reclamation, creating space for emotion, catharsis, and transformation while celebrating the friendship that has remained at the center of Icona Pop through it all.

“It’s always been us against the world,” says Icona Pop.“But now, it feels like we’ve built a world of our own. We let each other grow; and we want each other to be happy. It’s beautiful to have somebody with you through the hardest times, but also the greatest times. We don’t take it for granted.”

The album was born during a transformative chapter for both artists. Caroline and Aino became mothers within days of each other, returned to Sweden after years in Los Angeles, and navigated heartbreak, anxiety, and major changes in their lives. Rather than shy away from those emotions, they built a creative environment where they could lean into them fully.

“The whole journey with Ritual was us being in the studio with people that made us feel safe enough to stay in the uncomfortable and explore,” Icona Pop explains. “We had no rules making this album. All feelings were welcome, and that felt very liberating. That’s why the album sounds so honest. Writing the album became very therapeutic and important to be able to move forward and heal.”

That emotional honesty comes into sharp focus on “Hurt.” Beginning with lonely keys and a fractured vocal loop before building toward a pulsating, bass-heavy release, the song captures the painful moment when heartbreak begins to give way to acceptance.

“We were absolutely crying in the studio,” Caroline remembers. “It’s written from the perspective of letting go and starting to move on. It’s a vulnerable track about the process of saying goodbye. The message is, ‘Even though you hurt me, I’m still alive. I can look back at memories and think they were beautiful. I wonder if you see it the same way. I hope you do’.”

She continues: “‘Hurt’ is not an angry song about revenge. It’s a song about brutal acceptance of being left by the one you love. It hurts, but you’re realizing that you’re going to be fine and you’re letting go. When the song reaches climax at the end, it almost feels like you’re out on the other side dancing with your friends again still hurt—but also happy.”

“Hurt” joins previously released tracks “Yellow Top,” “Ritual” featuring Daya, “Dance To This,” and “Butterfly Feelings,” each revealing a different dimension of the album’s emotional and sonic world. Throughout Ritual, Icona Pop transform deeply personal experiences into expansive, dancefloor-ready pop without sacrificing the emotional honesty at the heart of the record. The album captures the duo at their most authentic—celebrating resilience, friendship, vulnerability, and the freedom found on the dancefloor.

The title track itself distills the album’s philosophy into its simplest form: the small rituals we use to survive, reconnect with ourselves, and move forward.

Ultimately, Ritual is both a celebration of where Icona Pop are now and a reaffirmation of what has always connected them: friendship, movement, and the transformative power of music.

“It’s okay to not be okay, but still go out and dance,”Caroline says. “It’s okay to be where you are right now. Find your rituals, find your friends, and find your energy.”Aino adds, “Go dance, move your body, meet people, hug, kiss, and don’t hide.”

This fall, Icona Pop will bring Ritual to the stage with a run of U.S. headline dates, including shows in Brooklyn, Chicago, Las Vegas, and Los Angeles, before continuing on to Scandinavia. Tickets are on sale now at Icona Pop’s official tour page. For tickets and additional tour information, visit iconapop.com/tour.

Stay tuned for more exciting news from Icona Pop to be announced soon.

Ritual is out now via Ultra Records/Iconic Sound Recordings. Listen HERE.

Watch the official visualizer for album focus track “Hurt” HERE.

2026 SCANDINAVIAN TOUR DATES:

10/23 – Pustervik – Göteborg, Sweden

10/24 – Mejeriet – Lund, Sweden

10/30 - Vulkan Arena – Oslo, Norway

11/06 - Arbis Bar & Salong - Norrköping, Sweden

11/07 – Berns – Stockholm, Sweden

11/13 – Pumpehuset – Copenhagen, Denmark

Photo Credit: Teitur Ardal

High-Res Available HERE

ICONA POP

OFFICIAL WEBSITE | FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE | TIKTOK

ABOUT ICONA POPIcona Pop has always represented the ultimate freedom of expression for its two members and longtime friends, Caroline Hjelt and Aino Jawo. Their fearless approach as women and artists has fueled their impact as one of pop music’s most innovative and irresistible multiplatinum, chart-topping forces. Today, they continue to evolve—owning who they are as mothers, creative partners, entrepreneurs, and leaders, while bringing that same sense of empowerment and authenticity to everything they create. Caroline and Aino went from being club kids in Stockholm to commanding clubs, arenas, and festivals around the world. Following an independent grind, Icona Pop first reached critical mass in 2012 with their breakout single “I Love It” [feat. Charli XCX], a generational anthem that went 5x Platinum, sold over 10 million copies, and surpassed 1 billion global streams. Their 2013 debut This Is… Icona Pop earned widespread acclaim and was followed by a run of Gold-certified singles, sold-out tours, and major support slots alongside artists including Miley Cyrus, One Direction, The Chainsmokers, and the late Avicii. Beyond music, they’ve delivered standout performances on The Tonight Show Starring Jimmy Fallon, The Today Show, Good Morning America, and America’s Got Talent, and appeared on HBO’s Girls, Saturday Night Live, and as Satin and Chenille in the Trolls film franchise. Known for their dynamic collaborations with Joel Corry, Galantis, Sofi Tukker, and more, Icona Pop returned in 2023 with CLUB ROMANTECH, their first album in a decade, which received critical praise from The Guardian, Forbes, Rolling Stone, Pitchfork, and beyond. Now, with the release of Ritual, Icona Pop continue to push forward—blending emotional honesty with euphoric, club-ready production. Their music remains rooted in connection, transformation, and the power of the dancefloor, capturing two artists at the height of their creative confidence.

SB19 strengthens global footprint with landmark Japan activities

The group expands its reach through cross-border collaborations, festival appearances, Japanese TV debut, and a high-profile performance with Kento Nakajima

SB19 also hints about the re-release of “Gento,” featuring Kento Nakajima

Manila, Philippines – SB19 continues to turn its long-term ambition of becoming a global phenom into a growing reality, with a series of activities in Japan that have brought the P-Pop supergroup closer to one of Asia’s most important music markets.

The group’s recent activities in Japan span music collaborations, major festival stages, and landmark television appearances, further strengthening SB19’s strategy to reach international audiences.

SB19 recently debuted at SUMMER SONIC 2026, one of Japan’s biggest music festivals, performing in both Osaka and Tokyo. The appearance placed the acclaimed group alongside prominent international headliners and prominent local music stars, giving them an opportunity to represent Filipino artistry on a global scale.

For PABLO, performing at SUMMER SONIC means realizing a dream that once felt impossible and distant. “Performing in both Osaka and Tokyo is another milestone for us, and we’re incredibly grateful for the chance to introduce SB19 to Japanese audiences and connect with them. We have a wide range of songs and genres in our repertoire, so fans can expect an energetic and diverse set that showcases different sides of SB19. Most of all, we hope our performances will allow people to experience our music, feel our energy, and hopefully capture their hearts.”

In Tokyo, the multi-awarded Filipino supergroup shared the Pacific Stage lineup with artists including Kento Nakajima. The Tokyo performance also delivered one of the trip’s most talked-about moments when SB19 welcomed Nakajima onstage for a performance of their viral smash “GENTO.” The team-up brought two artists with a shared connection to the Philippines and Japan, creating a cross-cultural moment on the massive festival stage. The performance has ignited anticipation for an official release of a “GENTO” collaboration involving Kento Nakajima, adding excitement to SB19’s continued push into the Japanese music market.

“This time, I had the special opportunity to write part of the lyrics for this track,” Nakajima shares. “There was definitely pressure putting new lyrics on GENTO—such an important song for SB19—but the members kindly told me, 'Just be yourself, as always,’ so I poured in everything that came to mind.”

Apart from the explosive festival performance, SB19 has also crossed a major bucket-list milestone with its live television debut in Japan on NTV’s DayDay on August 13. 

According to JUSTIN, appearing on a major Japanese television program involves a different kind of preparation, coordination, and way of presenting themselves. “While we remain the same SB19 that people know in the Philippines, being welcomed into a Japanese television program is a huge milestone for us and something we are truly honored and grateful for.”

The TV stint enabled Japanese viewers to get to know the members beyond their music. During the morning program’s Dotti Dotti segment, the Filipino quintet performed their latest single “LAWLESS” in Japan for the first time, giving Japanese television audiences a direct introduction to SB19’s latest musical direction. The program also featured the members in a playful hammer-and-rock-paper-scissors-style game with host Ryota Yamasato, popularly known as Yama-chan.

The group’s recent activities in Japan mark another important transition in SB19’s new creative arc, showing how its plans to conquer various international markets are gradually translating into tangible opportunities. 

JOSH explains, “Now, having these opportunities in Japan through our collaboration with top Japanese artists, performing at SUMMER SONIC, and appearing on Japanese television feels like an important step forward in that journey. We’re more than grateful to be able to share our music and connect with Japanese audiences while learning from every experience along the way. We hope this chapter will help us reach even more people around the world.”

With these developments coming to fruition, KEN is positive that SB19 will continue to build genuine connections with the Japanese audience. “We would love to have more performances, television appearances, and features in Japanese publications, but most importantly, we want to continue introducing our music and sharing who we are as SB19. We hope that more people will discover our songs and embrace us as artists.

The Japanese edition of SB19’s Wakas at Simula is now available at major record shops and online retailers in Japan under Sony Music Japan.

Source: Nyou

Four-Time GRAMMY-Award Winner Phoebe Bridgers Makes Her Long-Awaited Return With Third Studio Album 'Lost Weekend'

LISTEN HERE

Photo Credit: Frank Ockenfels

"Lush, honest, and her best album yet"
— Rolling Stone Philippines (★★★★★)

"...a Captivating Record Worth the Six-Year Wait"
— Variety (Critic's Pick)

"...a rich and rewarding journey."
— The Guardian (★★★★★)

"For the singer of a generation, it was more than worth the wait – the wait was the whole point."
— Rolling Stone UK (★★★★★)

"...the best album she's ever done…It is incredible."
— NPR Music

"'Lost Weekend' is a deliciously strange record"
— DORK (★★★★★)

August 18th, 2026 - Philippines — Four-time GRAMMY-winning indie folk singer-songwriter and producer Phoebe Bridgers has finally unveiled her highly anticipated third solo album, 'Lost Weekend', out now via Dead Oceans. Marking her first solo release in six years, the 16-track record arrives alongside a new music video for the focus track "I Can't Wait", and follows a series of global listening events held ahead of its release. Fans can stream the new album HERE.

'Lost Weekend' sees Bridgers at the height of her powers, a master, taking nothing more seriously than her craft of songwriting, refining here many of the motifs that distinguished her work previously on this new album that's otherwise, everywhere, full of surprises.

Phoebe Bridgers – "I Can't Wait" (Official Video)

The video, directed by Chris Maggio and Pablo Rochat, is the album's second visual release, offering a bug-eyed, surreal take on a day in Los Angeles.

'Lost Weekend' is the first Phoebe Bridgers album since her multi-GRAMMY nominated sophomore album, 'Punisher', was released at the peak of the Covid-19 pandemic. Much was made of her wise-for-her-years virtuosity when her lauded debut, 'Stranger in the Alps' was released, about a month after the artist's 23rd birthday; and 'Punisher' was, it seems, universally praised as something of a promise-made-good-on, a clever, alluring, measured yet thrilling, ultimately very memorable album from an artist whose meteoric talent as a songwriter had been suddenly matched by her road-honed band and their richer, more daring accompaniment.

In the hour leading up to the album's release and throughout release day, fans around the world came together for a series of global midnight listening events, including sessions across Southeast Asia, all of which reached full capacity. The events offered attendees an early listen to the album, exclusive physical variants, and limited-edition keepsakes to take home, turning the midnight release into an intimate, shared moment for fans around the world.

The album was also previewed throughout the week inside planetariums around the world. Each listening session was paired with one of two original visual experiences: a custom dome show designed by renowned night-sky photographer Babak Tafreshi, or an immersive laser show created by Laser Fantasy. Each presentation offered a distinct atmospheric interpretation of the record, transforming its first listen into an enveloping sonic and visual experience.

Before her recent run of viral pop-up shows, Phoebe Bridgers was last seen on stage with boygenius, her supergroup alongside best friends Lucy Dacus and Julien Baker, collecting multiple GRAMMY Awards for the trio's acclaimed 2023 record. The group took home Best Alternative Music Album, as well as both Best Rock Song and Best Rock Performance for "Not Strong Enough". Bridgers also emerged as the evening's most awarded artist, earning her fourth GRAMMY for Best Pop Duo/Group Performance for "Ghost in the Machine", a feature on SZA's 'SOS'. Prior to that, she joined Taylor Swift on a stint of dates for The Eras Tour, following nearly two years on her own Reunion Tour, which featured three sold-out North American legs, 30 European shows, and a closing run across South America, Asia, and Australia.

Since her last solo record, she has also released a string of standalone singles, covers, and collaborations with Paul McCartney, MUNA, Bright Eyes, The 1975, Lorde, Taylor Swift, and The National. Her influence continues to resonate globally, with a combined audience of more than 4.1 million across platforms, including a strong footprint across Asia, with the Philippines and Indonesia ranking among her top 10 global audience markets.

'Lost Weekend''s arrival follows a 45-date arena tour across North America, the UK, Ireland, and Europe, which sold out within hours of the general on-sale, underscoring the extraordinary momentum surrounding Bridgers’ long-awaited solo return and the fervent demand for her new era.

Stream 'Lost Weekend' here
Watch the "I Can't Wait" music video here
 

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CAVETOWN RELEASES NEW SINGLE “BIG STRONG MAN” WITH VIDEO

NORTH AMERICAN “RUNNING WITH SCISSORS TOUR” KICKS OFF SEPTEMBER 21 WITH SUPPORT FROM CHLOE MORIONDO

LISTEN | WATCH

“BIG STRONG MAN”

Today, Cavetown releases new single “Big Strong Man,” a deeply personal track exploring the confusing expectations of teenage masculinity, queer identity and the experience of being loved for a version of yourself that doesn’t feel true.Written from a similar period in Robin Skinner’s life as beloved fan favorite “Boys Will Be Bugs,” “Big Strong Man” finds Cavetown looking back at adolescence and the pressure to fit into a version of masculinity that never felt like his own. With the vulnerability and emotional honesty that have become hallmarks of Cavetown’s music, the song puts words to the complicated feeling of being accepted by those around you while knowing that the person they see isn’t really you.Skinner shares:"Big Strong Man - based on a similar time in my life as Boys will be Bugs - is about my struggles with the confusing world of teenage masculinity as a young queer person, and how it sucks to feel loved for a version of yourself that isn't true."“Big Strong Man” follows the release of Cavetown’s latest album Running With Scissors, which showcases Skinner’s signature blend of bedroom pop intimacy, pop-punk energy and emotionally resonant songwriting. Featuring singles including “Rainbow Gal,” “Baby Spoon,” “NPC,” and “Tarmac,” Running With Scissors expands Cavetown’s sonic world while staying rooted in the honesty and vulnerability that has earned him a global fanbase spanning billions of streams and multiple RIAA Platinum certifications.Next month, Cavetown will bring Running With Scissors on the road for an extensive North American headline tour with support from collaborator and indie-pop standout Chloe Moriondo. Kicking off September 21 in Allentown, PA, the run includes stops in Toronto, Detroit, Chicago, Denver, Seattle, Los Angeles, Atlanta, Boston and more before wrapping at Brooklyn Paramount in New York on October 25.The tour follows a milestone year for Cavetown, including a standout national TV appearance on The Kelly Clarkson Show, as Skinner continues to deepen the connection with the massive community that has grown around his music both online and on stage.Tickets and more information are available at cave.town/pages/shows.“RUNNING WITH SCISSORS TOUR”2026 NORTH AMERICAN TOUR DATES09/21/26 – Allentown, PA @ Archer Music Hall09/23/26 – Toronto, ON @ HISTORY09/24/26 – Detroit, MI @ The Fillmore09/26/26 – Cleveland, OH @ House of Blues09/27/26 – Chicago, IL @ The Salt Shed 09/30/26 – Denver, CO @ Summit Music Hall10/01/26 – Salt Lake City, UT @ Rockwell at The Complex10/03/26 – Portland, OR @ McMenamins Crystal Ballroom10/04/26 – Seattle, WA @ Showbox SoDo10/06/26 – Oakland, CA @ Fox Theater10/08/26 – Los Angeles, CA @ The Wiltern 10/09/26 – Phoenix, AZ @ The Van Buren10/12/26 – Dallas, TX @ House of Blues10/13/26 – Austin, TX @ Stubb’s Waller Creek Amphitheater10/16/26 – Tampa, FL @ Jannus Live10/17/26 – Orlando, FL @ House of Blues10/18/26 – Atlanta, GA @ The Tabernacle10/21/26 – Boston, MA @ Citizens House of Blues10/23/26 – Silver Spring, MD @ The Fillmore10/24/26 – Philadelphia, PA @ The Fillmore10/25/26 – Brooklyn, NY @ Brooklyn Paramount 

ABOUT CAVETOWNFor over a decade, Cavetown has invited listeners into an intensely personal musical world built on honesty, vulnerability and connection. The project of UK singer, songwriter and producer Robin Skinner, Cavetown first found an audience through self-recorded music shared online before growing into a global phenomenon. Songs including “Boys Will Be Bugs,” “Devil Town,” “Home” and “Juliet” have become touchstones for a generation of young listeners, particularly within the LGBTQ+ community.With billions of streams, multiple RIAA Platinum certifications and sold-out shows around the world, Cavetown has built one of the most devoted communities in alternative music while maintaining the intimacy and emotional honesty that defined the project from the beginning.

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Offshore Music signs new rising soul artist Paco Pastor

From left to right: CEO of Offshore Ely Buendia, Paco Pastor, General Manager of Offshore Music Audry Dionisio and Artist & Repertoire Manager Dani Mendoza

MANILA, PHILIPPINES—Independent Philippine-based music label Offshore Music adds budding soul and pop-inclined artist, Paco Pastor to its growing roster.

Heavily attuned to the soft and sensual nature of the soul music, Paco Pastor is a Manila-based artist who aspires to create his path in the industry with a genuine approach to his musicality and identity as a singer-songwriter, as well as a live performer.  

“There are so many aspects to me as an artist that it really isn't just one color,” explains the 19-year-old Pastor in an interview, seamlessly likening his artistic personality into colors. The singer also mentioned how female artists such as Sade, Nectar Woode and Olivia Dean have influenced his craft, allowing a more feminine persona to come to fruition in his current artistic endeavor as a way to celebrate these qualities in his path to being known as an artist. In connection to being thankful to creative women, he also notes the involvement of his best friend, Alysha, encouraging the singer to embark on a career in music. “Being on stage or performing [was] never one of my dreams. But I always knew that I did love music, but performing up there? Not a chance… Until this [Alysha] girl came into my life.” 

Moreover, Pastor shares how having supportive parents (who are also artists) is what really got him to pursue this journey head on and high. He recalls his mom saying, “If you didn’t make good music, we wouldn’t have let you go this path at all. Good thing you really are our child.”

From left to right: CEO of Offshore Ely Buendia, Paco Pastor, and Artist & Repertoire Manager Dani Mendoza

Since then, Paco’s journey as an artist has been steadily building momentum, with the singer-songwriter embracing the act of performing live after making his debut appearance with a full band at one of the label’s self-produced gig nights. He also began jamming with seasoned musicians through his management team at Waddle House Manila and, in turn, was eventually signed under Ely Buendia’s music label. All of these developments happened in a span of this year alone.

“He was someone we wanted to develop and explore," reveals Artist & Repertoire (A&R) Manager of Offshore Music, Dani Mendoza, in the label's decision to sign Paco Pastor. “He [Paco] is his own producer, he is his own songwriter, his own performer. He is the full package in terms of his brand, performance and music. To Offshore Music's very core, we have always been music first and champions of those [musicians] who need the support to put their music out there. It was easy to make that decision then and there.”

                                        About Paco Pastor  

At just 19 years old, singer-songwriter Paco Pastor may be a fresh face in the music scene, but he is no stranger to the craft. His passion for music—particularly soul—began at a young age and has since evolved into a deeply personal creative journey. Taking a hands-on, self-produced approach, Paco writes, records, and shapes his own sound, building a discography that is both authentic and distinctly his own.

In 2025, Paco released his debut single, "There Somehow," followed by his four-track EP, Gotta Be, featuring heartfelt songs such as "Talking to the Moon." He also showcased a softer, more intimate side with the warm and tender Christmas track, "Hey Dear," further highlighting his versatility as a songwriter and producer.

Paco Pastor Socials:

FB: https://www.facebook.com/share/14kfaCrrZhk/

IG:  https://www.instagram.com/ppacopastor?igsh=NWNyMjY1amtrcjYx

YT: https://youtube.com/@pacopastormusic?si=05xYIW_NZcioM8dP

TT: https://www.tiktok.com/@ppacopastor?_r=1&_t=ZS-98PBfe0S00r

SPOTIFY: https://open.spotify.com/artist/2hBknkAqiWOVPBQSwcCd1K?si=kaXMmyIqQcG6O949GcJtDw&utm_source=copy-link

 Source: Nyou

GRAMMY-NOMINATED SINGER-WONGWRITER LUKAS GRAHAM RELEASES NEW ALBUM GOOD TIMES OUT NOW VIA VIRGIN MUSIC GROUP

LISTEN HERE

SHARES DEEPLY PERSONAL TRIBUTE TO LATE FRIEND ON FOCUS TRACK “BEFORE YOU GO”

NORTH AMERICAN TOUR DATES WITH ED SHEERAN KICK OFF THIS AUG. 15

Grammy-nominated singer-songwriter Lukas Graham releasedhis new album Good Times, out now via Virgin Music Group. Rooted in the Celtic and folk traditions that shaped his upbringing in Copenhagen, the 13-track collection brings Lukas full circle, reconnecting him with the storytelling tradition, acoustic instrumentation and Irish musical heritage at the heart of his earliest relationship with music.

The album arrives one day before Lukas joins Ed Sheeran as a special guest on select North American dates of the 2026 “Loop Tour,” beginning tomorrow, August 15, at U.S. Bank Stadium in Minneapolis, MN. A full list of dates is included below.

With the album’s arrival, Lukas also shares “Before You Go,” one of the project’s most intimate songs, written in 2019 for his longtime friend Thomas, who had been chronically ill and slowly dying throughout all of their nearly two-decade friendship. When Thomas was preparing for further brain surgery that could potentially take away his sense of taste, he asked to join Lukas on tour stops in Korea and Japan, where Lukas helped give him the chance to experience the places, food and moments he had hoped to while he still could. After turning that experience into a song, Lukas held onto it, promising Thomas it would only be shared publicly at a time of his choosing. Years later, Thomas asked Lukas to sing it at his funeral, where “Before You Go” was performed publicly for the first time in the same church where Lukas had buried his father. Since then, the song has become a quietly powerful moment in Lukas’ live show. “It’s a song that’s meant to be sung along to, even though nobody knows it yet,” says Lukas.

That sense of memory, grief, friendship and connection runs throughout Good Times, an album built on reflection, heritage and hard-won perspective. Across the project, Lukas returns to the roots-music traditions that surrounded him as a child in Christiania, an abandoned, squatted army base that is now a free-spirited Copenhagen community where he grew up. His late father Eugene, a Donegal-born music lover, booked folk musicians throughout Scandinavia and helped introduce Lukas to the sounds and communal spirit that shaped the album’s foundation.

The album was recorded with a rolling collective of musicians in Nashville and New York, many of whom had a personal connection to Eugene and the folk community Lukas grew up around. The players include Michael McGoldrick, one of the world’s great uilleann pipe and Irish flute players; bassist Sam Grisman; Tim O’Brien on mandolin and backing vocals; Stuart Duncan on fiddle; and Brian Sutton on guitar — a lineup that roots the album in the Celtic, bluegrass and acoustic traditions that have long been part of Lukas’ story.

“People my dad knew. People who had slept on a couch in my mum and dad’s living room,” Lukas previously explained. “It was very important to me that we got a hold of some of these musicians and got that cultural connection.”

Good Times includes the previously released title track, a spirited album opener that set the tone for the project’s bright, communal energy, as well as “Second Chance,” a song about owning your mistakes, embracing renewal and choosing to become a better version of yourself. The album was first introduced with “To Know A Girl,” a banjo-driven offering paired with a soaring vocal and powerhouse chorus.

The GRAMMY-nominated Danish soul-pop artist first achieved global fame with the 2015 breakout hit “7 Years” — a reflective ballad that earned three GRAMMY nominations, topped charts in more than 15 countries, and placed him among the first 25 artists in Spotify’s Billions Club. Over the past decade, he has built a multi-platinum international career spanning four albums, with hits including “Love Someone,” certified platinum in 18 countries. His work blends soul, pop and deeply personal storytelling, exploring themes of family, love and resilience — from the loss of his father to becoming one himself.

Known for his emotional depth and powerful live presence, Lukas Graham has sold out tours across Europe, North America and Asia, and performed on major stages including the GRAMMY Awards, MTV VMAs and Good Morning America. This year, he will bring songs from Good Times to stadiums across North America as a special guest on select dates of Ed Sheeran’s 2026 “Loop Tour.”

Good Times Tracklisting

1. Good Times

2. Second Chance

3. Before You Go

4. To Know A Girl

5. Freetown Road

6. River Run

7. Falling

8. Carry Me Home

9. Days Like These

10. Rich Man

11. Nights I Won’t Forget

12. Last Mile

13. Loved You Better

Lukas Graham North American Tour Dates w/ Ed Sheeran:

Aug. 15, 2026 - Minneapolis, MN - U.S. Bank StadiumAug. 20, 2026 - Toronto, ON - Rogers CentreAug. 21, 2026 - Toronto, ON - Rogers CentreAug. 22, 2026 - Toronto, ON - Rogers CentreAug. 29, 2026 - Detroit, MI - Ford FieldSep. 4, 2026 - East Rutherford, NJ - MetLife StadiumSep. 5, 2026 - East Rutherford, NJ - MetLife StadiumSep. 19, 2026 - Philadelphia, PA - Lincoln Financial FieldSep. 25, 2026 - Foxborough, MA - Gillette StadiumSep. 26, 2026 - Foxborough, MA - Gillette StadiumOct. 3, 2026 - Atlanta, GA - Mercedes-Benz StadiumOct. 10, 2026 - Indianapolis, IN - Lucas Oil StadiumOct. 17, 2026 - Charlotte, NC - Bank of America StadiumOct. 24, 2026 - Arlington, TX - AT&T StadiumNov. 7, 2026 - Tampa, FL - Raymond James Stadium

###

Follow Lukas Graham:

Website | Twitter | Facebook | Instagram |TikTok

For further information on Lukas Graham in PH, contact:

blackstar

mabuhay@blackstar.space

SLAYYYTER releases new song “brand new chanel$” amid sold out world tour

Official music video out now

Upcoming festival performances at Lollapalooza, Reading & Leeds, and All Things Go D.C.

"one of 2026’s breakout pop stars” - THE NEW YORK TIMES

“Slayyyter is ready for pop music’s big leagues” - VOGUE

“a straight-up rock star” - VARIETY

“Slayyyter Summer is in full effect.” - BILLBOARD

"Slayyyter is the people’s pop princess” - V MAGAZINE

SLAYYYTER releases new song and self-directed video, “brand new chanel$” following the kick off of her sold-out WOR$T GIRL IN THE WORLD TOUR with three hometown shows in St. Louis. The release arrives off the heels of SLAYYYTER’s album WOR$T GIRL IN AMERICA, which debuted at #1 on the Billboard Top Dance Albums chart and received widespread critical acclaim.

LISTEN TO “brand new chanel$” HERE

WATCH “brand new chanel$” OFFICIAL MUSIC VIDEOHERE

With “brand new chanel$,” SLAYYYTER transforms heartbreak into a high-drama pop anthem that unravels through late-night phone calls, after parties, and a designer obsession. The lyrics capture the tension between emotional entanglement and the clarity that comes from finally walking away, turning personal devastation into unapologetic empowerment. The accompanying music video, directed by SLAYYYTER, returns to the same house featured in the “BEAT UP CHANEL$” music video. It also includes a nod to the fireworks shot from that video, as well as an inverted recreation of the WOR$T GIRL IN AMERICA album artwork. 

This past spring, SLAYYYTER released her critically acclaimed album WOR$T GIRL IN AMERICA, marking her most authentic and fully realized body of work to date. The record balances defiance with introspection, drawing inspiration from her St. Louis roots and the formative sounds that shaped her teen years. The album marked her debut on the Billboard 200 at #22 and was named Best New Album by Pitchfork. Since its release, WOR$T GIRL IN AMERICA has been included on numerous ‘Best of 2026’ album/song lists comprising Rolling Stone, Billboard, Pitchfork, Variety, ELLE, Vulture, The Ringer, Stereogum, Paste, The FADER, FLOOD Magazine, and more.  

Credit: Kait Muro

The entirely sold out WOR$T GIRL IN THE WORLD tour began earlier this week with three shows in SLAYYYTER’s hometown of St. Louis. The tour will continue in major cities including Los Angeles, New York City, Toronto, Sydney, Melbourne, São Paulo, Paris, and more before wrapping in London on November 5, 2026. Pearly Drops will join Slayyyter as support for all North America and UK apart from St. Louis. Kalika will join as support for all EU dates. 

Building on breakout performances at Coachella and Governors Ball, where she drew massive crowds and delivered two of the festival circuit's most talked-about pop sets, SLAYYYTER returns to festival stages at Lollapalooza this weekend, followed by Reading & Leeds and All Things Go D.C. later this year.

SLAYYYTER 2026 LIVE DATES

Festivals

07/31 - Chicago, IL - Lollapalooza

08/27 - 08/30 - Reading, UK & Leeds, UK - Reading & Leeds Festivals

09/25 - 09/27 - Washington, D.C. - All Things Go Festival

Australia

08/09 - Sydney, NSW - Enmore Theatre SOLD OUT

08/10 - Sydney, NSW - Enmore Theatre SOLD OUT

08/14 - Brisbane, QLD - Fortitude Music Hall SOLD OUT

08/17 - Melbourne, VIC - Forum SOLD OUT

08/18 - Melbourne, VIC - Forum SOLD OUT

North America

08/23 - Los Angeles, CA - The Shrine Expo Hall* SOLD OUT

09/03 - Vancouver, BC - Hollywood Theatre* SOLD OUT

09/04 - Seattle, WA - The Showbox* SOLD OUT

09/05 - Portland, OR - Crystal Ballroom* SOLD OUT

09/08 - San Francisco, CA - The Regency Ballroom* SOLD OUT

09/09 - Oakland, CA - Fox Theater* SOLD OUT

09/12 - San Diego, CA - SOMA* SOLD OUT

09/14 - Phoenix, AZ - The Van Buren* SOLD OUT

09/17 - Austin, TX - Emo’s* SOLD OUT

09/18 - Houston, TX - White Oak Music Hall* SOLD OUT

09/19 - Dallas, TX - House of Blues* SOLD OUT

09/21 - Atlanta, GA - The Eastern* SOLD OUT

09/22 - Nashville, TN - Brooklyn Bowl* SOLD OUT

09/24 - Philadelphia, PA - The Fillmore* SOLD OUT

09/26 - Boston, MA - Roadrunner* SOLD OUT

09/29 - Boston, MA - Roadrunner* SOLD OUT

09/30 - Montreal, QC - Théâtre Beanfield* SOLD OUT

10/01 - Toronto, ON - Danforth Music Hall* SOLD OUT

10/03 - New York, NY - Terminal 5* SOLD OUT

10/04 - Brooklyn, NY - Brooklyn Paramount* SOLD OUT

10/06 - Lawrence, KS - The University of Kansas on the Hill***

South America 

10/09 - Rio de Janeiro, Brazil - ZIG Festival SOLD OUT

10/10 - São Paulo, Brazil - ZIG Festival SOLD OUT

Europe

10/18 - Paris, France - Le Trianon** SOLD OUT

10/19 - Amsterdam, Netherlands - Paradiso** SOLD OUT

10/20 - Cologne, Germany - Die Kantine** SOLD OUT

10/22 - Copenhagen, Denmark - Vega** SOLD OUT

10/23 - Hamburg, Germany - Fabrik** SOLD OUT

10/24 - Warsaw, Poland - Palladium** SOLD OUT

10/26 - Prague, Czechia - Lucerna Music Bar** SOLD OUT

10/27 - Berlin, Germany - Metropol** SOLD OUT

10/28 - Antwerp, Belgium - Trix** SOLD OUT

UK

10/30 - Manchester, United Kingdom - Albert Hall* SOLD OUT

10/31 - Birmingham, United Kingdom - O2 Institute* SOLD OUT

11/01 - Glasgow, United Kingdom - O2 Academy* SOLD OUT

11/03 - Brighton, United Kingdom - CHALK* SOLD OUT

11/05 - London, United Kingdom - Roundhouse* SOLD OUT

* With support from Pearly Drops; ** with support from KALIKA; *** supporting Turnstile

About SLAYYYTER: 

From her breakthrough 2019 self-titled mixtape to her 2021 debut Troubled Paradise and 2023’s STARFUCKER, SLAYYYTER proved herself to be one of the great shape-shifters of our time, taking the past, present, and future of pop and twisting it to her will. Early successes — “Daddy AF” went from viral hit making SLAYYYTER’s name online to soundtracking a key scene in the Oscar Best Picture winner Anora — fueled accolades from publications including Billboard, Paper, Variety, Rolling Stone, Pitchfork, and more, while earning SLAYYYTER opening slots with forebears like Tove Lo and Kesha. But even with all that, SLAYYYTER decided something wasn’t quite right. She decided to become who she was all along, underneath it all: the WOR$T GIRL IN AMERICA.

SLAYYYTER’s third album is the most authentically her, while also boasting her most fully realized creative direction yet. She revisited her upbringing in St. Louis, and decided to make “iPod music” — a free-for-all of feral punk, corroded pop, and raunchy rap — conjuring the “Midwest-core tweaker bar rat” characters of her youth. Early singles “BEAT UP CHANEL$,” “CANNIBALISM!,” and “CRANK” steadily built hype for the project over the course of 2025, with fans fervently embracing the raw, swaggering SLAYYYTER that emerged from the ashes of her past selves. WOR$T GIRL IN AMERICA is out now.

Follow SLAYYYTER:

Spotify | Apple Music | Instagram | X | TikTok | YouTube |Facebook

Source: Nyou

Korean-American Artist eaJ Channels Self-Discovery Into Euphoric Alt-Pop In New Single "Feel Myself"

LISTEN HERE

Photo Credits: Bobby Chiu

August 14th, 2026 – Philippines – Alt-pop singer and songwriter eaJ makes his long-awaited comeback with “Feel Myself”, a euphoric new single out now via Position Music. Produced by Kyle Reith, the track moves through a shuffling beat that starts, stops and slips into frantic bursts around a warm bass-line, pairing eaJ’s fast-paced cadence with distorted synths and a soaring, chantable chorus.

The release arrives alongside an official music video in which eaJ wears pieces by Indonesian fashion designer RM Radinindra Nayaka, carrying the introspective world of “Feel Myself” from sound into image. At its core, “Feel Myself” reflects on a year spent reckoning with what maturity demands and the gradual process of feeling grounded again. Rather than presenting growth as a clean transformation, eaJ sits with its messier reality: uncertainty, self-reflection and a slowly returning sense of confidence.

“I wrote this one about my battle with maturity over the past year and the slow journey back to sanity,” eaJ shares.

eaJ – "Feel Myself" (Official Music Video)

That return is mirrored in the song’s restless production. A stop-start rhythm builds tension before distorted synths break through the pre-chorus as eaJ declares toward the end of the song: “Yeah, it’s good to be back.”

Since launching his solo career in 2022 with “Car Crash” which amassed over 31 million streams, eaJ has developed a catalogue where alternative experimentation meets direct, emotionally resonant songwriting. His work has collectively earned hundreds of millions of streams, while collaborations with MAX, Rich Brian, Hindia, Keshi, MICO and Seori demonstrate his range across genres and borders.

With “Feel Myself”, eaJ begins this next chapter with renewed clarity, setting the tone for his most revealing work yet.

Stream "Feel Myself" here: eaj.ffm.to/feelmyself
Watch the official music video here
 

About eaJ
For eaJ, music means unfiltered, unedited, and unapologetic self-expression. The musician, singer, songwriter, and composer (AKA Jae Park) – embeds pure emotion into unpredictable and undeniable anthems powered by alternative experimentation and lifted into the jet stream of sky-scraping pop hooks.

Born in Buenos Aires, he grew up in the Los Angeles suburb of Cerritos. After making waves on YouTube, he landed a coveted role as vocalist and lead guitarist for South Korean sensation Day6. Following more than half a decade of captivating audiences with the group, eaJ continued to evolve as a solo artist through projects including the ‘laughing in insomnia’ EP [2023], ‘smiling in insomnia’ [2023], ‘medicated insomnia’ [2023], ‘when the rain stopped following me’  EP [2024], and ‘1’ EP [2025].

In 2024, eaJ embarked on an Asia tour that included sold-out shows in Manila, Jakarta, Kuala Lumpur, Singapore, and Bangkok. He also joined Imagine Dragons for select dates on their 2024 LOOM World Tour. Beyond the stage, eaJ has built a strong following through his live streams on Twitch and founded the From Friends project, supporting The Jed Foundation’s work to expand young people’s access to mental health care.

FOR MORE INFORMATION
SECRET SIGNALS | POSITION MUSIC

FOLLOW EAJ

Instagram

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Website

Global Electro-funk Trio Jungle Ushers in A New Dawn with New Album 'Sunshine', Alongside New One-Shot Video

LISTEN HERE

Photo Credit: Mason Rose

August 14th, 2026 — BRIT Award winners and global arena headliners Jungle finally unveil their new album 'Sunshine', introducing a brighter, more optimistic sonic palette while staying true to the groove-driven sound that defines their discography. The release arrives alongside the official video for the title track. Fans can stream the new single HERE and watch the music video HERE.

Across eleven tracks, 'Sunshine' sees the trio—J Lloyd, Tom McFarland, and Lydia Kitto—continue to evolve Jungle's signature blend of soul, disco, hip-hop and electronic music, embracing a warmer, more open sound built around lush harmonies. Lyrically, the record explores themes of connection, hope and acceptance, creating an optimistic record that looks towards brighter days.

'Sunshine' also marks the first album to feature Lydia Kitto as an official member of Jungle alongside founding duo J Lloyd and Tom McFarland. Lydia's voice sits at the heart of the record, taking many of the lead vocals while the trio’s shared harmonies help define its distinct sound.

Jungle – "Sunshine" (Official Video)
** PREMIERES AUGUST 14TH, 11:00 PM (GMT+8) **

"For us, 'Sunshine' isn't about weather or seasons. It's a feeling. It's a place you carry around in your mind. Somewhere you imagine when you're looking towards better days. It represents light, vibration and energy. It doesn't tell you how to feel, it simply exists. Once we realised that, it naturally became the title of both the song and the album."

— Jungle

Created from homemade vocal samples, manipulated guitars, reworked demos and organic performances, 'Sunshine' embraces a more instinctive and natural approach to Jungle's songwriting and production.

A day earlier, Jungle marked the album's arrival with a series of global playback events, inviting fans worldwide to experience 'Sunshine' ahead of release. This extended to participating record stores across Southeast Asia—including Manila, Jakarta, Singapore, and Malaysia—where fans gathered for an early glimpse into the new record, with exclusive keepsakes to take home.

Previously released tracks "Carry On", "The Wave" and "Someday, Somewhere" have all earned extensive radio support, including two Radio 1 Hottest Records, alongside heavy international airplay, including across Southeast Asia.

This upcoming album follows the massive momentum of their 2023 breakthrough 'Volcano', the album that yielded the huge viral hit "Back On 74", which alone has surpassed 557 million streams and achieved widespread traction across TikTok and global charts. Physical copies of 'Sunshine' are available HERE, with formats in the shape of a translucent brown marble vinyl, a black vinyl and a CD.

Next month sees Jungle's extensive world tour get underway. The run includes the band's biggest headline shows to date, with dates spanning North America, Europe, the UK, Australia, and Latin America.
 

'Sunshine' Tracklisting:
1. Come Back to Me
2. Sunshine
3. Where Are You Now?
4. Move Like You Do
5. Romeo II ft Bas
6. Carry On
7. The Wave
8. Someday, Somewhere
9. Natural
10. Reflection
11. Heavy on My Soul

Stream Sunshine' here
Watch the music video here
 

About Jungle

Jungle were formed in London in 2013 by Tom McFarland and J Lloyd, before their regular collaborator Lydia Kitto became an official member in 2024. Blending soul, disco, hip-hop and electronic music with ambitious visual storytelling, the band have become renowned for their cinematic one-shot choreography films, conceived by J Lloyd alongside longtime creative partner Charlie Di Placido. They first shot to attention with their self-titled UK Top 10 debut album in 2014, before continuing their rise with 'For Ever' (2018) and 'Loving In Stereo' (2021), which reached No.3 in the UK.

2023 saw Jungle become a global force with 'Volcano'. Reaching No.3 in the UK, the album featured their biggest hit to date in the shape of "Back On 74", which has been certified Platinum in both the UK and US. The campaign saw Jungle rise to sell-out arenas around the world, playing to hundreds of thousand of fans across 2023/24, with highlights including The O2 in London, Coachella, and headlining All Points East. To date, Jungle have amassed more than 4 billion streams worldwide and 11.7 million monthly Spotify listeners.

FOR MORE INFORMATION
SECRET SIGNALS

FOLLOW JUNGLE

Website

YouTube

Instagram

TikTok

NEXTONE finds groove in heartbreak with “Nagkulang”

The fast-rising OPM outfit turns the restless cycle of overthinking into a genre-bending track fueled by funk, synths, and raw alternative rock

Manila, Philippines – Fast-rising OPM band NEXTONEreturns with “Nagkulang,” a new single that pairs infectious groove with the emotional weight of second-guessing one’s value once a relationship no longer works out.

Released under Sony Music Entertainment, the track mines crossover potential with a distinctly nocturnal sound, weaving punchy rhythms, city pop influences, glimmering synths, and modern pop-rock textures into a melodic, fist-pumping jam.

The song’s concept began with the word itself. From there, the band developed a narrative centered on someone who, despite believing they did nothing wrong in a relationship, comes to terms with self-doubt in the wake of an unexpected romantic fallout.

Instead of treating heartbreak with a traditionally subdued or stripped-down approach, NEXTONE deliberately gives “Nagkulang” an energetic pulse. The contrast is central to the song’s appeal: its catchy melodies and driving production choices mirror the restless cycle of overthinking, while the repeated hook conveys the word that keeps playing inside the mind of the storyteller.

The eclectic quartet explains, “We really wanted the word ‘Nagkulang’ to feel like it was stuck in the listener’s head throughout the song. Because of that, we were intentional with how we approached the melody and production. The whole idea is about getting inside your head, questioning whether you did something wrong, and never really knowing the answer. That contrast between the catchy, almost light feeling of the song and the weight of what it’s actually about is what makes it feel a little crazy, almost like the song itself is driving you deeper into that overthinking.”

While the band has mostly explored guitar-driven arrangements in their previous work, “Nagkulang” enables the band members to experiment with funk, alternative pop, rock, new wave, and synth-heavy production. The songwriting process itself proved unusually instinctive. The chart-topping act completed the song’s structure and melody during the first session, before allowing the material to sit and eventually giving it a clearer sense of its potential.

“One of the most memorable parts of recording was working on the bass and guitar parts,” the band adds. “Those ended up being the more challenging elements because we didn’t want to overstuff the production, especially with the heavier synth parts already carrying a lot of the song.” The band ultimately opted for restraint, ensuring that each instrumental layer contributed to the song without overwhelming its central groove.

With “Nagkulang” pivoting to a refreshing new direction, NEXTONE promises growth for their upcoming new releases. “Nagkulang has been such a mature turning point in the way we write and produce our music, and we’ve been carrying that mindset into the songs we’ve written since. We’re also hoping to release another song before the end of the year, which would be a really nice contrast to ‘Nagkulang’ and a great way to close out this year’s sound.”

NEXTONE’s “Nagkulang” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

Jolianne embraces the unfamiliarity of first love in new single “Daanan”

Her first independently written Filipino song finds beauty in vulnerability, uncertainty, and the courage to begin again

Manila, Philippines – Following the chart-topping breakthrough of “Palayo sa Mundo,” which has recently crossed 70 million streams on Spotify alone, Filipino singer-songwriter Jolianne commences her new era in music with the release of “Daanan,” out today via Sony Music Entertainment.

Penned by Jolianne, “Daanan” conveys the experience of finding comfort in another person when you least expect it. Rather than portraying love as something immediate and perfectly formed, the song approaches it as a process that is built through small acts of vulnerability, familiarity, and right timing.

“Daanan is about falling in love for the first time and about having someone gently guide you through your firsts and learning, little by little, to let someone into your life,” the Cebu-born pop artist explains. “It’s about choosing to grow into love instead of rushing toward it and discovering yourself through the eyes of someone who sees you completely.”

The guitar-pop ballad is also about treating love as something “you slowly nurture and choose every day.” Jolianne adds, “Sometimes, you don’t know exactly where the road will lead—you just know that you want to keep walking, hand in hand with someone, until you find out together.” 

For Jolianne, writing in Filipino meant deliberately stepping outside of her comfort zone. My comfort languages as a writer are English and Bisaya, so writing in Filipino felt like entering an entirely new space. It made me feel like a beginner all over again. Daanan challenged me to stretch beyond what I already knew, and I’m happy that I allowed myself to be a beginner again.”

That sense of discovery extends to the song’s creation. Jolianne initially recorded the melody as a voice note without chords or a beat, an unconventional starting point for her usual songwriting process. Produced by Luke April, the song gradually expands from a sparse, intimate opening into a fuller orchestral arrangement, mirroring its movement from uncertainty to surrender.

The accompanying music video, directed by Raliug and created with Lunchbox, brings the song’s central metaphor to life through dance. Jolianne plays someone learning to dance from an instructor she develops a crush on, with moments of awkwardness and hesitation reflecting the vulnerability of learning to let another person in.

“I really liked the idea of using dance because there’s something inherently vulnerable about letting another person teach you,” reveals Jolianne. “You have to be willing to look a little silly, make mistakes, and trust that they’ll catch you when you get the steps wrong. That became a visual metaphor for the love I’m talking about in the song: you don’t know what you’re doing at first, but you slowly become more comfortable with each other and learn the rhythm together.”

Jolianne’s “Daanan” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch the music video on Jolianne's official YouTube channel, which premieres on Aug 14, 2026 at 6:00 P.M.

Source: Nyou

St. Ruin debut single “Uncool” out now

New effort from indie vet Aldus Santos is a hybrid of singer-songwriter fare and filmic soundscapery

The debut single from writer-musician Aldus Santos’ newest project, St. Ruin, drops today (August 14). It can now be streamed on major digital platforms via Lilystars Records.

Santos is best known for his work with aughts-era group The Purplechickens and neo-folk act Pamphleteer, as well as his music journalism (Rappler, NME, Billboard, Rolling Stone) and literary output, which includes concert reportage Alternate Endings (Offshore Music, 2020) and criticism-autobiography crossover The Demo Versions (Everything’s Fine, 2022). 

He also co-wrote Eraserheads: Combo on the Run, a documentary on the famed band and their much-lauded 2022 reunion show, which had its streaming debut on Netflix in May.  

“Uncool,” Santos shares, is a love letter to the departed, with “its verb tenses volleying between a pretend present, a protracted past, and a poignant future.” Santos adds that he wrote it for his only brother, who died of cancer in 2023.  

Apart from Santos – who is on vocal, guitar, and harmonica detail – the track also features performances from bassist Yan Bagay Cruz (Bayang Barrios, Joey Ayala, Abby Clutario) and drummer Dave Cruz (Blind Stereo Moon). Electronic artist-producer kvtvlv’s synth and sound design work, meanwhile, elevates the melancholy tune into something akin to a filmic experience.  

“Uncool” is the first advance single off the forthcoming EP A Cocktail Called Last Word, which Santos describes as “a grief journal in audio.” The EP is reportedly slated for an October release, and will be Santos’ first recorded output since Pamphleteer’s double-A-side Two Novellas in 2022. The St. Ruin songs, moreover,marks the writer-musician’s maiden appearance under the stellar Lilystars Records banner.

“You’d think it would be weird to get back on the horse and put out new music and launch a new alter-ego in your 40s…but not really,”Santos says, laughing. “A poet doesn’t stop hurting past a certain age.”

Photo credits below:

For images of Aldus Santos

Photography: Iverson Escalona | Art Direction: Janna Mangahas

Source: Nyou

Mayet Dela Rosa Fine Jewelry pioneers luxury live commerce with launch of Mayet Live House

The new platform equips aspiring entrepreneurs, creators, and live sellers with premium jewelry, professional facilities, and end-to-end operational support to build their own businesses

From Left to Right: DJ Nicolehyala - Brand Ambassador, Renly Tin̈ana, Richard De La Rosa - Chairman, Mayet De La Rosa - President and CEO, Jan Marini and Gerard Pizzaras

Manila, Philippines – As live commerce continues to drastically change the retail landscape across the globe, Mayet Dela Rosa Fine Jewelry redefines the trend in the Philippine luxury market with the launch of Mayet Live House—a first-of-its-kind live commerce hub that gives aspiring entrepreneurs, content creators, resellers, affiliates, and live sellers access to the tools, products, and support needed to build a thriving jewelry business.

Designed to lower the barriers to entrepreneurship and level its playing field, Mayet Live House transforms the traditional notion of starting a business. Rather than requiring significant capital, inventory investment, or a physical storefront, participants need only a smartphone, a scheduled livestream, and the determination to succeed. The platform provides a professional environment where sellers can focus on connecting with customers while Mayet handles the operational complexities behind the scenes.

“We created Mayet Live House because we believe entrepreneurship should be accessible to Filipinos, regardless of their background or financial capacity,” said Mayet Dela Rosa, founder of Mayet Dela Rosa Fine Jewelry. “Too often, people have the passion and talent to build a business but are held back by the cost of inventory, equipment, or operations. We wanted to remove those barriers and give aspiring entrepreneurs a place where they can simply show up, go live, and begin building something meaningful.”

Participants who successfully complete the registration and pre-qualification process can reserve a live-selling schedule and gain access to a professionally designed luxury livestream studio. Each session includes curated fine jewelry collections, elegant product displays, expert lighting, high-speed internet connectivity, livestream equipment, operational assistance, and dedicated product support—creating an improved selling experience that is on par with the standards of a premium jewelry brand.

Apart from providing a polished livestream environment, Mayet Live House extends its support long after the cameras stop rolling. Sellers without existing logistics or fulfillment partners receive assistance with order processing, delivery coordination, customer follow-ups, inventory reconciliation, and fulfillment management, enabling them to concentrate on customer engagement and business growth.

“Mayet Live House aspires to be a community built to nurture confidence, encourage entrepreneurship, and help people create sustainable opportunities for themselves,” Dela Rosa added. “Whether you’re a first-time live seller, a student looking for extra income, a content creator exploring new revenue streams, or an experienced entrepreneur ready to expand into luxury jewelry, we want to be the partner that helps turn your ambition into a successful business.”

To complement the experience, every guest is welcomed with unlimited Signature Mayet Coffee throughout their session, creating an inviting and inspiring atmosphere where entrepreneurs can perform at their best. The thoughtful hospitality reflects the brand’s belief that great businesses are built in spaces where people feel supported, comfortable, and empowered.

The launch of Mayet Live House serves as an important leap for Mayet Dela Rosa Fine Jewelry as it expands beyond fine jewelry retail and embraces entrepreneurship development. By combining luxury retail with creator-driven commerce, the company aims to cultivate a new generation of Filipino entrepreneurs capable of succeeding in the rapidly growing digital marketplace.

For those ready to build a business, discover new opportunities, or explore the future of luxury live selling, the journey begins at Mayet Live House. Visit the official website: http://livehouse.mayetdelarosa.ph

Source: Nyou

kiOra Unveils "Coco" Music Video at HEAD IN THE CLOUDS in LA

Listen to the First Single Now, and See kiOra Live in Thailand This August

Watch the Music Video Now!
Digital Single “Coco” Available on Worldwide Streaming HERE 

Los Angeles, USA - Emerging Japanese girl group kiOra has released their first single "Coco," with the music video given a special advance screening on August 8 at the "HEAD IN THE CLOUDS Music & Arts Festival" in Los Angeles. It was then released on kiOra's official YouTube channel. Watch the new music video here!

Built on their "Japanese heritage" concept, kiOra introduces a new musical style they call "TOKYO HYPER CITY POP," fusing a cutting-edge hyperpop sound with the melodic charm of city pop. "Coco" is the first single to bring that style to life, and it began streaming on August 8th.

Its sound was crafted by world-class producers and songwriters: her0ism (BLACKPINK's LISA, XG, Arashi, NEWS, etc.), Yaeji(Sampha, Charli XCX, Dua Lipa, etc.), Mechatok (V8, SEVENTEEN, FKA twigs, fakemink, Bladee, etc.), Kanata Okajima(BTS, Namie Amuro, etc.), and Chelsea Warner (EXO, (G)I-DLE, KiiiKiii, etc.).

The "Coco" music video carries kiOra's hyperpop world into a landscape of iconic Japanese imagery: tatami mats, dry rock gardens, public bathhouses, and a conveyor-belt sushi lane reimagined as a fashion runway. It is a bold visual statement of the group's TOKYO HYPER CITY POP concept.

Music Video Director Riku Ozama commented: "By mixing familiar Japanese elements like a sushi counter with the unexpected, like a fashion runway, we aimed for iconic visuals that feel familiar yet completely fresh. To me, kiOra's debut is like a soap bubble just as it bursts, and I hope they reach the whole world."

Having watched the music video for the first time alongside the audience at the Head in the Clouds Los Angeles, the members of kiOra commented:

OTO:
"I loved shooting this music video, packed with everything wonderful about kiOra and Japanese culture! And it was so special to see everyone’s reactions in-person."

KYLA:
"It was awesome to see the Coco music video on the big screen here. I can’t wait to share it with the world!”  

RUKA:
"So glad we could watch our very first music video on the screen at Head in the Clouds LA, and I’m hoping it reaches even more people!”  

YU:
"I was moved to have our music video played in such a wonderful place. I hope this leads to even more people around the world learning about kiOra.” 

Fans in Asia will be happy to hear that kiOra's next performance is confirmed with their first-ever show in Thailand on August 29, at the Nippon Haku Bangkok. .

Keep an eye on kiOra as they step out onto the global stage.

Digital Single "Coco" Streaming Now: HERE

Upcoming Events: Nippon Haku Bangkok (Thailand)
Saturday, August 29, 2026
Venue: Queen Sirikit National Convention Center
https://nipponhaku.com/exhibition/

Riku Ozama Profile

Born in 1997, Riku Ozama is a video director based in Tokyo. He has directed music videos for many popular artists, including SixTONES ("Rebellion"), HANA ("Drop"), Tatsuya Kitani ("Hidane"), and IMP. ("BAM-BOO"). Known for his distinctive style that moves across music, fashion, and culture, he works as a multifaceted creative, handling everything from concept and videography to editing and color grading.

kiOra Profile
Derived from the Japanese word "kiyoraka", meaning pure or clear, kiOra is a four-member girl group that embraces the beauty of growth, authenticity and continual evolution.

Unveiled at HEAD IN THE CLOUDS TOKYO 2026, the group is built around the concept of Japanese Heritage, expressing the idea that true artistry lies not in perfection, but in the courage to continue evolving. Through their music, visuals and performances, kiOra aims to share a contemporary vision of Japanese culture with audiences around the world.

Follow kiOra

Instagram | YouTube | TikTok | X

For media enquiries, please contact blackstar

Singapore's Indie Pop darling, Shye expands her emotional world with dreamlike new single "I Wanted It To Be You" + set to announce tour across Asia

LISTEN HERE

SET TO ANNOUNCE EXTENSIVE HEADLINE TOUR
ACROSS ASIA FROM SEP 2026

August 10th, 2026 — Singaporean singer-songwriter and producer Shye returns to the spotlight with an atmospheric new single, "I Wanted It To Be You", her first release following her sophomore album, 'The Doves Came Home'. Marking a new creative chapter, the track serves as a delicate yet powerful entry into this new era, exploring the strange weightlessness that can accompany difficult experiences. Fans can listen to the new single HERE.

A poignant love song about the loss of both a relationship and the future imagined within it, "I Wanted It To Be You" lingers in the bittersweet space between acceptance and longing—knowing it's time to move on while still wishing the ending had been different. Rather than expressing heartbreak through darkness or intensity, Shye finds beauty in contrast. Airy, delicate textures soften the track's melancholic core, creating a dreamlike sense of suspension that reflects the disorientation of being left with fragments of a life once imagined.

Shye – "I Wanted It To Be You" (Official Video)

"I hope the song connects with listeners who have had to grieve not only a person but also the future they associated with them. The song offers recognition to anyone caught between holding on to what they believed would happen and accepting the possibility of something new." 

— Shye

Lyrically, the song confronts not only the loss of a relationship, but also the loss of the person you imagined you would become within it. Sonically, Shye translates the emotional limbo into an ethereal soundscape, evoking the surreal weightlessness that can accompany heartbreak and life's most painful moments.

For Shye, "I Wanted It To Be You" builds upon the vulnerability and introspection explored in 'The Doves Came Home' while opening the door to a new phase of creative exploration — embracing emotional complexity while expanding the sonic world she has created.

With no signs of slowing down in 2026, Shye continues to build momentum both in the studio and on stage. Following this release, she continues to expand her live presence across the region, beginning with a headline performance at Cebu's September Fever Festival on September 5th, before kicking off an extensive Asia headline tour spanning Southeast Asia, Japan and China—her most ambitious regional run yet. Full tour details to be revealed in the coming weeks.

Stream "I Wanted It To Be You" here
Watch the music video here
 

About Shye

Shye is an independent singer-songwriter and producer known for her dreamy blend of indie-pop and alt-rock. Entirely self-taught, she writes, records, produces, mixes, and masters all her music, crafting an unmistakably DIY sound that's both intimate and expansive.

Shye first emerged onto the scene at just 16, becoming the youngest-ever winner of the Vans Musicians Wanted competition in 2018. Since then, she's released a steady stream of work, including her debut EP 'Augus7ine' (2018), followed by the genre-blurring 14-track debut album 'days to morning glory' (2020), which won 'Album of the Year' at the Youth Music Awards in Singapore in 2021. Next came the experimental EP 'hello TRINITY'  (2021), 'idk it’s complicated' (2022), and '9LIVES' (2023). In 2024 and 2025, Shye maintained creative momentum with a string of new singles, culminating in the release of her 2026 sophomore album, 'The Doves Came Home'.

Shye has performed at music festivals such as Tiger Den SXSW in Austin Texas (2023), Axean Festival in Singapore (2023), Asia Rolling Music Festival in Taiwan (2022), Urbanscapes in Malaysia (2019), Baybeats in Singapore (2023, 2019), Asiya Festival in the Philippines (2024), and virtually for Music Lane Okinawa (2021) and Bangkok Music City (2020). In 2024, Shye performed at the swearing-in ceremony of Singapore's new Prime Minister and concluded the year with a performance at The Alex Blake Charlie Sessions alongside international acts such as Wisp. Continuing to expand her regional footprint in 2025, she performed at Taiwan's Emerge Fest, headlined her first solo show in Bangkok, made her Indonesia debut at AXEAN Festival Bali, and appeared at Music Matters Live Singapore, World Expo Osaka, Creatorweek Macao, as well as VGIG: The Sonic Garden Concert, ending 2025 at the Sing60 Festival in Singapore. Shye kicked off 2026 with festival performances at Bangkok Music City, PRESSPLAY 2026, All Of The Noise 2026 in Manila, and Glow Festival 2026 in Singapore, further cementing her rising presence across Asia's indie music scene.

Her presence has since extended far beyond Singapore: from gracing a Times Square billboard for Spotify's EQUAL campaign to being named Freshmusic's 'Best New Artist' in 2021 to 'Best New Act from Asia' at the 2022 BandLab NME Awards and receiving the KKBOX 'Rising Star Award' the same year. Shye has also been featured on Forbes Asia 30 Under 30 (2023), Tatler Asia's Gen. T Leaders of Tomorrow (2024), Prestige 40 under 40 and Dazed 100 Global and Asia (2024), and Top 10 in Asia: Southeast Asia's Best Emerging Female Singers (2025).

Shye has supported international acts such as Daniel Caesar, Clairo, Superorganism, Sales, Men I Trust, The Chairs, Wisp, and The Jesus and Mary Chain during their tours in Singapore, and most recently, Softcult, as the support act on their Asia tour. In addition, she has represented Singapore in regional music reality TV shows such as 青年派计划 (Youth π Plan) in China and Chuang Asia in Thailand. Shye was also featured in the 2021 National Day theme song, "The Road Ahead" and took the stage at Singapore's SG60 National Day Parade in 2025.

Beyond music, Shye was invited by Chanel to attend her first overseas fashion show, the Chanel Cruise Replica Show in Hong Kong in 2024, an event attended by celebrated musicians such as G-DRAGON and Angèle. She also broke ground as the first Singaporean invited to Chanel's Paris Fashion Week show in 2025 as a celebrity guest. Most recently, she attended the milestone Chanel Cruise Replica show at Raffles Hotel, sitting front row alongside celebrity A-listers including Tilda Swindon, Rebecca Armstrong and Raye, who also performed. Shye has graced the covers of magazines such as FEMALE, Men's Folio, Prestige, Her World, Grazia, Aplus, ELLE Singapore, and Harper's Bazaar Singapore. Over the years, she has also worked with numerous brands, further cementing her influence as a creative force across music, fashion and culture. 

Whether onstage or in her bedroom studio, Shye is guided by her love for storytelling and emotional connection. Writing music that feeds the soul and warms the heart, her songs aim to always comfort, sometimes cautions but always convey what words can't. For anyone who needs a place to land, breathe, and feel, Shye invites listeners into her world, one self-made track at a time.

FOR MORE INFORMATION
SECRET SIGNALS

FOLLOW SHYE

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A'TIN drives strong demand as SB19's Wakas at Simula Global CD Version sells out

The first batch of pre-orders for the group's debut physical album has reached full capacity

The second batch of pre-ordered items is available here

Manila, Philippines – SB19 transforms one of its most ambitious musical projects into a premium collector’s edition with the release of the Wakas at Simula Global CD Version, the P-Pop powerhouse’s first-ever physical album.

Designed to bring Wakas at Simula closer to fans wherever they are in the world, the Global CD Version aligns with their mission to cater to their growing reach and demand across continents. From headlining major festivals in key music markets to topping the charts in various countries, from collaborating with top-tier international artists and earning editorial opportunities from the biggest publications abroad, SB19 steps up their game with plans to expand their reach beyond the local shores.

“For us, the Global CD Version represents a way to stay connected with A’TIN around the world and remind them that no matter where they are, they will always have a piece of home with them,” SB19’s Pablo explains. “We want them to know that SB19 will continue to be by their side through the best moments of their lives and even during the challenging times.”

The first batch of the CD has completely sold out, prompting Backspacer Records and Sony Music Entertainment to open another batch for purchase, which fans can purchase through this link: https://sb19.lnk.to/buy-WaSGlobalCD

Originally released digitally, Wakas at Simula now takes on a tangible form, allowing A’TIN from all around the world to experience the album beyond streaming platforms. The physical edition commemorates the group’s artistic legacy while giving listeners an opportunity to own a last piece of the era that has defined SB19’s latest creative voyage.

SB19’s Justin expressed his gratitude for the overwhelming response to the release, describing it as a reflection of how both SB19 and their fan community have grown together through the years. “Since this is our first-ever CD release, it feels meaningful to share Wakas at Simula in a way that goes beyond just listening to the music. We’re grateful that our community can now experience the album in a more personal and lasting way and have something that they can cherish over time.”

SB19’s Josh adds, “It’s important for us to share these pieces because we wouldn’t be here without A’TIN, and they are an important part of this journey. Through our music, we are able to tell our stories, but our fans are also part of the story we continue to create. By sharing actual fragments, elements, and objects from the Wakas at Simula universe, we wanted to give them something tangible that represents their connection to the album and allows them to feel like they are part of its history.”

Intricately crafted as a complete album experience, the Global CD Version features all 24 tracks across two discs, preserving the full narrative and sonic scope of Wakas at Simula. Going above and beyond the typical CD release, the physical album adopts the meticulous world-building concept behind the project while celebrating the music alongside the visual identity of the group’s acclaimed “Ikalawang Yugto” era.

For Stell, the physical format allows fans to experience the album's narrative in a more immersive way. “The great thing about Wakas at Simula is the story we were able to tell through the music, and having 24 tracks across two discs, along with the lyric book and exclusive memorabilia, allows us to expand that story beyond the songs themselves. These physical elements give fans a more profound way to connect with the album by allowing them to revisit the lyrics, explore the details, and experience the journey we wanted to share in a more personal way.”

SB19’s Ken also stressed that the P-Pop supergroup is heavily involved in the creative process that goes behind the packaging and physical releases. “From how it looks to what they will receive inside, every element was carefully considered to reflect who we are as artists. More than just creating a physical album, we wanted it to feel like a meaningful collectible that fans can connect with and truly enjoy.”

[PRODUCT ASSETS]

Each copy comes housed in a premium tri-fold package and includes a built-in NFC tag for quick access to the online album. The physical record also contains two exclusive photo prints, one random photocard selected from five collectible variants, and a 52-page full-color lyric booklet that immerses listeners in the album storytelling.

Adding to its exclusivity, selected copies include rare memorabilia tied directly to the Wakas at Simula universe. One hundred randomly chosen albums will contain an authentic fragment from the album’s tome, offering fans a unique keepsake. 

Limited on-hand stocks of the CD are also available at Backspacer Records starting today.

SB19’s Wakas at Simula Global CD Version is made possible by Backspacer Records and Sony Music Entertainment.

Source: Nyou

Esoteric Drag Queen M1ss Jade So turns god-like in new single, “GODDESSA”

Photo by BJ Pascual

Manila’s own  doll dominatrix and esoteric drag queen superstar, M1ss Jade So opens an enchantingly bass-powered portal with the new single “GODDESSA”, produced by Naive Supreme—out August 7, 2026, under Offshore Music. 

Released with an intent to unlock the highest form of self-love and inner transformation, M1ss Jade So reveals in a social media post to fans and followers how “GODDESSA”  came to be, sharing how the lyrics were inspired by affirmations she has chanted for herself and then how these words transfigured into declarations, which ultimately inspired her to create the song. “This song existed inside me long before people got to hear it,” she notes. “Releasing it feels like finally opening a portal I have been building for years.” 

In this era of GODDESSAFICATION, a term M1ss Jade Socoined for this specific spiritual and mortal shift, “GODDESSA” acts as a sonic manifestation with its skillfully intended dirty electronic synths and heavy bass, and with an ethereal essence at its core—textures that producer Naive Supreme is known for. “It’s like a rave happening inside a temple,” M1ss Jade So shares. “I wanted something that drag queens could perform to, but also something you’d hear at 3 AM when everyone’s sweaty, emotional, and completely surrendered to the music.” 

In talks of surrendering to the music, M1ss Jade So explains that this particular drop is more than just putting out a song to add to her discography; it is about choosing herself again and is proof that she has not and will never give up on her journey. “I’ve spent so much of my career expressing myself through drag, but music lets people hear what’s happening inside my head and heart in an entirely different way.”

Similar to the gritty skin of the music and its transcendental lyrical nature, she hopes for listeners to feel uncomfortable first, then obsessed later. Ritualistic and confusing, M1ss Jade So hopes the energy “GODDESSA” evokes is a perplexing feeling of being reborn or being possessed, or maybe a convoluted mix of both. Enter the portal. “GODDESSA” by M1ss Jade So is out now on all streaming platforms—with a music video set to release on August 22 via YouTube. 

About M1ss Jade So 

M1ss Jade So is a professional drag artist and performer who rose to fame as the breakout star of her season on Drag Race Philippines. Known as the “Power Top Na Bratzy” of Marikina City, she quickly won the hearts of fans with her passion for her craft. As a proud trans woman, M1ss Jade So has become a global representative of the trans community, actively raising awareness for LGBTQIA+ rights in the Philippines and beyond.

Expanding her creative journey, M1ss Jade So recently signed with the independent record label Offshore Music as a recording artist and released her debut single titled “Power Top Na Bratzy” in 2024.

Entering the next era in 2026, M1ss Jade So is set to release another material: ESOTERICA. Bringing not only listeners to her music, but specifically the community to harness its growth, authenticity and create stories out of the experience. ESOTERICA will be out in late January 2026, launched alongside an immersive experience with M1ss Jade So’s world with ESTOERICA RAVE.

This August, the drag queen esoteric superstar is set to release god-like new single “GODDESSA”,  a song embracing her divine chaos, vulnerability and power that comes from within.

M1ss Jade So Socials:

FB: https://www.facebook.com/m1ssjadeso

IG: https://www.instagram.com/m1ssjadeso

YT: https://www.youtube.com/c/M1ssJadeSo

TT: https://www.tiktok.com/@m1ssjadeso

Source: Nyou

TEETH's landmark debut album sells out first-ever vinyl pressing within a day

Possible re-press in the works ahead of the reunion tour

Tickets to Year 33: TEETH The Reunion – Legacy Tour (Manila leg), now officially on sale via SM Tickets

[MORE PHOTOS HERE]

The limited-edition vinyl pressing of TEETH’s self-titled debut album has officially sold out within a day of its release, as reported by Backspacer Records, the independent label and record store responsible for the album’s pressing and distribution.

The overwhelming response serves as proof of the record’s enduring impact in Filipino alternative rock more than three decades after its original release.

“Aside from being fans ourselves of so many OPM artists like Teeth, we have always looked forward to expanding the range of titles we produce and have on our shelves,” shared Robert Tuazon, founder of Backspacer Records. “Teeth’s debut album is the longest-standing (1995) album we have had the honor of bringing to life. While we did expect a strong response from the fans for this iconic album, the demand speaks to both the generational impact of this album, and the recognition of physical media as touchstones to the culture then and now.”

Certified Double Platinum by the Philippine Association of the Record Industry (PARI) for selling more than 80,000 copies, the album continues to captivate generations of listeners with its relatable lyrics and grunge-driven rock sound. This year’s edition marks the album’s first-ever vinyl release, newly remastered by award-winning mastering engineer Shinji Tanaka.

Teeth guitarist Jerome Velasco expressed gratitude to the fans who have bought the record. “For our longtime fans, we hope the moment the needle drops feel like a total time machine. And for the new generation hearing these tracks on analog for the first time, we hope they feel all the raw heart, sweat, and unfiltered energy of the '90s.”

The limited-edition anniversary vinyl pressing from Backspacer Records includes a gatefold jacket with reimagined front and back cover artwork hand-painted by Nix Puno, never-before-seen photos, rare articles, and original handwritten lyrics from Mike Dizon’s personal vault, plus liner notes by Diego Castillo.

Drummer Mike Dizon said the band was overwhelmed by the demand, particularly after being decades away from the spotlight. He also revealed that discussions are underway for a possible re-press ahead of the band’s upcoming tour.

“Selling out in nearly a day after the announcement is an important accomplishment for the group. Reordering is easy, but the tricky part is getting the go signal from the mother label, Warner, to allow us to reprint a small batch more. The great news is we’re already working on it, and we hope to have new stocks available in time for our reunion shows.”

The sold-out vinyl release coincides with Year 33: TEETH The Reunion – Legacy Tour, a 5-city celebration of the band’s legacy with stops in Singapore, Manila, Cebu, Davao, and Tagum.

The Manila leg, serving as the second stop of the tour, will see the iconic Pinoy rock band stage a full-length concert celebrating more than three decades of music, friendship, and rock n’ roll fun.

Produced by Minsan Studio, Year 33: TEETH The Reunion – Legacy Tour (Manila leg) will take place on September 5, 2026, at SM North EDSA Skydome from 6:00 p.m.

Tickets are officially on sale via SM Tickets and SM ticket outlets nationwide. Pre-sale runs until August 20, 2026.

Ticket Tiers for pre-selling:

• General Admission Standing – PHP 1,000

• Seated – PHP 1,250

• VIP Seated (with Soundcheck + Meet & Greet) – PHP 2,000

About Teeth

Formed in 1993, TEETH is one of the most important bands that emerged from the alternative rock explosion of the ‘90s. The band is currently composed of original members Glenn Jacintoon vocals, Jerome Velasco on guitars, Pedz Narvaja on bass, Mike Dizon on drums, and Dok Sergio on guitars, formerly on bass.

Known for their mix of alternative rock and grunge, with shoegaze influences heard in their third full-length album I Was A Teenage Tree, TEETH left a permanent imprint on OPM with their distinct blend of melodic songwriting and unconventionally gritty sound, eventually earning them awards, including three NU Rock Awards and two MTV Pilipinas Awardsnominations.

Source: Nyou

Cup of Joe, Maki, Mayonnaise, KAIA and more to headline Navotas Music Festival 2026

The festival’s maiden edition brings together established and new Filipino artists for a one-day celebration of music, culture, and community

From left to right, top to bottom: Cup of Joe, Maki, Mayonnaise, KAIA, and Room Session

A new OPM-focused music festival is making waves!

Navotas Music Festival 2026 brings together some of the country’s most prominent artists for a full-scale concept experience like no other.

Presented by the Philippine Chamber of Commerce and Industry (PCCI) - Navotas Chapter, the festival will be held on September 26, 2026, at the Navotas Convention Center, transforming the highly urbanized city into a vibrant gathering for music lovers across the country.

Co-headlining the lineup are chart-topping acts Cup of Joe andMaki, whose heartfelt hits have captured the hearts of the Filipino people. They will be joined by alternative rock icons Mayonnaise, rising P-Pop powerhouse KAIA, and pop outfit Room Session.

[MORE PRESS PHOTOS HERE]

Beyond the music, Navotas Music Festival 2026 seeks to establish itself as a cultural celebration that reflects the city’s growing creative identity while strengthening its position as an emerging entertainment hub. 

Festivalgoers can also look forward to curated merchant booths, food hubs, and lifestyle stalls designed to create an exciting community experience throughout the day.

Tickets are available via

https://www.ticketmelon.com/PCCI-NavotasChapter/NavotasMusicFest2026

Promo for a limited time only

To make Navotas Music Festival 2026 more accessible and inclusive to music fans, the producers have launched a range of limited-time ticket promotions:

Silver Balcony Promo (until August 20 only)

○ 50% off Silver Balcony tickets

○ PHP 2,000 (regular price: PHP 4,000)

○ Available for a limited time and while seats last

Barkada Package (6 tickets for the price of 5)

* Available only while allocated promotional slots remain

● Barkada Package - VIP Seated: PHP 40,000 for six tickets (regular price: PHP 48,000)

● Barkada Package - Standing Room Only (SRO): PHP 35,000 for six tickets (regular price: PHP 42,000)

● Barkada Package - Gold: PHP 30,000 for six tickets (regularly PHP 36,000)

The limited-time offers provide concertgoers with greater value, whether attending solo or with friends, as Navotas Music Festival 2026 prepares to welcome audiences for its inaugural edition.

Follow Navotas Music Festival 2026 on social media:Facebook | Instagram

Source: Nyou