BEYONCÉ MARKS HER BIRTHDAY WITH THE RELEASE OF A REMASTERED DELUXE "B'DAY" ALBUM

HER COMING-OF-AGE MASTERPIECE IS AMPLIFIED WITH

UPGRADED VISUALS, SURPRISE NEW TRACKS, AND SPANISH

LANGUAGE SONGS, INCLUDING COLLABORATIONS WITH

MALUMA AND THE LATE SELENA

B’DAY (20TH ANNIVERSARY EDITION) IS AVAILABLE NOW

LISTEN HERE | ORDER THE CD & VINYL HERE

(London, UK - September 4, 2026) Today marks Beyoncé’s birthday and the release of a voluminous remastered B’DAY, her coming-of-age second album. When it was released on September 4, 2006, music fans around the world were introduced to a 25-year-old woman with a bold, new voice. Not just a powerful singing voice, but an artist determined to take over her career as a singer, songwriter, producer, and visual artist. She recorded the album in a two-week session, fully cemented at the helm, and knowing exactly what she wanted to create. She was pushing herself, revealing layers to her innovative approach to recording, writing, and producing. That fierce and urgent approach was extended to all her collaborators, with each one digging a little deeper to define the sound of her deeply personal album.

“I wanted the album to be big, percussive, hard, up-tempo, and energized, and it was important to me that we used live instrumentation,” she recalls. “Hip-hop was taking over at the time, but I was fighting to preserve the bridges, melodies, and harmonies that have always been at the heart of R&B. The goal was to blend those two worlds through the art of sampling. I loved the minimalism of a beautiful vocal arrangement over a simple drum loop or a classic guitar like ‘Irreplaceable’…but only if that 808 was banging underneath.”

B’DAY was essentially her first visual album, with short films that explored the making of a relationship in full, through every turn. It was a conceptual project, urgent and captivating. Its themes of finding one’s confidence, liberation, audacity and compatibility are as relevant today as they were two decades ago.

And in preparing for this milestone release, Beyoncé once again went back to the boards and worked on remastering songs. The videos, originally captured on 35mm are now remastered and re-colored and finished in 4k, including “Déjà Vu,” featuring JAY-Z, and directed by Sophie Muller, also out today.

Images, shot on location in New Orleans, and never seen before, are also included. New Orleans, where Beyoncé’s family has deep roots, was working on rebuilding following the damage caused by Hurricane Katrina. The Big Easy’s resilience and fortitude served as inspiration for Beyoncé who wanted to contribute in her own way to the city’s revitalization.

When news of the B’DAY (20th Anniversary Edition) broke last July 4th, it was ushered in by the song “MORNING DEW (DONK).” Astute fans quickly pointed to the history of the song, which leaked in 2023. A remix of the track, featuring JAY-Z, was delivered on August 4th, solidifying the song’s placement among the twenty-three-year plus history of collaborations between the Carters.

B'DAY 20th Anniversary Edition is replete with a celebratory offering of Spanish language songs that speak to Beyoncé’s love and admiration for the culture and the incredible artists who contributed and continue to build on the genre. “Cuerpo Tumbao (Get Me Bodied) feat. Maluma” marks a first-time collaboration with the Colombian artist, one of the leading voices in Latin music. She has been a fan of his work and feels flattered to finally work with this multi-genre artist. A philanthropist in every way, Beyoncé applauds Maluma for the work he does in his country to help young people through the arts, and through humanitarian efforts following the recent earthquake. The song contains a sample of Afro-Cuban star, Celia Cruz’s “La Negra Tiene Tumbao.” Beyoncé has long admired Cruz’s pride in her African culture; her refusal to bend in the wake of racism, colorism and the narrow definition of beauty. In a time when society wanted her to be bitter and broken down, she boldly claimed her Blackness. The sample was the perfect fit for a song that pushes strength and confidence on the dancefloor and in life. The song was produced by Beyoncé, Edgar Barrera, CASTA and co-produced by Ali "Ali Ali" Alvarez. 

“Irreemplazable (Como La Flor) featuring Selena” is a momentous inclusion. Selena was one of the most celebrated Mexican American entertainers and was known as the “Queen of Tejano Music.” Since her passing in 1995, her estate rarely grants use of her music. This resounding approval for Beyoncé from Selena Quintanilla’s estate made it possible for this timely and meaningful duet. Two women from Texas. Two unmistakable and irreplaceable voices that broke down and continues to break down barriers.

Beyoncé revered Selena and remembers listening to her on the radio in Houston. She credits her for inspiring the recording of Irreemplazable, her Spanish EP released in 2007.

B'DAY 20th Anniversary Edition – Deluxe Vinyl - a 4LP edition pressed on 180G Bayou Blue Vinyl. It features "MORNING DEW (DONK)," Spanish recordings, and B-Sides. It comes with a 60-page commemorative booklet and two collectible double-sided art prints. The Deluxe Vinyl is jampacked with massive, new gems including “Can I Watch You”, produced by Beyoncé and Pharrell, and “My First Time,” which was originally recorded for Beyoncé’s debut solo album, DANGEROSUSLY IN LOVE, but was taken off the final track list. Also included here are “Lost Yo Mind,” “Creole” and “Back Up,” B-sides that were not included on B’DAY in 2006.

B'DAY (20th Anniversary Edition), is available in standard and deluxe volumes on vinyl and CD, as well as a deluxe digital offering.

B'DAY 20th Anniversary Edition - Standard Vinyl is a limited edition 180G 2LP with new sequencing and new tracks/remixes. It features “MORNING DEW (DONK)” and a 16-page collectible booklet with never-before-seen imagery.

B’DAY 20th Anniversary Edition Digital Deluxe - All tracks on the deluxe vinyl plus two digital-only bonus additions, “Cuerpo Tumbao (featuring Maluma)” and “Irreemplazable (Como La Flor) Featuring Selena.”

B/DAY 20th ANNIVERSARY EDITION -DIGITAL DELUXE (31 TRACKS)

1. DÉJÀ VU (FEAT. JAŸ-Z)

2. GET ME BODIED

3. SUGA MAMA

4. UPGRADE U (FEAT. JAŸ-Z)

5. RING THE ALARM

6. KITTY KAT

7. FREAKUM DRESS

8. GREEN LIGHT

9. IRREPLACEABLE

10. CHECK ON IT (FEAT. SLIM THUG)

11. BEAUTIFUL LIAR (BEYONCÉ & SHAKIRA)

12. FLAWS AND ALL

13. RESENTMENT

14. LISTEN

15. MORNING DEW (DONK)

16. MY FIRST TIME

17. CAN I WATCH YOU (FEAT. PHARRELL)

18. WELCOME TO HOLLYWOOD (FEAT. JAŸ-Z)6

19. LOST YO MIND

20. CREOLE

21. BACK UP

22. GET ME BODIED (EXTENDED MIX)

23. CUERPO (TUMBAO) FEAT. MALUMA

24. IRREEMPLAZABLE (COMO LA FLOR) FEAT. SELENA

25. AMOR GITANO (BEYONCÉ & ALEJANDRO FERNÁNDEZ)

26. LISTEN (OYE)

27. BEAUTIFUL LIAR (BELLO EMBUSTERO)

28. IRREPLACEABLE (IRREEMPLAZABLE)

29. GET ME BODIED (TIMBALAND REMIX) [FEAT. VOLTIO]

30. IRREPLACEABLE (IMPLAZABLE) [NORTEÑA REMIX]

31. GET ME BODIED (MUEVE EL CUERPO)

ORDER THE VINYL HERE

  Source: Nyou

Singer-songwriter Ivoris has released debut album "Pour My Heart Out", with focus track "Lipgloss" featuring Manila-based artist Clara Benin

LISTEN HERE

Photo Credit: Isabella Salvatore

“I think our hearts are just like the sea. Sparkly, chaotic, dark and silky. Wild, calm, giving, taking. This album is inspired by the place I feel most alive, the ocean” — Ivoris

September 4th, 2026 – Singer, songwriter, and producer Ivoris has finally released her highly anticipated debut album, ‘Pour My Heart Out’, marking the most radiant chapter in her artistic journey so far. Fans can stream the album here. 

The 10-track album invites listeners into Ivoris’ distinctly dreamy world, where romance, nostalgia and powerful emotions come together. Deeply inspired by the ocean, Ivoris likens the expansiveness of the sea to the human heart — both vast, ever-changing and capable of holding endless emotion. Across ‘Pour My Heart Out’, soaring strings, ocean waves and sparkling melodies come together in a 2000s nostalgia-tinged soundscape, while her silky-sweet vocals deliver deeply introspective reflections on love, longing and the beauty of feeling deeply.

“'Pour My Heart Out' feels just like me. It’s about having a really absorbent heart, one that is constantly overflowing with emotions. The shimmer, the sadness, the sand. This album world has been glowing inside my heart for a while now, and I can’t wait for you to dive in,” Ivoris shares.

The album’s focus track “Lipgloss”, featuring Manila-based artist Clara Benin, explores the idea of cosmic love — a connection that feels destined by the universe. Capturing the push and pull of a relationship and the desire to hold onto someone’s love and attention, the song uses the lyric “my lipgloss makes you shine” as a metaphor for how love can make someone feel brighter and more radiant.

Featuring 10 tracks, including previously released singles "Half Moon Bay", "Ten Thousand Teardrops", “Telepathic Twin Flame” and “Seashell”, ‘Pour My Heart Out’ offers an intimate glimpse into Ivoris’ overflowing heart and the shimmering world within it.
 

'Pour My Heart Out' Tracklisting
1. The ocean will give it back (intro)
2. Make U Blush
3. Lipgloss (feat. Clara Benin)
4. Monet
5. In my eyes (interlude)
6. Rose Cottage
7. Half Moon Bay
8. Telepathic Twin Flame
9. Seashell
10. Ten Thousand Teardrops
 

Listen to 'Pour My Heart Out' here

About Ivoris

Singer/songwriter/producer Ivoris has crafted a dreamy pop/R&B soundscape defined by colourful melodies and vulnerable lyricism. Since her debut in 2018, her distinctly whimsical style has earned her a loyal global following, with growing momentum driven by international headline tours in China and official showcases at SXSW Austin and Sydney. As she enters 2026, Ivoris stands at a defining moment in her career, with rising global recognition, particularly across Asia. 

Ivoris’ journey began early as she started writing short songs on the piano at just six years old. By 13, after picking up her first guitar, she became deeply immersed in songwriting, spending hours in her bedroom filling journals with songs about crushes, imagined heartbreak, and nature. These early expressions laid the foundation for her signature introspective and emotive style.

Her breakthrough came with her debut EP 'My Messy Mind', led by the viral single “I Wish My Mind Would Shut Up”, which amassed over 350 million streams across Chinese platforms and established her as a rising voice in the Asian market. In 2023, she performed the track on the Chinese music reality programme 'Youth Project', further elevating her profile in China. This momentum translated into two headline tours across the country, performances at major festivals, support slots for international acts, and showcase appearances where she performed alongside prominent Asian-American artists.

Today, Ivoris commands a strong global digital presence, with over 222,000 monthly Spotify listeners, more than 37 million streams outside China, and over 350 million streams within China. Her audience spans key markets including the US, Taiwan, Vietnam, the Philippines, Indonesia, Thailand, Japan, Canada, Australia, and South Korea. Across Chinese platforms, she has amassed over 500,000 followers, alongside a growing presence on Instagram, TikTok, and YouTube.

FOR MORE INFORMATION
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LISA RELEASES NEW SINGLE AND VIDEO “SAWADIKA”

LISTEN HERE | WATCHHERE

PRESS PLAY EP OUT OCTOBER 23

PRE-ORDER HERE

Official Single Artwork | Hi- Res Download HERE

(Los Angeles, CA - September 3, 2026) – Today, world renowned rapper, singer, dancer, and style icon, LISA returns with new single and visual for “SaWaDiKa” via LLOUD Co./RCA Records - Listen HERE/WatchHERE. “SaWaDiKa” ushers in the beginning of an exciting new chapter for LISA and is the lead single off her upcoming PRESS PLAY EP out October 23rd- Pre Order HERE.

Produced by Thom Bridges & Ojivolta, “SaWaDiKa,” a Thai greeting for ‘hello,’ sees LISA returning to her roots with her rap prowess and core hip-hop sound. Shot in her native Bangkok, Thailand the accompanying music video directed by Bang Jae Yeob features LISA in various iconic locations across Bangkok, showcasing high energy choreography and serving major fashion looks throughout. Watch HERE.

This marks the first new music ahead of LISA’s VIVA LA LISA Residency at The Colosseum at Caesars Palace in Las Vegas, which sold out in under 10 minutes. LISA is making history as the first k-pop artist to perform a Las Vegas residency, taking the stage for two weekends on November 13th & 14th and November 27th & 28th. 

Aside from music, LISA’s feature documentary Always Lalisa directed by Sue Kim will premiere at the Toronto Film Festival next weekend and will then release in cinemas worldwide on October 12th. For more information and to purchase tickets, please visitwww.AlwaysLaLisa.com.

Photo Credit: Yeyoung Choi | Hi-Res Download HERE

VIVA LA LISA DATES:

Friday, November 13 - The Colosseum at Caesars Palace

Saturday, November 14- The Colosseum at Caesars Palace

Friday, November 27- The Colosseum at Caesars Palace

Saturday, November 28 - The Colosseum at Caesars Palace

FOLLOW LISA: INSTAGRAM

ABOUT LISA

LISA is a singer, dancer, rapper and actor best known as a member of the globally renowned K-pop girl group BLACKPINK. Beyond her success with BLACKPINK, LISA has made a name for herself as a solo artist. In 2024, LISA launched her own management company, LLOUD CO., to create a platform that showcases her overall vision in music and entertainment that pushes boundaries. In partnership with LLOUD Co. and RCA Records, LISA released her solo debut album, Alter Ego, in February 2025, which included breakout tracks “Rockstar,” “New Woman” with ROSALÍA, “Born Again” with Doja Cat and Raye, and more. As a solo performer, LISA has taken the stage at some of the world’s biggest events, including the Global Citizen Festival, Victoria’s Secret Fashion Show, MTV VMAs, The Academy Awards, and Coachella, where she made her solo debut in 2025 to one of the largest crowds the Sahara tent has ever seen. Most recently, she performed at the opening of the 2026 FIFA World Cup in Los Angeles alongside Anitta and Rema, debuting their song “Goals” from the Official FIFA World Cup 2026 Album. Outside of music, LISA made her acting debut as “Mook” in the Emmy-nominated third season of HBO’s hit series The White Lotus and is currently embarking on her first major film role in TYGO, a new chapter of the Extraction universe. This month, she will premiere her documentary, Always Lalisa, at the Toronto International Film Festival. Up next, LISA will release more new solo music with her single “SaWaDiKa” and upcoming PRESS PLAY EP, out October 23, before continuing the fall with four sold-out nights this November as she makes history as the first K-pop act to announce a Las Vegas residency with her show, VIVA LA LISA, at the Colosseum at Caesars Palace. 

Source: Nyou

Japanese cross-genre supergroup YAO returns with second single "FOR OKINAWA"

LISTEN HERE

September 4th, 2026 – YAO, a collective bringing together Japanese hip-hop queen Awich, acclaimed rapper CHICO CARLITO, globally renowned rock band ONE OK ROCK, and boundary-pushing band Paledusk, returns with their second single, "FOR OKINAWA". Fans can listen to the track here.

Born from conversations shared between the members throughout the production process, "FOR OKINAWA" explores Okinawa's history, culture, and the lasting scars of its past. Okinawa natives Awich and CHICO CARLITO have long shared stories of their homeland and the realities faced by those who continue to carry its history. Their perspectives deeply resonated with the other members of YAO, including Tokyo-born Taka (ONE OK ROCK), who came to share their desire for peace and determination to preserve Okinawa's cultural heritage.

It was this shared sense of purpose that became the foundation for the track. As the members reflected on an essential message they felt was needed not only in modern Japan but around the world, Taka (ONE OK ROCK) challenged himself to create a melody unlike anything he had attempted before. The result is a passionate and deeply personal work that sees the members draw from their distinct backgrounds, experiences, and roots while coming together around a common message.

With "FOR OKINAWA", YAO continues to explore what becomes possible when artists from different musical and cultural backgrounds converge, creating a sound that is distinctly their own.

A music video for the track is set to be released soon, further expanding the world of YAO and bringing the story behind "FOR OKINAWA" to life.

Listen to "FOR OKINAWA" here

About YAO

YAO is a new collaborative project uniting Awich, CHICO CARLITO, ONE OK ROCK, and Paledusk. Drawing inspiration from the Japanese concept of "Yaoyorozu"—the belief that countless spirits exist in all things—YAO celebrates the coexistence of diverse perspectives and creative voices.

Bringing together artists from different backgrounds across hip-hop, rock, mainstream, and underground music, YAO explores what becomes possible when boundaries are transcended and differences are embraced. The result is a bold new creative collective built on respect, connection, and the pursuit of new artistic expression.
 

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6cyclemind celebrates 25 years of staying power and OPM legacy with a massive anniversary show

Gigi de Lana, Bino of Sunkissed Lola, HEY JUNE!, and Jet Pangan join the veteran band for a free celebration at Eton Centris

MANILA, Philippines — After building a legacy of generation-defining anthems and a lasting connection with the Filipino audience, 6cyclemind will celebrate 25 years of making music with a special concert at Eton Centris in Quezon City on September 12, 2026.

The anniversary concert serves as a homecoming for OPM music fans who have watched the band grow and earn their rightful place in pop culture—thanks to their accessible yet heartfelt pop-rock tunes and earnest songwriting that reflect everyday Filipino life.

To make the event even more special, the free show will feature a cross-generational lineup of artists, including Gigi de Lana, Bino of Sunkissed Lola, HEY JUNE!, and The Dawn’s Jet Pangan.CLNO, the band formed by former 6cyclemind member Chuck Isidro, will open the concert.

According to 6cyclemind, reaching 25 years goes far beyond legacy. “We consider every anniversary a milestone,” says bassist Bobby Cañamo. “25 years is such a special milestone kasi mas ramdam namin yung era na natawid ng banda. Also, this time, may opportunity kami i-celebrate yung milestone nang mas grand.”

Since its formation in the early 2000s, 6cyclemind has released six studio albums and maintained a solid spot in OPM history. Songs such as “Sandalan,” “Sige,” “Upside Down,” and “Biglaan” have continued to find listeners decades after its peak, taking on new meanings as both the band and its audience have moved past it.

For drummer Vic Aquino, the longevity of the band's music can partly be traced to its relatability and to the band's decision to keep playing. Its songs, he notes, have become part of different listeners' lives through gigs, videoke sessions, family playlists, and everyday listening.

Official poster

Live shows remain central to 6cyclemind's identity: a place they call home, bringing comfort and familiarity. The band began its career playing bar gigs and small events, eventually performing across the Philippines in festivals as a headlining act. After decades onstage, the members still regard live performance as one of the most rewarding aspects of being in the band.

“A live show always seems like a reunion with our audience for us,” manager and 6th memberDarwin Hernandez says, reflecting on the band's extensive touring history. “We were blessed that we were able to build a connection with our audience through our songs.”

The anniversary celebration arrives as the band steps into a new era. 6cyclemind is currently working on a new album with Isidro serving as producer.

As 6cyclemind enters its 26th year, the band remains grounded in the same commitment that has sustained it for a quarter-century: making music, performing, reaching new listeners, and growing alongside the Filipino music community.

“We just want to share our music and be an inspiration to others,” Aquino says. “Gaya nung lyrics, ‘di kami tumigil, itinuloy namin through ups and downs and lineup changes ng members ng banda.”

The 25th anniversary concert therefore stands not simply as a look back, but as a marker of continuity: celebrating where 6cyclemind has been while opening the door to whatever comes next.

Source: Nyou

M1ss Jade So releases “BAPHOMETA”, MV watchparty on September 5

Photography by Jay Galang

MANILA, PHILIPPINES — Shortly after her RUBADGE win and its official release on the 4th episode of Drag Race Down Under vs. The World Season 1, M1ss Jade So unveils a devilish drag look accompanied by a new song of the same name, “BAPHOMETA”, produced by collaborator Naive Supreme—out now, under Offshore Music.

Coming down from the clouds of nebula, the esoteric Drag Queen superstar and current Filipino pride, M1ss Jade So, morphs into the occult figure “Baphomet” for the category “Wildlife Couture” in the latest episode of the Drag Race competition. The transformation draws inspiration from her initial idea of dressing up as a goat. Still, in true M1ss Jade So fashion, she pushed the envelope further and adapted the character “BAPHOMETA”—a mix of the polarizing being and her own obscure, twisted yet personal vision.

“I like creating art that is provocative,” shares M1ss Jade So. Based on the stream of looks and music she has released throughout her career, such as her bloody sex-pop debut release “Power Top na Bratzy (2024),” her gritty underground beat “ESOTERICA (2026),” and the divine track that followed this recent release, “GODDESSA (2026),” M1ss Jade So has cemented her artistry and being as nothing but provocative.

Official Cover of BAPHOMETA  by M1ss Jade So, Photography by Jay GalangThe fallen angel doll dominatrix shares more about the song's interesting lyrical choices, saying the mix of provocative and playful songwriting makes the dark, occult themes more interesting. “Pette [Shabu] (co-writer) and I didn’t want BAPHOMETA to feel purely sinister or serious. We wanted it to have this mad, destructive but almost playful energy, where you’re having fun with something that is actually quite dark underneath.”

Similar to the meaning behind the idea of Baphomet, M1ss Jade So was also drawn to the figure because of what it represents: the duality of the feminine and the masculine, light and darkness, mortal and divine. “That [ideas] felt very connected to my own experience as a drag artist, where I constantly play with identity, beauty, and transformation.”

Overpower evil within and listen to “BAPHOMETA” by M1ss Jade So, out now on all streaming platforms—with a music video watch party happening September 5 at Hoesik, Makati. More details here.

About M1ss Jade So 

M1ss Jade So is a professional drag artist and performer who rose to fame as the breakout star of her season on Drag Race Philippines. Known as the “Power Top Na Bratzy” of Marikina City, she quickly won the hearts of fans with her passion for her craft. As a proud trans woman, M1ss Jade So has become a global representative of the trans community, actively raising awareness for LGBTQIA+ rights in the Philippines and beyond.

Expanding her creative journey, M1ss Jade So recently signed with the independent record label Offshore Music as a recording artist and released her debut single titled “Power Top Na Bratzy” in 2024.

Entering the next era in 2026, M1ss Jade So is set to release another material: ESOTERICA. Bringing not only listeners to her music, but specifically the community to harness its growth, authenticity and create stories out of the experience. ESOTERICA will be out in late January 2026, launched alongside an immersive experience with M1ss Jade So’s world with ESTOERICA RAVE.

This August, the drag queen esoteric superstar has released divine  track “GODDESSA” and a newly dropped song “BAPHOMETA”, a devilish new project by M1ss Jade So with a look debuted on the 4th Episode of Drag Race Down Under Vs. The World. 

M1ss Jade So Socials:

FB: https://www.facebook.com/m1ssjadeso

IG: https://www.instagram.com/m1ssjadeso

YT: https://www.youtube.com/c/M1ssJadeSo

TT: https://www.tiktok.com/@m1ssjadeso

Source: Nyou

Ylona Garcia reimagines a decade of music for two-part anniversary show

The Filipino-Australian artist brings her own versions of the songs that shaped her career to the Philippine stage

Ten years after launching her professional music career, Ylona Garcia returns to the Philippines for two homecoming shows that are as much about looking back as they are about moving forward.

The two-part anniversary celebration will revisit songs from her decade in the music industry while presenting them through her own interpretations and the perspective of the artist she has become. 

The homecoming begins on September 4 with Backyard Live: Ylona Garcia Spotlight, a Manila-exclusive performance at Backyard Warehouse Studio in Baesa, Quezon City. By invitation, the intimate, music-focused show offers a limited audience a first experience of Ylona’s 10th anniversary celebration.

The following day, September 5, Ylona brings the celebration to a wider public audience with 10 Years of Ylona Garcia: Live at Venice Grand Canal Mall in McKinley Hill, beginning at 7 p.m.

“Celebrating 10 years in music is a reminder of how far I’ve come, but also of what really matters to me,” Ylona shares. “Personally, the first five years were a great challenge as I was learning more about my culture and how showbiz worked. However, the last five years have been some of the hardest years of my life. I lost someone very important to me, went through experiences where I allowed people to take advantage of me emotionally, and found myself alone in another country for the second time. Artistically, though, those experiences taught me a lot about the difference between being a singer and being an artist.”

[POSTER PUBMATS]

The two live experiences will eventually be part of Ylona Garcia’s 10th Anniversary Live Album, a nine-track collection featuring her versions of the songs from the past decade. The project also serves as a bridge to her long-awaited second EP, with elements of her emerging new sounds and inspirations woven intricately into the anniversary performances.

Ylona’s journey in music has always been rocky but filled with delightful surprises. After establishing herself as a pop star with a loyal following in the Philippines, she signed with Paradise Rising, 88rising’s Filipino-focused imprint, and subsequently relocated to Los Angeles to pursue her music internationally. Her work has included a performance at 88rising’s Head in the Clouds festival and “Entertain Me,” released in partnership with Riot Games’ VALORANT. At the same time, her growing international profile has led to recognition from outlets such as V Magazine.

As she makes a comeback in the Philippines to celebrate her tenth year in music, Ylona Garcia is reclaiming the songs, experiences, and lessons that brought her here, hoping to carry them forward into what comes next. For this project, the eclectic multi-hyphenate is working with Sony Music Entertainment to reimagine her catalog in exciting new forms.

“This is my third time working with a music label, and collaboration truly means a lot to me,” Ylona explains. “So, through this project, being able to figure out what collaboration looks like between Sony Music Entertainment and me has actually been a very healing experience. I’ve learned a lot about what it means to bring my vision into a room, listen to other people’s perspectives, and build something together without losing what I came there to say.”

Catch Ylona Garcia as she celebrates her tenth anniversary as an artist:

Event 1: Backyard Live: Ylona Garcia SpotlightDate: Sept. 4, 2026Location: Backyard Warehouse Studio, Baesa, Quezon City

By invitation (registration link): http://ylonagarcia.lnk.to/Ylona_At_Backyard_Live

Event 2: 10 Years of Ylona Garcia: Live at Venice Grand Canal Mall, McKinley HillDate: Sept. 5, 2026Location: Venice Grand Canal Mall, McKinley HillEvent Time: 7:00 PM

Register to get free tickets: http://ylonagarcia.lnk.to/Ylona_at_Venice

 Source: Nyou

Seven Ultra-Rare Miki Matsubara Tracks Make Their Digital Debut for the First Time

Following her 500 million Spotify-stream milestone, seven ultra-rare Miki Matsubara recordings make their worldwide digital debut.

Listen here

Tokyo, Japan - More than four decades after Miki Matsubara first captivated Japan with her extraordinary voice, seven ultra-rare recordings from the City Pop icon’s catalogue are finally available digitally for the first time.

Released across six digital titles, these recordings have never previously been available on major streaming or download services. Long sought after by collectors and fans, the tracks were previously accessible only through rare vinyl and physical CD releases, making their digital debut a significant new chapter in the rediscovery of Matsubara’s music.

The release arrives at a remarkable moment in Matsubara’s posthumous global resurgence. Her 1979 classic “Mayonaka no Door / Stay With Me” recently surpassed 500 million Spotify streams, becoming only the 10th song by a Japanese artist to reach the milestone and the first song originally released in the 20th century to do so.

Yet while “Mayonaka no Door / Stay With Me” has become a global City Pop phenomenon, the renewed attention has also led listeners deeper into Matsubara’s catalogue, uncovering sophisticated album tracks, B-sides and lesser-known recordings that reveal the breadth of her artistry.

A treasure trove for fans and collectors

Among the newly available recordings is “Paradise Beach (Sophie no Theme),” a particularly sought-after track associated with the iconic Maxell cassette commercial starring French actress Sophie Marceau.

The track was composed by Haruomi Hosono, legendary musician and founding member of Yellow Magic Orchestra (Y.M.O.), connecting Matsubara’s catalogue to another pivotal chapter in the history of Japanese pop and electronic music.

The seven recordings offer a glimpse into the breadth of Matsubara’s work beyond her best-known hits, from music created for commercial and media tie-ins to rare recordings that have remained largely inaccessible to listeners outside the physical-record collecting world.

From collector’s treasures to a new generation

Matsubara’s music has experienced an extraordinary second life in the digital era.

Her distinctive, sophisticated vocals and the polished arrangements of Japan’s late-1970s and 1980s pop scene have found a new audience among international DJs, vinyl collectors and Gen Z listeners. Her catalogue now includes multiple tracks with more than 10 million Spotify streams, including “WASH,” originally released as a B-side in 1982, which has surpassed 20 million streams.

This renewed global interest has transformed recordings once considered hidden gems into objects of international fascination.

The seven newly digitised tracks now make that deeper catalogue accessible to audiences around the world - not simply revisiting Miki Matsubara’s legacy, but uncovering music that many listeners have never had the opportunity to hear.

A new chapter in Miki Matsubara’s enduring legacy

Miki Matsubara made her debut in 1979 and quickly established herself as one of Japan’s most distinctive vocal talents. Nearly half a century later, her music continues to cross borders and generations in ways few artists from her era have experienced.

With her global audience continuing to grow, these seven rare recordings offer another opportunity to discover the artistry behind one of Japan’s most enduring musical voices.

For the first time, seven pieces of Miki Matsubara’s musical history are no longer hidden in the archives or collectors’ shelves. They are now ready to be heard by the world.

About the release

Artist: Miki Matsubara 

Release Date: [August 28, 2026 0:00]  

Available Platforms: Apple Music, Spotify, YouTube Music, Amazon Music, AWA, 

LINE MUSIC, and other major streaming and download services.

URL: https://nex-tone.lnk.to/MikiMatsubara

Assets: Here

【Digital Release Titles & Tracklists】 

(7 tracks marked with ★ are making their digital debut) 

1. Ai wa Energy (Originally released: Dec 5, 1979) 

• M-1. Ai Wa Energy

• M-2. Fancy Free (★)
  

2. Hello Today (Originally released: Apr 21, 1980)

• M-1. Hello Today

• M-2. Machi Wa Itsumo Party Ne (★)
  

3. Aitsu no Brown Shoes (Originally released: Sep 5, 1980) 

• M-1. Aitsu No Brown Shoes 

• M-2. Kyou Konogoro (★)
  

4. Shiawase ni Bonsoir (Originally released: Jul 5, 1981) 

• M-1. Shiawase ni Bonsoir (★)

• M-2. Watashi Wa Modorenai
  

5. Paradise Beach (Sophie's Theme) (Originally released: Apr 25, 1983) 

• M-1. Paradise Beach (Sophie's Theme)  (★) (※Maxell CM Song starring Sophie Marceau / Composed by Haruomi Hosono) 

• M-2. Kimagure Collage (★)
  

6. Sweet Surrender (Originally released: Sep 21, 1983) 

• M-1. Sweet Surrender 

• M-2. WANGAN High Way (★)
  

About Miki Matsubara

Born in Osaka Prefecture in 1959, Miki Matsubara made her debut in November 1979 with the single "Mayonaka no Door / Stay With Me." She rapidly rose to fame with her exceptional vocal abilities and sophisticated, urban sound, winning numerous prestigious music awards. In addition to her career as a singer, she was a prolific composer, providing songs for various artists, anime series, and TV commercials.

Since the 2000s, "Mayonaka no Door / Stay With Me" has experienced a global resurgence, ignited by international DJs and influencers. The track topped viral music charts worldwide, cementing her status as an enduring, iconic artist who continues to define the global City Pop movement.

Instagram | X | YouTube 

About NexTone

NexTone is well-known as one of the most prominent distributors in Japan, partnering with over 1,000 labels and managing a catalog of more than one million Japanese songs. We excel in anime and game-related music and have experience and a strong track record in exporting Japanese content internationally. 

Website

For more information contact mabuhay@blackstar.space

South Korean rapper Kim Ximya returns with second studio album 'Dogma' out September 9

PRE-SAVE HERE

September 1st, 2026 – While television survival shows have become a defining route to recognition for many Korean rappers over the past decade, Kim Ximya has never followed the conventional path. For nearly a decade, he has built his reputation through music and visual art, earning critical acclaim both in Korea and beyond. Seven years after his last solo album, he returns with 'Dogma', a ten-track work that reflects his uncompromising approach to art, music, and creative freedom that is set to be released on September 9. Fans can pre-save the album here.

Created in collaboration with Seoul collective Sound Supply, the ten-track record marks a new chapter for one of Korean music's most distinctive voices. Moving fluidly between experimental hip-hop, electronic music, and underground club influences, 'Dogma' further develops Kim Ximya’s approach to music—one that remains unconstrained by genre or commercial expectation while maintaining a singular artistic identity.

Working closely with core members of Sound Supply, including Mount XLR, cjb95, and ccr, Kim Ximya developed a cohesive body of work that reflects both his evolution as a songwriter and producer. The album's sonic journey was further refined through mastering by Grammy Award-winning engineer Mike Bozzi.

The visual world surrounding 'Dogma' continues that multidisciplinary approach. The lead music video for 'Dogma' was directed by acclaimed filmmaker, photographer, and visual artist Park Chan-kyong. The younger brother and longtime creative collaborator of Cannes-winning director Park Chan-wook (Decision to Leave), Park Chan-kyong has built an acclaimed practice spanning cinema, photography, and contemporary art. Together, the brothers have directed award-winning works under the name PARKing CHANce, including a Berlin International Film Festival prize-winning short film. 

The physical edition also departs from conventional album packaging, replacing the traditional CD format with a miniature radio-inspired player called the Buddha Machine, which reimagines the album as both a listening device and collectible object. Adding to its exclusivity, the Buddha Machine will feature a curated selection of tracks distinct from the digital release.

With 'Dogma', Kim Ximya returns with his second studio album, further establishing himself at the intersection of Korean hip-hop, experimental electronic music, and contemporary visual culture.

About Kim Ximya

Kim Ximya, one of modern day’s most influential rappers in South Korea, has been making unprecedented headlines with media giants like the New York Times, Pitchfork, Billboard and BBC Radio.

Known to venture away from traditional sounds, lyrics and song structure, his name first skyrocketed into the public consciousness when he released his debut EP ‘KYOMI’ under the collaborative duo name XXX alongside producer FRNK. Across their releases 'KYOMI', 'LANGUAGE', and 'SECOND LANGUAGE', the duo blurred the boundaries between music, visual art, and contemporary culture. Their collaborations with French animator Mattis Dovier earned Vimeo Staff Picks, coverage from VICE and Animation Magazine, and screenings at film and music festivals around the world and also helped opened a new avenue for Korean hip hop to elevate and expand into the West.

XXX's music also attracted international critical attention from major news outlets globally. 'LANGUAGE' and 'SECOND LANGUAGE' received Pitchfork scores of 7.3 and 7.5 respectively, making them among the highest-rated Korean albums reviewed by the publication at the time. In 2019, XXX won Best Rap & Hip-Hop Song at the Korean Music Awards and joined experimental hip-hop group Injury Reserve as support on their North American tour.

Outside of XXX, Kim Ximya has continued expanding his solo catalog through releases including 'Moonshine', 'DOG', 'Bundle 1', and 'w18c', further establishing himself as both a rapper and producer. His collaborators have ranged from Beenzino, CL, Crush, and Jay Park to Cautious Clay and French producer Simo Cell, while his songwriting has also appeared on releases by BTS's V and NewJeans. 

Across these projects, Kim Ximya has consistently occupied a space where underground experimentation, electronic music, and contemporary pop intersect without fully belonging to any one scene. Today, he is one of the most sought after, go-to artists for features and other collaborations.

FOR MORE INFORMATION
 SECRET SIGNALS

FOLLOW KIM XIMYA

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JAGUAR JONZE ANNOUNCES NEW ALBUM 'BEASTMASTER' OUT 29 JANUARY VIA NETTWERK

PRE-SAVE HERE

REVEALS LEAD SINGLE
"KAWASAKI NINJA"

WATCH HERE

Photo Credit: Rich Maskey

August 31, 2026 – Taiwanese-Australian auteur Jaguar Jonze (aka Deena Lynch) announces her new album, 'BEASTMASTER', for release on 29 January via Nettwerk. The news drops with an exhilarating new single and music video, “Kawasaki Ninja”, out now. 

'BEASTMASTER' is the culmination of a two-year hiatus from music, a period of profound reckoning in the aftermath of a life-changing diagnosis that forced Jonze to confront her health and sense of self. The album rises from the ashes of old identities and embraces contradictions – playful and fierce, vulnerable and provocative, intimate and expansive – allowing every version of herself to coexist freely. Built on instinct over perfectionism, this multiplicity is felt across morphing pop, electronic, experimental and lived-in sounds, as we witness an artist resurfacing with absolute awareness, reclaiming her body and inner identity, and shedding the weight of external forces.

At its core is a conscious choice reflective of her life today, to step outside her comfort zone and confront doubt, fears and shame in order to evolve. Not mastery over our demons or beasts, but a willingness to live alongside every part of oneself. Not a perfected version of self, but a liberated one. An anthology devoted to rebirth as radical self-permission.

Jonze shares: “The rebirthing process in this album came from allowing myself to play again, without having to meet the expectations and demands of the world around me.... just to find the art I was creating because I had lost so much. To be able to come back to music meant that I had to just create... Through tragedy comes beauty, and when you lose so much, there's so much to gain as well.”

Born from the throes of physical limitation, new single "Kawasaki Ninja" turns personal longing into pure, high-velocity escapism. After her diagnosis left Jonze unable to ride motorcycles, she translated the machine’s true essence, unfiltered freedom, motion and thrill into an explosive sonic powerhouse of thumping basslines and warping electronics. “I was writing with the feeling in mind,” she says. “What did motorcycles represent for me? Freedom.” The track becomes an uncompromising battle cry charged with defiant self-love, embracing a spirit that refuses to conform and ripping past the noise without looking back. Raw, exhilarating and deeply personal, "Kawasaki Ninja" is about reclaiming your autonomy, breaking free from constraints and having unapologetic fun while doing it. 

On the track’s music video, she expands: “Being on set for the music video was the first time I got back on a motorcycle after years of neurophysio rehab. I’m passionate, and sentimental and knew that I would have the courage and strength to trust my body and do it if it was for my art. I was so scared but it felt so special to get back up on that horse (power haha) for this song that I had written about motorcycles, about freedom, about self empowerment in a time that was difficult to have faith in myself.”

Jaguar Jonze – "Kawasaki Ninja" [Official Music Video]

Across Southeast Asia, Jaguar Jonze continues to find a growing audience, with Thailand, Indonesia and Singapore now among her Top 15 streaming markets globally. Earlier this year, Jonze released the gritty, high-voltage single and music video “Naked” – an erratically addictive meeting point of pop and club-ready textures to mark her return to music. Shot at an abandoned construction site in Uluwatu, Bali, the self-directed music video has since garnered over 350,000 views on YouTube to date, supported by significant traction from Indonesia. The single was soon followed by “HALF DEVIL”, a collaboration with Taiwanese-American artist KIRE that pulled identity centre stage, examining the complex relationship with belonging that is tied to growing up between cultures. 

Less a continuation than a transformation, 'BEASTMASTER' marks a turning point for an artist whose work has long explored identity, resistance and reinvention. Where previous chapters were shaped by survival, 'BEASTMASTER' is driven by instinct, curiosity and creative freedom. 

'BEASTMASTER'  is out 29 January 2027. Go full throttle with “Kawasaki Ninja”, out now.

Stream "Kawasaki Ninja" here: 
jaguarjonze.ffm.to/kawasakininja

Watch the official music video here 

Pre-save the upcoming album 'BEASTMASTER' here: 
jaguarjonze.ffm.to/kawasakininja
 

About Jaguar Jonze

Born in Japan to a Taiwanese mother and Australian father, Deena Lynch (aka Jaguar Jonze) has shaped a multi-faceted career straddling the worlds of art, music and fashion. After breaking onto the music scene in 2019, Lynch went on to carve out her reputation for genre-crossing high art and enigmatic yet vulnerable songwriting on back to back EPs, 'Diamonds & Liquid Gold' (2020) and 'ANTIHERO' (2021).

Come 2022, her high-octane, art-pop debut studio album 'BUNNY MODE' saw Lynch find strength in vulnerability, a personal triumph of resilience shaped by her boundary-pushing art and creativity that received praise among NME (The Cover), The Guardian, VICE, FLAUNT and more.

Lynch's activism work has been recognised by Vogue Australia’s Most Influential Women of 2021, triple j’s Done Good Award, and The Australian’s ‘Top 100 Cultural Leaders List 2022’, meanwhile her intersection with the art and fashion communities – including narrative illustration project Spectator Jonze and photography project Dusky Jonze – has seen collaborations with the likes of Christian Louboutin, Converse, Fendi, Nike, BMW, Reebok, Stüssy and more. Her most recent 2024 EP, 'victim impact statement', comprising three powerful tracks and an accompanying self-directed short film, further cemented her as one of Australian music’s most empowering voices.

FOR MORE INFORMATION
SECRET SIGNALS | NETTWERK MUSIC GROUP

FOLLOW JAGUAR JONZE

Website

Instagram

Facebook

YouTube

The Itchyworms to embark on a four-city tour in New Zealand this September

Auckland, Wellington, Queenstown, and Christchurch are set to experience the band’s celebrated blend of catchy hooks, clever lyrics, and irrepressible Filipino spirit

MANILA, Philippines — Filipino pop-rock band The Itchyworms are set to headline Akin Ka Na Lang New Zealand Tour this September 2026. The band will perform in four key cities across the country: Auckland, Wellington, Queenstown, and Christchurch.

Known for their sharp-witted songwriting, infectious guitar pop melodies, and anthemic tunes, The Itchyworms have taken OPM to exciting new places. Their upcoming shows in New Zealand offers Filipino audiences abroad a spirited connection to home while introducing new listeners to the richness and character of OPM.

According to Jugs Jugueta, the tour is about reconnecting with Filipino communities and rediscovering the best the Philippines has to offer. “It’s very humbling. It’s really great that the world is now discovering all things Filipino,” he says, noting the growing global appreciation for Filipino culture, artists, and music.

With stops spanning four cities across NZ, Jugueta looks forward to sharing the experience with both Filipinos and their Kiwi friends. “We encourage all Filipinos to bring their Kiwi friends and family so that we can show them how Filipinos party!”

Meanwhile, drummer and vocalist Jazz Nicolas describes the band’s cross-generational songwriting as one of the things Filipinos and foreigners should look forward to: “It’s like hiding medicine in chocolate. We like to put petty or tragic lyrics inside a catchy pop melody.” That distinctive balance of humor, heartbreak, and melody has helped make The Itchyworms’ music appeal across borders. Nicolas also sees the tour as an opportunity to introduce OPM to an even wider audience.

NEW ZEALAND TOUR DATES:

AUCKLAND — September 18 | Galatos

WELLINGTON — September 19 | Notre Dame Performing Arts Center

QUEENSTOWN — September 25 | Queenstown Memorial Center

CHRISTCHURCH — September 26 | Christ’s College Auditorium

Tickets are priced at $99 NZD for Standing VIP (including a photo opportunity) and $69 NZD for Standing General Admission. Tickets are available here:https://fastevents.com.au/ticket_category/the-itchyworms-new-zealand-tour-2026-tickets

Source: Nyou

Ben&Ben makes “Limasawa Street” tangible with new CD and vinyl editions

The acclaimed debut is now available in physical formats, offering listeners a tangible way to reconnect with the record that helped define the band’s early years

Manila, Philippines – Nearly a decade into their career, Ben&Ben revisits where much of their story began with the physical release of the band’s acclaimed 2019 debut studio album, Limasawa Street—now available on CD and vinyl.

Recorded when the band was still finding its footing, the record introduced Ben&Ben’s expansive, lush take on folk-pop while giving music fans a taste of their distinct songwriting style.

“Sabi nga nila: you never forget your first," shares the nine-piece collective. “The energy we had going into creating our very first album was one of the things we would never forget about that era of ours. It was the first time we collectively immortalized our music together in a body of work as ‘nine,’ especially since we weren't technically complete yet when the EP was recorded. Revisiting an album like that brings back so many memories of the entire creation process, especially our Limasawa Street tour. That album brought us to so many places; it introduced so many people to us and our music, and up to now all the songs remain near and dear to us.”

Their maiden release eventually became one of the most important Filipino records of its time, earning multi-platinum certification from the Philippine Association of the Record Industry (PARI). It produced modern classics such as “Pagtingin” and “Araw-Araw”-- songs that resonated then and continue to be relevant now. The critically acclaimed release also bagged major industry recognitions, including Album of the Year honors at the 33rd Awit Awards. The album’s success led to an extensive multi-city tour that brought the album and the band to audiences across the Philippines and Singapore.

“Limasawa Street was always meant to be a work of its time: an exploration of fresh ideals and a new heart, a new start,” Ben&Ben explains. “We have always been very open about how our albums serve as bookmarks in our lives, meant to encapsulate our beliefs, feelings, and outlook on love and life at that specific moment in time. We hear all of that and remember exactly the people who recorded those songs back in 2019. We still hear us; we still hear the beginnings of our current sound—and we are very grateful to those versions of ourselves who dared to dream and build a world of their own.”

Remastered for vinyl and CD by Grammy-award-winning sound engineer Jett Galindo, its arrival in physical formats gives fans a new way to experience a record that has long lived through streaming and live performances. 

For Ben&Ben, the physical release also meant preserving a game-changing phase in their journey: the beginning of an illustrious period that transformed them into bona fide artists. In an era shaped by digital consumption, owning a physical record offers something that lasts: a relic of time you can hold, revisit, and pass down.

The chart-topping band adds: “Many of us have always been massive fans of physical media, especially vinyl. To finally have our very own press feels surreal. We still can't quite believe it because we haven't seen them in person yet, so we're super excited—and even more so for our listeners who have been waiting for us to release our music in a format that they can really collect and have in their hands and homes.”

Pre-orders for Ben&Ben’s Limasawa Street CD and vinyl open this Saturday, August 29, at 12 noon via Backspacer Records. 

More details here: https://benandben.lnk.to/shop-limasawastreet

Source: Nyou

JENNIE shares a more personal side on Fallen Angel

Watch “Fallen Angel” video here

JENNIE releases her new EP Fallen Angel, sharing a deeply personal collection of songs that reflects her truest form of self-expression. The three-track digital EP features the title track “FALLEN ANGEL”, alongside “HEAVEN”, and “Less than a Lover.” 

A gift from JENNIE, with love, Fallen Angel offers a more intimate look into her world, with each song capturing different sides of her creative perspective.  The EP is accompanied by the official music video for “FALLEN ANGEL,” offering a glimpse into the inner world of JENNIE’s glamorous exterior as she discovers, embraces and finds freedom in her true identity. Watch “FALLEN ANGEL” HERE. 

A physical CD edition of Fallen Angel will feature three additional exclusive tracks – “sweettooth”, “lockitdown”, and “Face”. Pre-order for the physical EP HERE.  

Fallen Angel arrives fresh off JENNIE’s summer festivals run, where she took the stage at Governors Ball, Lollapalooza, Mad Cool Festival, among other performances around the world. The run marked another milestone in JENNIE’s growing solo career, following the release of her first studio album Ruby last year and scoring a Billboard Hot 100 Top 10 hit alongside Tame Impala with “Dracula (with JENNIE)”. 

As one of the most influential global artists of her generation, JENNIE continues to redefine modern pop through her fearless artistry and creative vision. From record-breaking releases and sold-out performances to fashion partnerships, she has established herself as a singular force across music, fashion and culture, continuing to shape the entertainment landscape.

FOLLOW JENNIEWebsite | Instagram | TikTok | YouTube | X

dwta and Arthur Miguel reunite for third collaboration in “At Kung Sakali”

The acclaimed singer-songwriters turn their friendship and shared creative wavelength into their first co-written single about choosing love amid uncertainty

After the breakthrough success of their previous collaborations, “Lihim (Nuarin Sasabihon)” and “Tahan Na,” singer-songwriters dwta and Arthur Miguel reunite for the third time in the velvety new single “At Kung Sakali”—out today via Sony Music Entertainment.

The latest release is monumental for both solo artists, as it’s their first time writing a song together in one room. Brimming with natural chemistry and mutual trust that seem to have stemmed from their first team-up in 2023, “At Kung Sakali” started as an unplanned creative exercise that eventually morphed into a fully realized output.

“Actually, our past collaborations were both written separately,” dwta clarifies. “Arthur wrote Lihim (Nuarin Sasabihon), while I wrote Tahan Na. We never really tried writing a song together before, so this time we thought, why not? At first, we were really doing it for fun. We didn’t even have any plans to release it or anything. We just wanted to see what we could come up with, and we were already happy just making something together. But then “At Kung Sakali” happened. I think one of the reasons we keep coming back to working with each other is because of the friendship we built since our first collaboration back in 2023.”

Written in just half a day, “At Kung Sakali” came together effortlessly, as if radiating their shared creative wavelength into a personal piece of work. With both artists known for their distinct artistic visions and songwriting styles, dwta and Arthur approached the writing with openness, letting their ideas meet in the middle and spark magic.

According to dwta, the song tackles the anxieties of imagining a future with someone and the inevitable doubts that come with thinking about what happens when life doesn’t go as expected. Framed through the playful imagery of a dollhouse or bahay-bahayan, “At Kung Sakali” ultimately becomes an affirmation of choosing love despite uncertainty.

The Bicol-born singer-songwriter explains, “At Kung Sakali is also our first collaboration that’s really about being in love. Our first collab was about confessing your feelings, while our second one was more about heartbreak and hope. This time, we’re in our “in-love” era even though we’re both happily single. We’re both actually known for making heartbreak songs, so it was fun to make something that’s warmer and purer this time.”

Produced by Luke April, the track retains the spontaneity of its songwriting process and lets each contributor’s input shape the final sound with the producer’s guidance.

“We did the production on a separate day from the songwriting, and Luke April joined us in producing the song,” shares dwta. “After we finished writing the song, our team really liked it, so we decided to release it. Luckily, everyone was available and was immediately game for it.”

dwta and Arthur Miguel’s “At Kung Sakali” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

EASY FREAK RELEASE « ONLY LIKE YOU DO » & ANNOUNCE THEIR UPCOMING ALBUM ‘THE TOUCH’, OUT DECEMBER 11th ON ULTRA RECORDS

PRE ORDER/SAVE HERE

Label: Ultra Records (WW)  

Fast-rising duo EASY FREAK, formed by Dom Hurd and Jude Kendrick Ganasen, kicked off on August 21st the next chapter of their career with "Only Like You Do," the first single from their highly anticipated sophomorealbum 'The Touch,' out December 11th — a record thatcandidly traces the full arc of love, from the euphoria of new beginnings to the quiet grace found on the otherside of heartbreak.

A masterclass in pop/funk/groove production, "Only Like You Do" sets the tone for a four-single rollout, eachpaired with a striking official music video steeped in 70's and 80's nostalgia that showcases the duo's singular, meticulously crafted aesthetic. 

As Jude puts its, « Dom had written most of this trackyears ago when we first started EASY FREAK in 2016. It was originally written for acoustic guitar as a very slow and melancholic song (post breakup hehe), but wechanged the time signature, added some groove and funk, and brought it back to life. We’ve grown so muchas songwriters and producers, and it’s always a fun time giving an older track a second chance. »

The album stands as a landmark step in the duo’s carreer: « We’ve been making music for almost 10 years, and it’s only in the last few years that we feel like we've really found our sound. This album feels like a culmination of all that time, all that searching, all thatgrowing and learning. The Touch is the first time thatwe’ve truly been able to express our songwriting and compositional ideas. Live instrumentation is a big themefor this project; with live string and horn sections, and live drums being new additions to our recording process. The music of the 70s and 80s have always been a big influence for us, and we’ve been able to lean more intothat with this project. You’ll hear the inspiration of artists/groups like Sade, Michael Jackson, CHIC, and Prince sparkling through the songs. The aesthetic of The Touch is something we put a lot of time into; inviting the listeners into this world that we’ve created. »

This release officially launches the album campaign  andopens pre-order/pre-save  — a can't-miss moment to getahead of one of the season's most stylish, emotionallyresonant and musically impactful rollouts.

FOLLOW EASY FREAK

INSTRAGRAM I TIKTOK I SPOTIFY I APPLE MUSIC IYOUTUBE

Multi-Award-Winning Indonesian artist Nadin Amizah unveils her third studio album, "Laika, Yang Ditinggalkan"

LISTEN HERE

Photo Credit: Vony Wong

“Laika’s story inspired me deeply. I imagined Laika being brought into this world longing for affection, nurtured, and given love she thought was forever, only to end up as a mere tool to satisfy human arrogance. That tragedy made me reflect—why do we have to sacrifice another creature for what we chase? Those exact feelings became the representation for this entire album”

— Nadin Amizah

August 28th, 2026 – Celebrated Indonesian singer-songwriter Nadin Amizah officially releases her highly anticipated third studio album, 'Laika, Yang Ditinggalkan' (Laika, The Abandoned). Released under her independent label Sorai, the 11-track record is now available across all major global digital streaming platforms. Fans can listen to the album here.

The record takes its title from Laika, the Soviet space dog sent on a tragic one-way mission in 1957—using her story as a central metaphor for grief, fatherlessness, and unattended yearning that turns into rage.

At the core of 'Laika, Yang Ditinggalkan' lies a subtle yet poignant sociological commentary. Set against the backdrop of Indonesia’s reality as one of the world’s most fatherless nations, the album serves as an emotional sanctuary for those navigating life without a paternal figure or a safe home to return to.

This raw vulnerability is most evident in tracks like “Reservasi Untuk Dua” (Reservation for Two), where Nadin employs unusually harsh, profanely honest language.

“When people hear bitter words like ‘hell’ or ‘defiance’ in these songs, what they are actually witnessing is an injured child underneath,” Nadin says. “It is not hatred—it is pure, unadulterated pain”.

The raw sensitivity continues in “Ditemukan Sebuah Bangkai”, inspired by a real news report Nadin read during the 2020 Jakarta floods, where an unidentified body floated down the East Flood Canal. “Imagine: no relatives, no family, no one looking for them. Insane, isn't it?” Nadin shares. Yet, she rejects the savior label: “I’m simply witnessing the brokenness around me. Simply said, I feel the pain that you feel”.

Marking an important evolutionary step in her artistry, this album features two full English-language tracks—including the lead single “Moonlight” and “Take Him To The Moon For Me”—as well as clever code-switching in “Laika, Kau Mudah Dicinta”.

In tandem, 'Laika, Yang Ditinggalkan' marks Nadin’s most ambitious production to date, featuring 10 different producers across 11 tracks—including notable collaborators Lafa Pratomo, Baskara Putra, Enrico Octaviano, Otta Tarega, and Feby Putri, among others.

“Even from the songwriting process, I already had a vision for its sonic layout, including the people who could bring out the best in it,” she adds.

'Laika, Yang Ditinggalkan' follows her first two acclaimed records, 'Selamat Ulang Tahun' (2020) and 'Untuk Dunia, Cinta, & Kotornya' (2023).
 

Listen to 'Laika, Yang Ditinggalkan' here

About Nadin Amizah

Nadin Amizah is an Indonesian singer-songwriter celebrated for her dense, deeply poetic lyricism and theatrical stage presence. Marking her solo debut with the single “Rumpang” (2018), she has steadily established herself as one of the leading soloists in Indonesia's music landscape.

From day one, Nadin carved an independent path by founding her self-owned label, Sorai, which serves as the home for all her releases. Under Sorai, she has delivered two critically acclaimed studio albums: her debut 'Selamat Ulang Tahun' (2020) and 'Untuk Dunia, Cinta, & Kotornya' (2023), alongside an EP '(kalah bertaruh)' and singles such as “Rumpang”, “Sorai”, and “Bertaut”, among others.

Her musical exploration broadened further when she was handpicked to re-interpret Guruh Sukarnoputra’s timeless masterpiece, “Kala Sang Surya Tenggelam”, as the official soundtrack for the hit series 'Gadis Kretek (Cigarette Girl)'. She also notably collaborated with Dipha Barus on the single “All Good” (which won Best Dance/Electronic Production at the 2017 AMI Awards) and teamed up with fellow musician Sal Priadi for the highly acclaimed duet, “Amin Paling Serius”.

Her artistic accolades as a soloist include four AMI Awards—notably for Best Folk/Country/Ballad Production (2019, 2020, 2024) and Best Newcomer (2019)—alongside being named the most-streamed local female artist on Spotify Indonesia in 2025.

In August 2026, Nadin enters her most daring musical evolution yet with the release of her third studio album, 'Laika, Yang Ditinggalkan (Laika, The Abandoned)'.

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Ben&Ben’s “Leaves (Reimagined)” finds new meaning in second chances and forgiveness

The award-winning band revisits its enduring classic with a grander sound and a deeper reflection on healing, forgiveness, and human vulnerability

Manila, Philippines – Nearly a decade after “Leaves” made a dent in pop culture consciousness with its unassuming tenderness, Ben&Ben reinterprets the heartwarming ballad with “Leaves (Reimagined),” a new rendition that transforms the original into a more mature reflection on forgiveness, second chances, and the complexities of growing together.

Instead of recreating the original, “Leaves (Reimagined)” approaches the track from a different emotional vantage point, mirroring the profound depths and tensions of life in sonic form. The orchestral elements do not make the track bigger or more ambitious; instead, they give the emotional peaks and quiet moments greater dimension and more room to sink in.

The multi-awarded band explains, "We wanted to highlight how much more dynamic life is emotionally when you grow up and grow older, and for this project, we wanted to explore the use of orchestral sounds playing alongside the band. This is because we wanted to make the quiet parts more nuanced and the grand parts more emotional, but in a ‘lived-in’ way.”

The new version continues the story not from the perspective of who they were when they first recorded it, but from where they are now: as musicians who have matured alongside a community that has experienced its seasons of love, loss, uncertainty, and change.

“Since we have grown up—and so have our Liwanag—in the past nine years, we wanted to encapsulate what that experience is like through the lyrics of this song,” Ben&Ben shares. “We think that if we are to live a life with someone constant with us, whether it be family, a best friend, or a romantic partner, the concept of giving someone another chance will always be a given.”

Following the success of “Lifetime (Reimagined),” the band considers the reimagined version of “Leaves” as a distinctly different creative process: one that allows the song to reveal new possibilities rather than recreate what came before it.

“Leaves definitely demanded a different creative process,” Ben&Ben says. “One cool discovery we had was that even in the process of breathing new air into each song, continuing their respective stories leads into very different trajectories in many layers: melodically, lyrically, and musically. Each song really has a life of its own.”

In June, Ben&Ben were named Duo/Group Artist of the Year at the 17th PMPC Star Awards for Music, with the recognition citing their stellar work on their latest album, The Traveler Across Dimensions.

The band has also earned multiple nominations at the 39th Awit Awards, including Record of the Year, Best Performance by a Group, and Best Pop Recording for “Saranggola.” The nominations further solidify Ben&Ben’s consistent presence at the forefront of OPM, leading up to the grand celebration of music, friendship, and memories via their upcoming major show, Saranggola: The Concert, happening on October 2 at the Smart Araneta Coliseum. 

Ben&Ben’s “Leaves (Reimagined)” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

James Reid embraces a new kind of freedom in “Sunny Side”

The feel-good collaboration with Luke April previews the more assured musical direction of his upcoming album, honey, i’m home

James Reid embraces the freedom of simply being in the moment with “Sunny Side,” his new single featuring producer and artist Luke April, out August 27, 2026, via Sony Music Entertainment.

Driven by vibrant production, an easygoing rap section, and an experimental blend of filtered drums and guitars, the alternative pop track carries an infectious sense of movement without ever feeling rushed. Bright and effortlessly laid-back, “Sunny Side” also captures the feeling of having nowhere to be and being completely at ease with wherever the day might lead.

There’s more to “Sunny Side” than its carefree disposition. For Reid, the song explores a more assured understanding of personal freedom: choosing who he wants to be rather than being defined by outside perceptions.

“Yes, it’s about freedom, but it’s also about feeling untouchable,” the award-winning multi-hyphenate shares in a press statement. “Who I am is not defined by what people think; it’s who I choose to be despite what people think. Say what you want, I’ll be here on the sunny side.”

“Sunny Side” was conceived in an unusually relaxed, spontaneous recording environment. The song, along with several other songs from Reid’s forthcoming album, was produced by Luke April during a week-long creative session in a makeshift outdoor studio in the back garden of an Airbnb. With instruments scattered around, artists and producers coming in and out, and no fixed expectations for what the sessions needed to produce, the collaborators allowed the music to take shape organically.

Reid describes the atmosphere as instrumental to the record's laid-back outcome, with the lack of pressure creating room for instinct and experimentation. The track itself was largely developed through improvisation rather than an overly structured approach.

Luke April, meanwhile, brought an alternative pop-rock sensibility to the production, inspired by artists such as Dominic Fike. “Each section of the song sounds a tiny bit different from each other, which makes the listening experience more fun and journey-like,” April points out. “For every project that I do, whether it’s for someone else or my own, I turn off my smarty-pants brain and just let the ‘source’ do its thing. No overthinking, keep mistakes, be patient for happy accidents, and make sure everyone’s having fun during the session.”

The result is a track that feels deliberately loose and lived-in while maintaining the energy and polish of a contemporary alt-pop release. The musical references behind “Sunny Side” reinforce its sun-soaked, carefree character. April cites Dominic Fike’s “Sunburn” and Jean Dawson’s “Bruiseboy” as inspirations during the making of the track, while the finished record naturally lends itself to spontaneous drives, sunny afternoons, casual get-togethers, and days without a fixed itinerary.

“Sunny Side” will be part of the actor-musician’s forthcoming album, honey, i’m home, which will drop on September 10, 2026. The new release marks a confident leap, both lyrically and sonically, positioning Reid as a reliable hitmaker with a good ear for globally ready music.

According to James Reid, the album represents an arrival of sorts, one defined by acceptance and a more assured relationship with himself. As James puts it, “Honey, I’m home comes from a place of quiet confidence: a self-assuring kind of love, from freedom as acceptance, not rebellion. Home is where I’m most myself.”

“Sunny Side,” by James Reid featuring Luke April, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

Eila turns heartbreak into a new chapter with “Loving Me Wrong”

After 12 years, the Chinese-Filipino American singer-songwriter comes home with a deeply personal pop/R&B release about love, heartbreak, and knowing your worth

MANILA, Philippines — Chinese-Filipino American singer-songwriter Eila returns to the Philippines for the first time in 12 years with a new single that reveals an important chapter in her personal life. Based in New Jersey, USA, the fast-rising artist is set to release “Loving Me Wrong,” a vulnerable exploration of love, heartbreak, and self-worth.

Blending alternative R&B with contemporary pop, Eila has steadily carved out a distinct musical identity through atmospheric, soulful productions that showcase her emotional range and vocal versatility. Alongside her original music, she has built a growing audience on TikTok and Instagram through vocal performances, music and lifestyle content, and playful vocal impressions—an unconventional path that has ultimately helped lead listeners toward her original work.

“Loving Me Wrong” follows her recent single “Living Proof,” a heartfelt, feel-good anthem about the excitement of genuine love that also offered an early glimpse into the sonic direction of her forthcoming EP. While “Living Proof” leans into the warmth and exhilaration of love, her new single turns inward, confronting the complicated emotions that come with remaining in a relationship that no longer serves you.

“Loving Me Wrong takes me right back to being young and naively in love, when I was caught in that volatile cycle of constant highs and lows,” Eila shares. “You convince yourself that you’re just one argument away from turning it all around.”

Rather than reducing the experience to simple heartbreak, the song recognizes the emotional contradictions that can exist within an unhealthy relationship. Eila hopes the track can offer listeners a sense of validation while also encouraging them to recognize their worth.

“I hope that anyone who’s been there can listen to the track and feel validated without any judgment,” she says. “It is completely possible to feel genuine happiness and devastating heartbreak at the exact same time. I also hope that ‘Loving Me Wrong’ can serve as a turning point and a reminder to never settle for less than you deserve.”

The song also represents a significant step forward in Eila’s development as a songwriter and performer. She describes her growth as an artist as a less linear journey than her personal development, with much of her progress coming from learning to embrace experimentation, collaboration, and vulnerability.

That evolution became particularly clear during a songwriting camp where “Loving Me Wrong” was born. Early in her songwriting journey, Eila often found herself too self-conscious to experiment freely around other writers, sometimes leaving the room simply to test melodies or lyrics on her own. Over time, however, that same collaborative environment became one of the most rewarding aspects of her creative process.

“Being in that collaborative space was a beautiful reminder that music is ultimately about connection,” she says. “That writing camp was actually where ‘Loving Me Wrong’ was born, and it really represents my evolution toward embracing vulnerability in both my music and myself.”

Eila’s return to the Philippines adds another meaningful dimension to the release. The singer was last seen in the country in 2014, when she performed a cover on the television program Walang Tulugan. At the time, she says, she did not yet have the confidence to perform her material. Twelve years and 18 releases later, she returns with a clearer sense of identity and a newfound confidence in the artist she has become.

“Looking back, I definitely lacked the confidence to sing my music,” Eila recalls. “Twelve years and 18 song releases later, I’m back and finally ready to show everyone a much more confident Eila.”

Her Philippine visit is also a personal homecoming. Both of Eila’s parents grew up in the Philippines before immigrating to the United States, and her Chinese-Filipino heritage has played an important part in shaping her relationship with music. From family karaoke sessions to her parents’ unwavering support for her aspirations as a performer, Eila credits her upbringing with nurturing her passion for music and showing her how music can bring people together.

“I owe so much of my passion for music to my Chinese-Filipino roots,” she says. “More than anything, it’s the way music naturally brings our community together.”

That connection is already reflected in her growing Filipino audience. The Philippines is currently Eila’s second-largest listening market on Spotify, making her return particularly significant as she introduces “Loving Me Wrong” to Filipino listeners.

“Having that kind of support from my community gives me the energy to keep pursuing my dreams, and I’m excited to connect with even more listeners,” Eila says. She also plans to continue sharing covers of Filipino songs as a way of honoring artists who paved the way for greater Asian representation while celebrating her roots.

Eila’s new single “Loving Me Wrong” will be released on August 26, 2026, via Symphonic Distribution.

Source: Nyou

Gab Cabangon makes a case for forever in “ngayon at kailanman”

The Awit Awards Best New Artist nominee turns an intimate wedding vow into a tender anthem for enduring love

Gab Cabangon continues to build momentum as one of the country’s most promising solo acts, recently earning a nomination for Best New Artist at the Awit Awards—the Philippines’ version of the Grammys. The nod comes as Cabangon expands his growing body of soulful, earnest guitar-pop music, using his platform to create anthems that capture the complexities, grey areas, and frustrations of being human.

Now, the Filipino singer-songwriter finds his groove back to love with his new single, “ngayon at kailanman,” which is his gift for his wife. The track was eventually performed as the surprise bridal march to his wedding, turning a private promise into a powerful musical statement that transcends its limits and becomes a romantic serenade every listener can call their own.

Serving both as a wedding vow and a love song, “ngayon at kailanman” speaks to the hope of finding a romantic relationship that endures amidst life’s uncertainties. Inspired by the serene simplicity of songs like Johnoy Danao’s “Ikaw at Ako,” Ebe Dancel’s “Cuida,” and TJ Monterde’s “Palagi,” the tune is dedicated to those yearning for a love that feels equally reassuring and enduring.

Through the release of the song, the folk-pop newcomer hopes that people can find a love that also helps them grow. “I want my listeners to feel like they are in a warm, tight embrace whenever they hear the song. I also hope my listeners learn through the song that love and relationships are never perfect. We are all people, and we all go through our own stumbles and challenges. But we try to choose each other even when things are difficult. Because I think we also become better individuals when we find love that is assuring and earnest.”

True to its core, the stripped-down tune is about the conscious choice to stay. Veering away from presenting the concept of romance as a perfect, absolute feeling, “ngayon at kailanman” recognizes the flaws and uncertainties that inevitably come with relationships and the value of choosing each other through them. It’s a warm embrace in song form.

The song’s intimacy played a pivotal role in the production process and overall sound. Cabangon and producer David Lina embraced a deliberate “less is more” approach, inspired by the vulnerable, soul-baring musicality of Joseph Solomon. The arrangement keeps the instrumentation understated, allowing the words to soar and speak for the material.

“I always imagined ngayon at kailanman as a wedding vow being done in a very private, intimate space, so I wanted to preserve that vision by keeping the production very simple with more emphasis on the lyrics,” he adds.

Originally not intended for a public release, much like his earlier song “Pieces,” the track eventually found its place within Cabangon’s highly anticipated EP. Its inclusion completes another piece of a larger narrative about learning to love again, whether after experiencing heartbreak, personal distance, indifference, or loss of something once deeply cherished.

Cabangon reveals, “The upcoming EP is really going to be about going through the process of falling out of love and finding our way back to the things that we were once passionate about. Based on the first couple of songs that my listeners have experienced, I think my audience can expect that introspective singer-songwriter feel that’s very common with a lot of the tracks.”

Following “Pieces,” “Kama,” and “Ikot Ulit,” the forthcoming EP continues Cabangon’s singer-songwriter journey, moving from falling out of love toward rediscovering passion, hope, and the courage to love once more, whether it’s about love, life, and everything in between. With “ngayon at kailanman,” he offers perhaps his most tender song yet: a simple promise that, amidst an uncertain world, choosing one another can still be an act of faith.

About Gab Cabangon

Gab Cabangon is a Filipino singer-songwriter and an Awit Award nominated artist based in Metro Manila. He describes his music as a “nonchalant millennial sadboi” style of indie pop music that blends chill guitar melodies with soulful singing. As an introspective artist, Gab loves writing songs and stories about different phases of life and heartaches, both romantic and non-romantic.

Today, Gab Cabangon is also a solo recording artist, and he continues to showcase his music and share his stories while championing Filipino music in every stage and space he performs. Beyond intimate shows and music festivals, he has performed abroad in small concerts and shows, particularly in the US and Australia. He has also performed and worked alongside some of the icons and legends of the Philippine music industry, including Nyoy Volante, Ebe Dancel, Johnoy, Rivermaya, and Noel Cabangon, among others.

Source: Nyou