Mt. Lewis Time Travels Back to the 90s in playful new song, “Kung Ayaw Mo”

Photo by JL Gaddi

MANILA, PHILIPPINES—Smooth rock four-piece band hailing from Angeles, Pampanga, Mt. Lewis takes us back to the 90s with their new vibrant and light track titled “Kung Ayaw Mo”—released on September 25 via Offshore Music.  

After a year since July, Mt. Lewis finally released a fresh new song following their synth-rock fusion single “Kidlat”. Still carrying that same electrifying feeling, “Kung Ayaw Mo” differs slightly as it leans towards a more coy and quirky tone, specifically describing that stage in a budding relationship where uncertainty and misunderstandings can be settled with playful banter as heard in the lyricism and instrumentation of the song.  A “suyuan” anthem, if you will. In the words of Lewis Tiongco, lead guitarist and vocalist of the band, they were inspired by watching old comedy films when they were younger, cramped inside someone’s house and just shooting the breeze as a classic Pinoy comedy film plays in the background. They intend “Kung Ayaw Mo” to have that same warm and vibrant energy to every listener, as if they too were watching a 90s comedy film. “For this particular track, we can also say that we were inspired by “Di Bale Na Lang” by Gary V. It was one of those songs that helped us visualize the kind of fun and playful Filipino pop sound we wanted to explore,” Tiongco shares, giving flowers to “Mr. Pure Energy” himself. 

“Kung Ayaw Mo” by Mt. Lewis official artwork

Speaking of energy, Lewis also opens about the band exploring the lighter side of their sound in this new single by highlighting the usage of an acoustic guitar as the main body of the music to push the weightless texture forward. “This release definitely reveals the band’s quirkier side, both musically and in terms of our personality,” says Tiongco.Support Mt. Lewis everywhere and every time by streaming “Kung Ayaw Mo”, out now on all digital streaming platformswith a music video to premiere on October 9 via the Mt. Lewis YouTube channel.

About Mt.Lewis

Currently making a splash in the local Philippine music scene is Mt. Lewis, a four-man band from Angeles City, Pampanga, whose music draws inspiration from the likes of PREP, John Mayer, Phoenix, The 1975 , and other notable acts. Their music, perfect for proms and late-night drives, has a lively and energetic feel to it.

Composed of Lewis Tiongco on lead guitar and vocals, Gael Santos on drums, Brian Macapagal on bass and backing vocals, and Heinrich Bernabe on keyboards/synths and programming, the band has been captivating audiences since their formation in 2017.

Mt. Lewis has earned a reputation as a crowd favorite, thanks to their catchy hooks, relevant lyrics, and impressive guitar solos that are sure to melt your heart. Their camaraderie as a group is also a defining feature of their music. They have released several tracks, including "Cold Misty Road", "Bitin", and "Marry Go Round", which have gained a loyal following not just in the Philippines but in other parts of the world as well.

The band regularly performs in Manila and Pampanga and has played at various festivals and events, such as the Tigtigan Terakan Keng Dalan Festival, University Days at Holy Angel University, Fête de la Musique Pampanga Main Stage, and the Oddisee Music Festival in Clark City. Mt. Lewis released their major body of work Citrine EP last February 2024, containing its lead single hit ‘Arsonista’, as they joined with Offshore Music Philippines.

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IG: https://www.instagram.com/mtlewis_

 Source: Nyou

Offshore Music marks a decade of independent spirit with “A Decade of Good Noise”

The Ely Buendia-founded independent label brings together a generation-spanning roster of OPM artists for a milestone celebration on November 21 at 123 Block, Mandaluyong City

MANILA, Philippines — Offshore Music celebrates its 10th anniversary with Offshore Music Turns 10: A Decade of Good Noise, happening on November 21, 2026, at 123 Block in Mandaluyong City.

The special event honors the independent record label’s contribution to OPM, featuring an impressive selection of Filipino artists for a night of live performances, community, and creative expression. Designed around a street-style fiesta theme, the event will include performances, booths, and activities that showcase the vibrant culture at the heart of Offshore Music.

The anniversary lineup features performances from its current roster of acts, ena mori, ALYSON, Ligaya Escueta, neytan, Sexy Jay, and Carousel Casualties, alongside collaborators and previous partners, Pinkmen, Apartel, the funk-jazz fusion band that inspired the label’s beginnings, and pop-rock visionaries, the Itchyworms. The label will share additional announcements and ticketing details through its official channels.

“The roster speaks for itself,” says Ely Buendia, founder and chief executive officer of Offshore Music. “It’s a testament to how well we’ve curated Offshore’s catalog and how well we’ve been able to practice our philosophy. In the end, we want to celebrate by doing what we do best: play music.”

Founded in 2016, Offshore Music began as a creative, independent home for Apartel, with Buendia and Pat Sarabia seeking more freedom to develop and release their music on their own terms. What started as a home for one band has since grown into a respected independent label representing more than 20 artists across a diverse range of genres. With General Manager Audry Dionisio joining the leadership team alongside Buendia and Sarabia, the label has built its reputation on artist-first partnerships, creative integrity, and a willingness to champion music beyond conventional commercial expectations.

According to Dionisio, the anniversary also honors the relationships that the label built and nurtured over the years. “This lineup represents different chapters of Offshore’s ten-year journey. We have artists and collaborators who’ve been with us since the early days, alongside newer acts who represent where the label is today and where it is headed,” she says. “More than anything, it’s a celebration of the music, friendships, and relationships we’ve built over the years.”

The tenth anniversary also comes after a significant year for Offshore Music, which has documented its history and looked ahead to its next chapter. Its five-part Offshore Music PH 10th Anniversary Docuseries, released on YouTube throughout the year, revisits the label’s beginnings, artist-development philosophy, defining decisions, and creative community through archival footage, candid interviews, artist testimonials, and behind-the-scenes accounts.

The label’s recent activities also highlight its commitment to preserving OPM’s musical legacy and championing values that prioritize artists' needs first. Among the year’s releases are ena mori’s six-track EP Ore, which explores independence, uncertainty, and self-definition, and ALYSON’s sophomore album, AFTER OURS, which earned international and domestic accolades. Offshore has also supported Buendia’s solo work, including “Ate,” his collaboration with producer Shadiel Chan, and Method Adaptor, which was released on vinyl, CD, and cassette. The label also remains committed to raising the bar for its archival projects, including the vital vinyl release of the Eraserheads’ Fruitcake album and repressings of Eraserheads’ Ultraelectromagneticpop!.

“Offshore Music started as a creative space for artists to make music freely, without being boxed in,” Dionisio explains. “A lot has changed in terms of how we operate, but the idea remains the same: to support good music, encourage individuality, and help artists grow while staying true to who they are.”

A decade into its journey, Offshore Music continues to show that independence is not just a business model, but a commitment to the people and ideas that give music meaning. With a team of 10 carrying forward that founding ethos, the label’s anniversary celebrates how far it has come and affirms the work it will pursue for years to come.

“We really just wanted to see if there was something we could learn or do by handling our own music,” Buendia reflects. “And then as time went by, we discovered that we could actually be a real place where artists can flourish.”

Tickets to Offshore Music Turns 10: A Decade of Good Noise are available here: https://offshoremusic.helixpay.ph

Source: Nyou

Rol3ert Releases Debut Album "meet me in my head" and Confirms First-Ever Shows in Jakarta and Manila

(Credit: Exciter Records)

Japanese singer-songwriter Rol3ert released his debut full-length album meet me in my head today, October 21. Spanning 14 songs written and sung in both Japanese and English, it turns the emotions and values he has carried up to the age of 20 into music. It brings together fan favourites including "meaning," "savior," "Boy," "Kodoku" and "HOPE" with brand-new songs such as focus track "i won't see you anymore," alongside advance single "With you" featuring Malaysian singer-songwriter and producer Johnson, his first collaboration with a Southeast Asian artist on record.

STREAM "meet me in my head" HERE

The album also marks the start of a new chapter closer to home for Southeast Asian fans. From October 28 to November 1, Rol3ert makes his way to Indonesia and the Philippines, marking his first time performing in either country.

In Indonesia, Rol3ert plays his first-ever show in the country on Wednesday, October 28, with the Rol3ert "meet me in my head" Showcase & Fan Meet at Houma Jakarta, Gunawarman. Doors open at 18:30 WIB and the show runs from 19:00 to 20:30 WIB. He will perform tracks from the album, talk about the songs, and stay afterwards to meet everyone who came. Entry is free, dinner is included, and there is merch to be won on the night. Seats are limited, so RSVP is required.

RSVP to the Jakarta Showcase HERE

In the Philippines, Rol3ert arrives in Manila on Friday, October 30 for promotion. On Saturday, October 31, he performs live at the After Dark Halloween Party at the 4th-floor Garden of TriNoma Mall in Quezon City, his first ever show in the Philippines. The show starts at 19:00 PHT, entry is free, and as with the Halloween theme, fans are welcome to come dressed as their favourite creature from Filipino folklore.

Back home, Rol3ert then plays two headline shows on his Live Tour 2026 "meet me in my head": Osaka's BIGCAT on November 6 and Tokyo's Spotify O-EAST on November 12, with band-set shows he says will feel completely different from his earlier band performances.

meet me in my head is mastered by Mike Bozzi (Bernie Grundman Mastering), whose credits include Childish Gambino's "This Is America," and features a diverse group of producers including Taka Perry, MONJOE, ESME MORI, Michael Kaneko, Yuto Uchino (The fin.) and JUNE. It is also his first release on CD alongside digital formats.

"With you" was written at SONG BRIDGE 2025, a songwriting camp held in Kyoto in May 2025 as part of the MUSIC WAY PROJECT, and is the first international collaboration to come out of SONG BRIDGE. Its music video, featuring Johnson, was shot in Singapore in May 2026 with a local production team.

WATCH "With you" Music Video HERE

Album tracklist

1. Done

2. meaning

3. Boy

4. Aftertaste

5. i won't see you anymore

6. savior

7. Realized

8. Kodoku

9. say my name - album version -

10. sweet tear - album version -

11. With you

12. (how could i be)honest?

13. HOPE

14. dreams

The Southeast Asia trip follows a breakout year. In June, Rol3ert took home the Radio Rising Artist of the Year award at MUSIC AWARDS JAPAN 2026, and on Spotify, Taipei has overtaken Tokyo as his No. 1 city in the world by listeners. It is a chance to bring that growing overseas response face to face with fans in Jakarta and Manila.

About Rol3ert

Born in the United States in 2005 and raised in Japan, Rol3ert debuted in 2025 with a cross-cultural sound blending English lyricism and J-pop-influenced melodies. Over the summer of 2025, he performed at major festivals including FUJI ROCK FESTIVAL '25 and SWEET LOVE SHOWER 2025, and in October was honoured with the Best Breakthrough Artist award at the Tokyo Alter Music Awards.

Following viral covers surpassing 4 million views, he broke through with "(how could i be) honest?" and "savior," which was selected for Spotify's New Music Friday in 22 countries. In 2026, Rol3ert was selected for Spotify Japan's RADAR: Early Noise 2026, named one of Japan's 25 representatives in Rolling Stone's global "Future of Music" project, chosen for "SPACE SHOWER NEW FORCE," sold out his headline show at Shibuya WWW X, and received the Rising Radio Artist of the Year Award at MUSIC AWARDS JAPAN 2026. He also performed at SUMMER SONIC 2026 in Tokyo and Osaka, and overseas in South Korea, Singapore and Taiwan.
 

With a growing listener base across Southeast Asia including Indonesia, Thailand, the Philippines, Malaysia and Singapore, Rol3ert is now bringing his music to the region in person for the first time.

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Singaporean Indie Artist-Producer hongjoin Expands Debut Album Era With 'CLOCKWORK (Deluxe)', An Extended Edition Of His First Full-Length Album

LISTEN HERE

October 19th, 2026 - Philippines — Singaporean Brooklyn-based artist-producer hongjoin returns with 'CLOCKWORK (Deluxe)', marking the next chapter of his debut album era and further expanding the world first introduced with the original release of 'CLOCKWORK'. Fans can listen to the new album HERE. 

Serving as both an extension of the 'CLOCKWORK' era and a statement of momentum for what's to come, 'CLOCKWORK (Deluxe)' pushes the project forward with new perspectives while maintaining the emotional and sonic identity that made 'CLOCKWORK' such a distinct introduction. Featuring three new tracks, the expanded release builds on the album's themes of identity, ambition, relationships, and personal growth, showcasing hongjoin's genre-blurring production, sharp songwriting, and fully self-directed artistic vision. It offers longtime listeners a deeper look into the world he has built, while introducing new audiences to his evolving sound and artistry.

Released in June, the original 12-track album 'CLOCKWORK' unfolds across the hours of a clock face, with each song representing each hour. Balancing time's mechanical precision with love's ability to transcend it, the album moves between euphoric highs and contemplative lows, capturing the distinct moods and shifting emotions that define the nonlinear journey through love.

Earlier in July, hongjoin hongjoin marked a major milestone with his biggest headline show to date at Singapore's *SCAPE Ground Theatre, in celebration of the 'CLOCKWORK' album launch. He subsequently joined EJEAN as the opening act for select dates on the artist's US tour, performing in Brooklyn, Vancouver, and Seattle, and is currently taking his headline show to Los Angeles and New York.

A rising name within Southeast Asia's new wave of globally minded artists, hongjoin has steadily built momentum across the region and internationally. He has amassed over 10 million streams on Spotify with his top listeners concentrated across key Southeast Asian markets including #1 Singapore, #2 Taiwan, #3 Thailand, #4 Malaysia, #5 Philippines, and #6 Indonesia. In 2024, he received two accolades from Spotify: Top Artist of Rising 65 and Top 5 Songs of Rising 65 for 'KOMOREBI'. His music has also received coverage from regional publications including The Straits Times, Men's Folio, Esquire Singapore, and Harper's Bazaar Singapore. In 2024, he sold out his homecoming headline show, 'Everything in Between', at the Esplanade Annexe. He has also opened for notable acts including Ricky Montgomery, Charlie Burg, Matt Maltese, Mikayla Geier, PRYVT, grentperez, and more, further underscoring his growing presence on the regional and international live circuit. 

Today, 'CLOCKWORK (Deluxe)' also represents the first full project released with the support of hongjoin's new management team, NINETY8 Management, alongside SoundOn. Together, they are shaping the next chapter of his global career, building on his evolving artistic vision and live momentum to expand his audience across the US, Asia, and beyond.

'CLOCKWORK (Deluxe)' Tracklisting:
1. GET IT
2. Galaxy
3. Tell Me Again

Stream 'CLOCKWORK (Deluxe)'  here
 

About hongjoin
 

hongjoin is a 24-year-old artist born in Singapore and currently based in Brooklyn, New York. A firm believer of the DIY process, hongjoin’s music journey has established himself as a versatile artist capable of fitting his songwriting into a diverse range of genres.

Since being selected as a Spotify RADAR Artist in 2023, hongjoin has found his musical direction and created a name for himself as both a producer and a performing artist. His run of projects — 'Petrichor' (2022), 'F(OOL)'(2023), and 'KOMOREBI' (2024) — showcases his evolving sound and artistic identity. He was also named a Top Artist in Spotify's Rising 65, with 'KOMOREBI' earning a Top 5 placement in 2024. Further expanding his global footprint, hongjoin has also signed an album deal with TikTok's US distribution label, SoundOn.

Deeply connected to his Singapore roots, hongjoin frequently collaborates with local artists, including zzzat, Marian Carmel, and RENE. Most recently, he teamed up with viral breakout artist Regina Song on the self-produced indie rock track "i don’t rly care bout u!", which has since amassed over 1.47 million streams.

With a loyal and growing Gen Z fanbase, hongjoin has built a strong live presence across Southeast Asia and the US. With four album launch shows in Singapore under his belt, hongjoin has also performed at local festivals including Majulah Fest 2023 and MYBeats Festival 2024. Beyond Singapore, he has opened for globally recognised artists and headlined his own shows in Los Angeles and New York. A regular on the US college circuit, he frequently performs across both coasts, where Asian student organisations spotlight emerging Asian artists, further cementing his position as a rising voice bridging Southeast Asia and the global stage.

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Estelle Fly brings club-pop nostalgia and playful swagger to new single ‘Shut It Down’

Singaporean pop artist Estelle Fly returns with ‘Shut It Down’, a playful club-pop single about switching off the overthinking and making the dance floor your own. Inspired by the Rihanna and Kesha songs she used to get ready and go out to, the new release is an invitation to let loose, dance with friends and have fun even when life feels complicated.

‘Shut It Down’ is about the nights when friends persuade you to stop overthinking and go out. Instead of waiting for a text or checking your phone, it is an invitation to get dressed, feel good and spend the night dancing. As Estelle puts it: “Your problems will still be there tomorrow, but you deserve to enjoy yourself tonight.”

Listen to Estelle Fly’s ‘Shut It Down’ here

“I’ve always loved singing and dancing, so making a song like this feels very natural to me,” says Estelle. “I love the club songs from Rihanna and Kesha that we used to get ready and go out to, and I still listen to them now. I wanted to make something that gives me that same excitement, and let myself have a bit more fun with my music.”

That spirit carries into a chorus conceived for listeners to join in, with an attitude Estelle describes as playful and a little bratty. Drawing on the club-pop nostalgia she loves, ‘Shut It Down’ gives her room to bring singing, dancing and her own personality together.

“I wanted that feeling where you might be quite shy normally, but once this song comes on, suddenly the world disappears and the dance floor is yours,” she says.

Asked what she hopes listeners will feel, Estelle’s answer is simple: “Honestly, a little hotter than they did three minutes ago.”

“We spend so much time trying to have everything together. Sometimes you need to sing too loudly, dance with your friends and remember that you’re allowed to have fun even when life is complicated.”

‘Shut It Down’ follows Estelle’s July single ‘Bury it’ and is available to stream now.

Estelle Fly is a Singaporean pop artist whose work spans music, dance and acting. Having performed as an idol before establishing herself as an independent soloist, she released her EP ZONE and performed at Waterbomb Singapore in 2025. In 2026, she was selected as a Spotify RADAR artist.

INSTAGRAM | TIKTOK | SPOTIFY | APPLE MUSIC

Source: Nyou

One of the UK’s finest young songwriters Rachel Chinouriri presents her new album, 'I think I spoke too soon'

LISTEN HERE

Photo Credit: Yana Van Nuffel

“Every pop star’s favourite UK pop star... she’s poised to join her fans Olivia Rodrigo and Florence Welch at pop’s top table" – The Guardian

“I think I spoke too soon remains a fascinating portrait of both an artist and a person that are in flux together” – Rolling Stone UK, 4*

“Never one to be put in a box, she’s changing tack once again with album two, I think I spoke too soon,
which is capital P pop music... Disco guitar dances alongside heartbeat drums, yet something melancholy lingers in the space between them” – London Standard

October 16th, 2026 – Indie-pop singer-songwriter Rachel Chinouriri has released her second studio album, ‘I think I spoke too soon’, via Atlas Artists / Parlophone Records. Fans can stream the album here and watch the music video for the focus track here.

The album’s focus track, “Pretty girls”, is a track celebrating women, self-confidence, and the freedom to express oneself without fear of judgement. Speaking about the track, Rachel shares: “"Pretty girls" is the anthem for all women wanting to express who they are with the freedom to not be judged. When I say all women I mean it. Straight women, queer women, trans women, masc women, non binary people and anyone who supports the girls. I have a deep love and admiration for beautiful women including myself and I’m glad I have a song that represents that confidence for me and hopefully many other pretty girls”.

Accompanying the track is a music video directed by Dora Paphides, which serves as a euphoric ode to the magic of womanhood. Embracing themes of self-expression, embodiment, and freedom, the visual captures the confidence and joy at the heart of “Pretty girls”, bringing its celebration of women and individuality to life.

Rachel Chinouriri - "Pretty girls" (Official Music Video)

Featuring the previously released singles “One song away from crying”, “Make believe" and “Broken chair”, ‘I think I spoke too soon’ expands upon the intoxicating alchemy of pop, indie and rock influences that Rachel has long used to sketch portraits of her inner world that are both dynamic and deeply intimate.

The resulting project is an absorbingly vulnerable study into unpicking those tensions: between the internal and the external, our thoughts and our actions, who we are versus who we want to be. In many ways, this album is Rachel’s offering of loving permission; permission to fall and to get back up, to change, question, learn and grow in the face of the messy, beautiful reality of ongoing personal evolution. “My core thing is you can change who you are at any moment and you can forgive yourself at any moment,” she says. “And I think forgiving yourself is the first step in becoming a better person”.
 

'I think I spoke too soon' Tracklisting
1. One song away from crying
2. Pretty girls
3. Baby steps
4. Favourite desperation
5. I’m a star
6. AAAHHH!!!
7. Broken chair
8. Shiver
9. Make believe
10. Parasite
11. The good fight
12. Crash this car

Listen to 'I think I spoke too soon' here
Watch the music video for "Pretty girls" here

About Rachel Chinouriri

Rachel Chinouriri has long cemented her reputation as one of the UK’s finest young songwriters, a breakout voice leading the charge for a new wave of indie pop stars with a flair for tender-hearted, perceptive lyricism and vivid sonic worldbuilding. The release of the London-born and based artist’s 2024 debut album 'What A Devastating Turn of Events' led to two BRIT Award nominations - Artist Of The Year and Best New Artist - following prior Ivor Novello Award and BBC Sound Of nominations. Rachel was a recent recipient at the O2 Silver Clef Awards. With her fiercely loyal fanbase the ‘Darlings’ behind her, Rachel has clocked up over 500 million global streams to date. She has been praised by the likes of British Vogue (“Chinouriri is leading the indie pop renaissance”), The Observer ("brimming with fresh ideas"), NME (“consistently charming”), GQ (“Chinouriri is set to dominate”), BBC Radio 1, and has appeared on Later... With Jools Holland, SNL UK
and more.

2025 saw Rachel continuing to ascend with a prominent support slot on Sabrina Carpenter’s UK + Europe Short n’ Sweet arena tour, a sold out and upgraded debut US headline tour, plus her first headline show in Brazil. She also released her 'Little House' EP and featured on Pink Pantheress’ rework of "Romeo", with previous collaborators including Sombr, Cat Burns, Alemeda and more.

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ZARA LARSSON SHINES WITH “BLUE MOON”

WATCH HERE & LISTEN HERE

(October 16, 2026) As the Midnight Sun sets, the “Blue Moon” rises as GRAMMY®-nominated pop superstar Zara Larsson unveils the highly anticipated music video for “Blue Moon,” an exciting new extension of the Midnight Sununiverse and a tribute to the album that has defined a career-changing year for the global pop sensation.

Directed by Charlotte Rutherford, the official video follows Zara as she finds herself alone in a desolate parking lot at dusk. As night falls, she breaks into a show-stopping performance and the ordinary landscape transforms into a vibrant, surreal world filled with fantastical creatures, vivid colors, and dynamic choreography. Blurring the line between reality and fantasy, the video captures the dreamy, escapist spirit of “Blue Moon” while showcasing Zara’s signature performance style. 

Watch the video here.

Zara first gave fans a glimpse of the “Blue Moon” music video during the second of her two sold-out shows at Los Angeles’ iconic Greek Theatre last month, leaving fans clamoring for more. Last week, she offered another tease during an appearance on Las Culturistas with Matt Rogers and Bowen Yang, where she described “Blue Moon” as the “sister” to “Midnight Sun” — further underscoring the connection between the two. 

The striking visual arrives nearly one year after the release of Midnight Sun. Since the album’s release, Zara Larsson has been on an unstoppable global run. From earning aGRAMMY® nomination for the album’s explosive title track and scoring her first-ever Billboard Hot 100 Top 10 with PinkPantheress on “Stateside,” to taking home two American Music Awards forBreakthrough Album of the Year and Collaboration of the Year and earning five MTV Video Music Award nominations for “Stateside.” Larsson also expanded the Midnight Sun universe with Midnight Sun: Girls Trip, an all-star remix album featuring Kehlani on the “Blue Moon” remix alongside Shakira, Robyn, Tyla, PinkPantheress and more, further cementing her place as a force in today’s global pop scene.

In 2026, Larsson continued her global takeover on the live stage, embarking on her sold-out U.S. headlining tour this spring before bringing theMidnight Sun era to stages across the globe this summer. Her festival run included standout performances at BBC Radio 1 Weekend and Lollapalooza, where she drew one of the largest crowds of the weekend and the largest U.S. crowd of her career. She is currently on the road with her Midnight Sun tour in Australia, with stops in Melbourne, Sydney and more before bringing the tour to the Philippines and Thailand. 

With “Blue Moon,” Zara continues to build on the world of Midnight Sun, celebrating an album that has propelled her career to new heights while offering fans a fresh perspective on the era. A natural evolution of the album’s universe, “Blue Moon” brings the Midnight Sun journey full circle.

Listen to “Blue Moon” here.

Download hi-res press image here

Credit: Charlotte Rutherford

About Zara Larsson

“Summer isn’t over yet” is more than a lyric from Zara Larsson’s perennial hit “Midnight Sun” — it’s a statement of purpose. A decade after dropping her first international single, 2015’s “Lush Life,” the GRAMMY-nominated Swedish sensation is taking her rightful place in the zeitgeist as a Main Pop Girl. In 2026, while her sold-out tour raged onward, she lodged three songs in the Hot 100: the recently viral “Lush Life” (#35, video nearing 1B views), “Midnight Sun” (#39), and PinkPantheress collab “Stateside” (#6, and #1 on the Global 200). All of that followed hot on the heels of Midnight Sun, Zara’s fourth, truest, and most vibrant album to date, made with a tight trusted team (MNEK, Margo XS, Helena Gao, Zhone) and unafraid to show all sides of the star: lovestruck, wistful, ambitious, flippant, fun, uncertain — often in the same breath. If that radiant LP was inspired by the feeling of an endless summer night in Stockholm, then the globe-trotting remix album, Midnight Sun: Girls Trip, is what happens when that night rolls into an infinite season of pure pop energy where everyone is invited. For the reinvented set, Zara opens up her acclaimed album and shouts, “GET IN, GIRL!” to a worldwide all-woman lineup including icons like Shakira, Robyn, Tyla, Kehlani, PinkPantheress, JT, and more. The collection crosses borders, genres, and vibes for a series of unforgettable musical moments of authentic self-expression, diverse artistry, and total hands-up, top-down, open-air freedom.

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Thai singer, rapper and actor SVRN introduces a fun and groovy single, "ONE THING I CAN'T LIVE WITHOUT"

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October 16th, 2026 – Artist, actor, and performer SVRN unveils “ONE THING I CAN’T LIVE WITHOUT”, a vibrant, feel-good track that blends contemporary pop with the groove of disco R&B to create an upbeat, dance-driven sound that invites listeners to move along. Fans can listen to the song here and watch the music video here.

If you were asked to name one thing you couldn’t live without, what would you say? For many, “money” might be one of the first answers that comes to mind. In “ONE THING I CAN’T LIVE WITHOUT”, money is explored as an everyday force that drives people forward and inevitably plays a role in their lives.

Beyond this interpretation, the song tells a story through the relationship between two people. The woman in the narrative can be understood metaphorically as “money”—something we desire, depend on, and sometimes find difficult to escape. Through themes of attraction, dependence, and the struggle to let go, the song offers another layer of meaning for listeners to uncover and interpret through their own experiences.

The track originated from a songwriting camp featuring SVRN, Josh Cumbee, and Gaston Pong, with Gak Mook-Ek serving as executive producer. Developed collaboratively from the ground up, the song took shape through experimentation, improvisation, and the exchange of ideas in the studio. From sound design and sampling to the finer details of the production, every element emerged from the creative process that day, capturing the spontaneity and energy of the collaboration.

Musically, “ONE THING I CAN’T LIVE WITHOUT” draws inspiration from the sound and atmosphere of Pop music in the 1980s and 1990s, when the genre continued to evolve into a musical language capable of reaching wider audiences. SVRN and the team also envisioned the track as something akin to a classic painting in a museum—a work that captures attention at first glance but reveals new details and stories the longer you spend with it. The aim was to create something timeless, with the individuality and depth to connect with listeners across generations.

With this in mind, the song was crafted to make an immediate impression, whether through its infectious rhythm, distinctive sound design, or accompanying visual narrative. Yet beneath its accessible, upbeat surface lies a deeper message that may reveal itself with each subsequent listen: everyone has their own “one thing” they cannot live without, and the answer may be different for each person.

This concept extends into the music video, which takes the form of a dance performance video set against a backdrop inspired by nightlife and places associated with vice. The setting brings to life a world in which money is one of the driving forces behind people's actions and ambitions. The choreography was created by the Harlemshake team in collaboration with a choreographer from Japan, adding another dimension to the track's energetic and performance-driven identity.

SVRN - "ONE THING I CAN'T LIVE WITHOUT" [Official Music Video]

More than simply complementing the song's upbeat sound, the performance expands on its central idea: everyone is chasing something they believe they cannot live without, whether it is money, love, success, happiness, or something else that gives their life meaning.

Ultimately, “ONE THING I CAN’T LIVE WITHOUT” does not offer a definitive answer. Instead, it invites listeners to reflect on their own desires, dependencies, and priorities—and ask themselves:

What’s the one thing you can’t live without?

Stream “ONE THING I CAN'T LIVE WITHOUT” here
Watch the music video here

About SVRN

SVRN (read: Sovereign) is an artist and performer creating music from instinct—where emotion leads, and everything else follows. As a solo artist, focusing on the process of shaping feeling into sound. His work blends cinematic pop with performance-led composition, built through rhythm, phrasing, and control. He is closely involved in the creative process, developing his music from the inside out—where production, vocal, and movement are treated as one continuous expression.

On stage, that same control translates into presence. His performances are defined by precision, restraint, and timing—where every movement, pause, and shift in energy is intentional, turning emotion into something physical and felt in real time. Built with expert collaborators across markets, his work holds a clear standard of quality while remaining grounded in his own perspective. His debut unfolds as a series of interconnected songs, each capturing a different emotional state—introspective, tense, restrained, or released—forming a body of work that feels both personal and open. SVRN builds not around genre, but around clarity—of feeling, of intent, and of self.

FOR MORE INFORMATION
SECRET SIGNALS | GLIIDE

Global pop sensation Tate McRae returns with “Housewife”

New single and music video out now

Watch here

(Download Artwork & Press Photo HERE)

GRAMMY-nominated and multi-platinum selling artist Tate McRae releases her new single “Housewife” alongside the music video via RCA Records. The pop anthem is about a woman who can’t be contained and explores themes of love, fame, and independence. 

The cinematic and playful music video, directed by Pierre-Ange Carlotti, was shot in the south of France and choreographed by Sergio Reis (Madonna, Miley Cyrus, Troye Sivan & Charli XCX). It showcases a glamorous illusion that slowly fades into a quiet ache and the empowering but bittersweet truth that claiming your absolute freedom can sometimes mean sacrificing true love. 

This is the first music release since Tate’s critically acclaimed #1 album So Close To What. This Sunday, Tate is set to perform at the Victoria’s Secret Fashion Show live in Los Angeles. 

Earlier this summer, Tate gave a show-stopping headline performance at both Osheaga and Lollapalooza. The star also recently launched her debut fragrance, TATE 01. Inspired by Tate’s effortless confidence and authentic style, TATE 01 introduces a modern signature fragrance formulated to feel like an elevated second skin. You can purchase TATE 01 HERE. 

(Photo Credit: Pierre-Ange Carlotti)

About Tate McRae:

Global pop sensation Tate McRae has garnered over 29 billion career streams, multiple #1 Top 40 hits, and a #1 album on the Billboard 200 chart. Throughout her career, she has amassed numerous accolades, including two MTV VMAs and three consecutive Artist of the Year wins at the JUNO Awards. In addition to earning the ‘Hitmaker’ Award at Billboard’s Women in Music and the ‘Powerhouse’ Award at Variety’s Hitmakers event, Tate’s impact extends far beyond the award stage. She has graced the worldwide cover of TIME100’s Next issue and became the youngest musician to be recognized on the 2021 Forbes 30 Under 30 list. 

Tate’s #1 RIAA certified 6x Platinum single “you broke me first” has amassed over 2.5 billion streams since its release in 2020. Her debut album, i used to think i could fly, landed at #1 on Spotify’s Global Top Albums Debut Chart and reached the Top 10 in multiple countries. The Calgary native’s certified Platinum sophomore album, THINK LATER, catapulted her into pop stardom. Released in 2023, the album debuted at #4 on the Billboard album chart and features her certified 5x Platinum single “greedy,” which earned the star #1 on the Billboard Global 200 chart, Global Excl. US chart, Spotify’s Global chart, and Top 40 radio.

Last year, she released her critically acclaimed third album, So Close To What, which debuted at #1 on the Billboard 200 chart. The stunning album features tracks “Revolving door” and “It’s ok I’m ok,” both of which hit #1 on Billboard’s Hot Dance/Pop Songs chart.

Tate’s versatility as a performer has captivated audiences around the world. Whether delivering a powerful vocal performance or executing high-energy choreography, she brings a unique blend of artistry and authenticity to every stage. The star’s latest sold-out global Miss Possessive Arena Tour had over 80 dates and a million tickets sold.

Follow Tate McRae:

Official Website | YouTube | Instagram | Facebook | TikTok

Source: Nyou

Third-wheeling gets a soundtrack in Ziv and VVINK’s “Trisikulo”

Inspired by the awkward yet amusing reality of tagging along with couples, the new single pairs infectious pop sensibilities with a relatable question, “Kailan naman ako?”

Photo Credits: Ralph Marco

Manila, Philippines – Award-winning producer, songwriter, and multi-instrumentalist Ziv teams up rising P-pop girl group VVINK for “Trisikulo,” a bona fide bop that turns the familiar third-wheel experience into a euphoric celebration of friendship, longing, and young romance.

Released under Sony Music Entertainment, the track follows Ziv’s previous releases, “Kuryente” and “Walkie Talkie,” and expands his solo offerings with indelible pop sensibilities and deceptively simple production.

Built around a Filipino wordplay that links a tricycle’s three wheels to the feeling of being the extra person in someone else’s love story, “Trisikulo” reflects on wanting companionship and watching the people around you find love.

According to Ziv, the concept comes from a personal encounter, with his third-wheel status becoming a running joke among friends and family. “I wanted to write about something that genuinely reflects where I am in life right now,” he shares. “It's funny because it's genuinely what's happening in my life, but at the same time, I realized there aren't that many songs that talk about the experience of being a third wheel.”

Refusing to lean into melancholy, Ziv pokes fun at the situation while churning out vibrant production to match the track’s energetic vibe. Balancing buoyant melodies with a vulnerable narrative ,Ziv brings together the melodic intricacy of J-pop, the raw energy of J-rock, the polished production of K-pop, and the storytelling sensibilities of OPM, creating a sound that reflects his cross-cultural musical identity. 

The collaboration also highlights VVINK’s versatility as the group continues to establish its presence in the P-pop scene. The all-women group recently won Best Novelty Recording at the 39th Awit Awards for “Baduy,” featuring DJ Love and Pio Balbuena, and Pop Song of the Year at the 2026 Filipino Music Awards for the same track. VVINK is also part of Spotify RADAR 2026.

Talking about the collaboration, VVINK describes the creative process as a natural meeting of distinct personalities and perspectives. “One thing that surprised us was how quickly we clicked. We became comfortable working with each other almost immediately, and everything flowed so smoothly that the creative process felt almost effortless,” the group says..

Co-written by Ziv alongside Paolo Benjamin Guico of acclaimed Filipino folk-pop band Ben&Ben and Angelika Samantha Ortiz, one of the songwriters behind BINI's hit “Pantropiko,” “Trisikulo” brings together distinct creative perspectives. Ziv also serves as the track's producer, with mixing by Jacques Jenkins and mastering by Luna Tebbs.

Bringing the song’s offbeat premise to the screen, stay tuned as Ziv and VVINK release the upcoming official “Trisikulo” music video via their respective YouTube channels.

Ziv and VVINK’s “Trisikulo” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

Multi-Platinum Singer-Songwriter & Multi-Instrumentalist Rex Orange County Shares Third Single Off Forthcoming Album, "Hannah Montana", New Album 'Dream Fatigue' Due Out Nov 6th

LISTEN HERE

NEW ALBUM 'DREAM FATIGUE'
DUE OUT NOV 6TH

PRE-SAVE HERE

Photo Credit: George Muncey

October 16th, 2026 - Philippines — Following the announcement of his new album 'Dream Fatigue' arriving on November 6th, multi-platinum artist Rex Orange County shares the third offering from the forthcoming project, "Hannah Montana". Fans can stream the new single HERE and pre-save the album HERE.

"Hannah Montana" sees the singer-songwriter and multi-instrumentalist collaborating with Swedish composer and producer Simon Hessman (Yung Lean, 21 Savage). Alongside the new single is a music video directed by Rhys Scarabosio, which captures Rex finding peace in the wild of Montana amongst horses. The visual complements the song's lyrics, which reflect on feelings of longing and the lingering weight of a relationship left unresolved.

Rex Orange County – "Hannah Montana" (Official Video)

'Dream Fatigue', which will also include the previously shared tracks "Grandma Song" and "Indecision"(feat. Daniel Caesar), is co-executive produced by Mustafa and Dylan Wiggins (Rosalía, Justin Bieber), and features contributions from Turnstile's Brendan Yates, Dev Hynes, Daniel Caesar, Mustafa, dexter in the newsagent and Taylor Skye of Jockstrap. Moving beyond autobiography, the album follows a protagonist who adopts different personas in an attempt to win over the girl he loves, an idea reflected in playful song titles including "Hannah Montana", "Iron Man", and "Elvis", ultimately giving it its name. "This guy is tired of dreaming and becoming all these people in the pursuit of that dream," explains Rex. As evidenced by its impressive list of collaborators, the album represents a shift away from the reclusive manner in which the British artist has historically made his bodies of work and showcases the manner in which his greatest strengths are highlighted through embracing community. "To let people in is to let them take the thing out of you as well," he says of how collaboration has only strengthened his sound.

That community has been on full display over the past few weeks, which have seen Rex and Brendan Yates debut the album cut "Elvis" at an intimate underplay performance at London's Village Underground, just ahead of All Points East in late August. At All Points East, Rex brought out Ravyn Lenae to perform the remix of her hit song, "Love Me Not", before joining Tyler, The Creator the following night for "Boredom" from 'Flower Boy'. Days later, Daniel Caesar invited Rex onstage at his sold-out O2 Arena show to perform "Indecision", the first taste of 'Dream Fatigue', released in August.

Over the summer, Rex started a series of intimate fan house shows across the UK, Ireland, and Southeast Asia, giving fans the rare opportunity to curate their own setlists from nearly a decade of music while offering an early glimpse into what's next. In Southeast Asia, the shows quickly went viral, sparking a wave of fan excitement and social buzz across the region, with stops in Kuala Lumpur, Singapore, Manila, and Jakarta, alongside headline performances at LaLaLa Festival in Manila and Jakarta.

Across a career spanning multiple acclaimed albums, global tours and a devoted international audience, Rex has built a reputation for making music that feels both deeply personal and immediately universal. That connection runs particularly deep in Southeast Asia, with #2 Indonesia, #3 Philippines, and #4 Malaysia ranking among his biggest global markets, while Singapore and Thailand also rank among his top streaming cities worldwide. On 'Dream Fatigue', Rex brings all of that experience into sharper focus, delivering a record that strips away the noise and leaves the songwriting front and centre.

'Dream Fatigue' Tracklisting:
1. Penelope
2. Elvis (feat. Brendan Yates)
3. Handsome
4. Grandma Song
5. Hannah Montana
6. Iron Man
7. The Colosseum (feat. Mustafa)
8. Boyfriend
9. Empty Stage
10. Indecision (feat. Daniel Caesar)
11. Roleplay
12. Dream Fatigue

Stream "Hannah Montana" here
Watch the official video here
Pre-save 'Dream Fatigue' here
 

FOR MORE INFORMATION
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FOLLOW REX ORANGE COUNTY

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RIOT GAMES’ VIRTUAL COLLECTIVE TRUE DAMAGE RETURNS FOR THE 2026 LEAGUE OF LEGENDS WORLD CHAMPIONSHIP ANTHEM

“KNOW MY NAME” OUT OCTOBER 8 

Featuring SOYEON of i-dle, Coco Jones, Vic Mensa, and Sofía ReyesLive Performance at the Worlds 2026 Opening Ceremony, presented by Mastercard in New York on November 14 at Barclays Center

TRUE DAMAGE PRESS IMAGE - DOWNLOAD HERE

LOS ANGELES - Riot Games has announced the return of League of Legends’ virtual hip-hop collective True Damage, who will perform the 2026 League of Legends World Championship Anthem, “Know My Name” (Riot Games/Virgin Music Group). The track marks the 13th Worlds Anthem to date and will be available across all major streaming platforms beginning Thursday, October 8 at 6:00pm PT, alongside the premiere of the official music video on the League of Legends YouTube. Pre-save for the track is available HERE.  

True Damage is a boundary-pushing hip-hop collective in the growing roster of groundbreaking virtual artists within the iconicLeague of Legends IP. The collective brings together five beloved in-game champions as artists, each bringing their own distinct sound, style, and global influence: Akali (rapper), Ekko (rapper), Qiyana (vocalist, rapper), Senna (vocalist), and Yasuo (DJ, producer).

“Know My Name” marks True Damage’s first release since their 2019 breakout single, “GIANTS,” which has amassed over 230M streams across all platforms. In the years since, the members have pursued their own creative paths, buildingindividual identities and influences outside of the collective. Now, they reunite to celebrate the ambition, individuality, and competitive drive at the heart of Worlds and the journey required to reach its biggest stage.

After record breaking years collaborating on the anthem with global artists including New Jeans, Linkin Park, and Chinese superstar G.E.M., this marks the first time one of Riot’s virtual artists will take on the anthem. Each member brings their own background and influence to the collective, creating a sound that is globally inspired yet uniquely True Damage. Bringing together raw grit, global culture, and an evolved hip-hop sound, “Know My Name” channels the energy of competition and the relentless drive to reach the top. True Damage returns not for fame, but for impact, delivering a Worlds anthem that celebrates the diverse paths players take to make their name known.

An all-star lineup of global artists brings True Damage to life for their 2026 return: SOYEON of i-dle returning as Akali, Coco Jones as Senna, Vic Mensa as Ekko, and Sofía Reyes as Qiyana. 

“The Worlds anthem is the music moment that League players look forward to the most each year, and with Worlds coming to New York this year, True Damage felt like the perfect artist to take on the anthem“ said Maria Egan, Global Head of Music at Riot Games. “Much like our host city, True Damage has always been about bringing together distinct voices, styles, and cultures to create something unique and bigger than the sum of its parts. That spirit feels especially fitting for Worlds, where the best teams and players from around the globe come together to make their mark. For our most dedicated players and esports fans, the League Champs in our virtual bands are the superstars they most want to see on the Worlds stage.”

“It’s such an honor to be part of True Damage again, especially for this year’s Worlds anthem,” expresses SOYEON who returns as the voice of Akali. “I can't wait to see the reactions of League's fans when they hear the song. I'm really excited to create an amazing opening ceremony with all the League players and fans.”

"I'm so excited to be stepping into the League of Legends universe with True Damage alongside Vic Mensa, Sofía Reyes, and SOYEON,” shares Coco Jones. “I absolutely love finding new ways to connect with people through music, and this collaboration is unlike anything I've done before, so it’s major. Riot has really created this incredible world where music and storytelling come to life, and being able to bring my own style and energy into that has been so much fun.”

“League of Legends is a behemoth franchise that’s producing some of the largest events in the world, so I’m excited to join the universe,” adds Vic Mensa. “I had a lot of fun stepping into Ekko’s world, diving into his story, and finding ways to bring some of that into my verse. I can’t wait for fans to hear the track and see what we’ve created.”

“I think this is an incredible opportunity to grow, connect with new people, and experience new cultures. It has been such a unique experience, and hearing so many different languages come together in one song is beautiful,” says Sofía Reyes. “It also brought out a fiery side of me that you don't usually hear in my music, so I hope you enjoy it! It's truly an honor to be part of something so big.”

The artists collaborating on True Damage include:

● SOYEON - Rapper and lead producer of multinational five-member group i-dle. In addition to establishing i-dlewith chart-dominating EPs and singles, SOYEON has also embarked on solo ventures since 2021 and has played a prominent role in Riot’s virtual groups K/DA and True Damage.

● Coco Jones - GRAMMY Award Winning multi-hyphenate singer/songwriter and actress who has captivated the world with her timeless artistry, sensual voice, and emotive songs to become R&B’s breakout artist.

● Vic Mensa - GRAMMY-nominated musician, actor, entrepreneur, and philanthropist from Chicago whose work spans music, film, business, art, and advocacy.

● Sofía Reyes - Mexican singer-songwriter and actress who has established herself as one of the leading voices in contemporary Latin pop, recognized for her distinctive sound, artistic versatility, and global approach to music.

The League of Legends World Championship, also known as Worlds, is the pinnacle of LoL Esports competition in which the top teams from diverse regions compete for the world champion title. Held after the culmination of the regular season in a different host region each year, qualified teams from professional leagues around the world participate in the month-long tournament. It’s among the largest and most popular gaming and sporting events in the world.

This year, Worlds will take place in the United States with the Play-In Stage beginning October 15 in Los Angeles. True Damage will perform at the Worlds 2026 Opening Ceremony, presented by Mastercard taking place November 14 at Barclays Center in New York.

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ABOUT RIOT GAMES

Riot Games was founded in 2006 to develop, publish, and support the most player-focused games in the world. In 2009, Riot released its debut title, League of Legends, which has gone on to be one of the most-played PC games in the world. In the years since, Riot has released VALORANT, Teamfight Tactics, Legends of Runeterra, League of Legends: Wild Rift, Riftboundand 2XKO. Riot’s titles have led to the creation of some of the most-watched and widely recognized esports in the world, culminating in events like the League of Legends World Championship, VALORANT Champions Tour (VCT) and the TFT Open, which are watched by millions of fans each year. Riot has also expanded its IP through multimedia projects across music, comic books, board games, and Arcane, its Emmy-winning animated series.

ABOUT RIOT GAMES MUSIC

Riot Games Music (RGM) builds on Riot Games’ global fandom at the intersection of gaming and music, creating original music, artist partnerships, and experiences that deepen the connection between players and Riot’s IP. Its catalog of over 1,500 songs has generated over 16 billion lifetime streams and reaches more than 50 million monthly listeners across streaming platforms.

RGM is behind some of gaming’s most recognizable moments, including twelve original League of Legends World Championships anthems featuring superstars Linkin Park, New Jeans, Lil Nas X, Imagine Dragons, Zedd and many more. RGM is also a leader in virtual artistry including artists like record breaking K-Pop inspired girl-group K/DA, heavy metal band Pentakill, hip-hop collective True Damage, DJ Sona, and Seraphine. 

Beyond League of Legends, RGM continues to expand the music footprint of other Riot Games titles, including VALORANT, through original music and live experiences, working with artists such as KATSEYE, Audrey Nuna, Oli Sykes (Bring Me The Horizon), Courtney LaPlante (Spiritbox), Grabbitz, bbno$, and more. Music partnerships also extend into film and television through Emmy-award winning series Arcane, whose Season 2 soundtrack has generated more than 6.5 billion global streams and featured collaborations with Twenty OnePilots, Stromae, Stray Kids, Young Miko, and more. 

ABOUT LEAGUE OF LEGENDS

Released in 2009, League of Legends is Riot Games' debut title and one of the most-played competitive games in the world, engaging millions of players daily in 20+ officially-supported languages. A mainstay of the MOBA genre, in League, two teams of five powerful champions face off to destroy each other's base in a game that blends the speed, strategy, and intensity of an RTS with immersive RPG elements. 

League continues to evolve year over year in gameplay and storytelling, delivering fresh new experiences like K/DA, immersive stories like Star Guardian and Spirit Blossom, and technical balance changes to ensure competitive integrity. As the basis for the Runeterra universe, League champions have been featured in music, comic books, spinoff games, collectible figurines, board games, TV series, and more. The annual League of Legends World Championship is the most widely viewed esport tournament, and is among the largest and most popular sporting events in the world. 

Visit leagueoflegends.com for more information and follow @leagueoflegends on social media. 

SEA MEDIA CONTACTS 

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Ben&Ben’s Leaves (Reimagined) submitted for 2027 Grammy Awards consideration

The song carries special meaning for the band and its millions of followers, with its message of healing, forgiveness, and second chances

Ben&Ben plays to a sold-out Smart Araneta Coliseum at their Saranggola: The Concert where Leaves (Reimagined) was part of the setlist (PHOTO BY: JAIRA MOLO)

14 October 2026 — Multi-awarded folk-pop band Ben&Ben has submitted Leaves (Reimagined) for consideration at the 2027 Grammy Awards under the Best Pop Duo/Group Performance category.

According to the band, bagging a Grammy Award has always been one of their dreams. They are thankful to be given the chance to take the first step toward this dream through the submission of Leaves (Reimagined) for consideration of the Grammy organization’s voting members.

Leaves (Reimagined) holds special meaning for Ben&Ben frontman Paolo Benjamin, who wrote the song, as it has helped him make sense of and overcome past hurts. 

“Someone very close to me in the past hurt me in a very unexpected way, and I was faced with the choice to forgive or part ways. I chose to forgive,” he reveals. “This song will always hold deep meaning for me. It has been God’s way of saving me from my darkest thoughts countless times in the past, until now.”

“I hope that this grown-up version of the song will make people realize that forgiveness is an act that sets ourselves free, even if it’s extremely hard to do sometimes. Because as the new version says, it’s those closest to us that can hurt us the most. I hope that it encourages people to never give up on selflessly loving, even if it can get painful,” he adds.

The submission was made via the band’s label, Sony Music Entertainment Philippines. First Round Voting runs from October 12 to 22, and will determine the nominees across 100 categories. The official nominees will be announced on November 16, with the 2027 Grammy Awards taking place on February 7, 2027.

Ben&Ben recently released Nine, an album that they described as a love letter to their listeners and a celebration of their friendship. It features nine tracks, including reimagined versions of songs from the different stages of their journey together, including Leaves (Reimagined), as well as 2026 hit Saranggolaand new song Harinawa.

The band played all tracks from Nine at their sold-out Saranggola: The Concert at the Smart Araneta Coliseum earlier this month.

Source: Nyou

TROYBOI AND FABIAN MAZUR TEAM UP ON HEAVY-HITTING TRAP SINGLE “SHOULDER LEAN”

TroyBoi and Fabian Mazur link up for "Shoulder Lean," a filthy, slow-tempo trap heater out October 9 via Ultra Records. 

LISTEN HERE

As dance floors get flooded with faster rhythms, TroyBoi and Fabian Mazur are making a strong case for taking things down to a slow, heavy crawl. Their new joint single, “Shoulder Lean,” out now via Ultra Records, delivers a relentless dose of low-slung, system-testing trap. 

Designed around a filthy drop, dark atmospheric weight, and deep sub-bass, the track strips away unnecessary clutter to highlight the raw, half-time swing that originally put festival trap on the map. 

The drop comes on the heels of TroyBoi’s recent FT EP, also released through Ultra Records. Where that seven-track body of work focused on cross-genre vocal features partnering with voices such as Daya, Morray, and Rockie Fresh, alongside his intimate North American Hear2Move tour, "Shoulder Lean" shifts the focus entirely back to heavy, instrumental-driven trap grit. 

Rather than fitting into current production trends, TroyBoi and Fabian Mazur focus on what makes the genre timeless: space, heavy low-end, and an unmistakable bounce. The track seamlessly merges TroyBoi’s signature wonky, syncopated rhythms with Mazur’s surgical sound design, creating a track tailored for mainstage sound systems and night drives alike. Ahead of its official release, "Shoulder Lean" has already picked up serious mainstage traction, with early support from Zedd rinsing out the track at Zedd In The Park here. 

With “Shoulder Lean,” two of the industry's most respected artists deliver a blunt reminder of how hard a slow, filthy trap drop can still hit. 

Listen to the track now on Spotify, Apple Music, and all major music streaming platforms.

COVER ART HERE 

Connect with TroyBoi: 

Instagram| Facebook | X | YouTube | SoundCloud | Spotify | Official Website 

Connect with Fabian Mazur: 

Instagram | Facebook | X | SoundCloud | Spotify | TikTok 

TroyBoi Biography: 

T-R-O-Y-B-O-I. These letters are chanted by the masses at his shows, but the question is who is the artist incorporating stunning visuals, live instruments. and talented dancers? Troy Henry, the elusive producer got his start making his beats standing up in his London studio apartment

kitchen with his MacBook and a MIDI keyboard. With Indian, Chinese, Portuguese, and Nigerian descent, TroyBoi provides a musical journey of hard-hitting beats, lights, visuals, and the unexpected. While his musical style can be broadly classified as trap, it's extraordinarily unique, and versatile, and fuses various textures from multiple genres. 

Beyond his career releases which include his debut album Left Is Right (2017) and a series of V!BEZ EPs in 2018 and 2019, his productions have caught the ear of major music stars. His 2018 remix of Billie Eilish's "MyBoi-TroyBoi Remix" has garnered over 111 million Spotify streams and in 2019, Rihanna featured two of his songs "Do You?" and "Malokara" at her Savage x Fenty show, seen globally via Amazon Prime during New York Fashion Week. In 2020 released, his highly anticipated VIBEZ Vol.4 featuring top hits like, "Do You” and "Bellz." In early 2021, he released more hits like, "Mad Ting,” “Buss It” and "RedEye" with Justin Bieber which currently has over 110 million streams on Spotify. In 2022, Troy showed his true love and inspiration for Latin Music with an EP titled INFLUENDO, and in April 2023, the long-awaited EP SAY LESS was released assembling some of trap music's OGs.TroyBoi revealed his “4 ON DA FLOOR” EP in June 2024 further establishing his mark in the music industry. 

Fabian Mazur Biography: 

Fabian Mazur is a music artist, producer, vocalist & sound-designer from Copenhagen, Denmark. He has accumulated more than 200 million streams across streaming platforms and is known in the music scene for his versatility. From releasing more than 40 sample packs, starting a label on Splice, doing a Spotify Masterclass and receiving multiple awards for his work, Fabian is a consistent figure in the industry 

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For media requests / interviews, please contact mabuhay@blackstar.space

DEMI embraces a mature kind of love in comeback R&B single “Sinasabi Ng Iba”

The singer-songwriter returns with a smooth, intimate track about choosing love with conviction, rising above outside opinions, and embracing emotional maturity

Rising Filipino artist DEMI returns with “Sinasabi Ng Iba,” a smooth, laid-back R&B single about choosing someone despite what others may think.

Pairing her signature sultry sensibilities with a more mature take on love, the track finds DEMI standing up for someone even when the world refuses to acknowledge it. It’s a clear declaration of loyalty and affection—a reminder that when you know who you want, there is little reason to let anyone else change your mind.

The song represents a natural progression in DEMI’s artistry, integrating the silky, soulful sound listeners have come to associate with her music with a more thoughtful approach to the stories she wants to tell.

“I believe it’s the perfect blend of my old era and the direction I want to take moving forward,” DEMI shares. “The sultry, sensual sound that people have always come to expect from my music is still there, while the writing evolves into something more mature and wholesome.”

While the song’s candid romanticism may invite listeners to call it a soundtrack for their yearning era, DEMI sees its message as part of a broader evolution in her perspective as an artist. As DEMI continues to grow, she hopes her music will reflect that same maturity, becoming more intentional about the values and perspectives it communicates to her audience.

“Syempre, I grow old, I mature—so gusto ko sabay lang din yung direction ng art ko,” she explains.

Musically, the single's relaxed R&B arrangement gives its message room to breathe, creating a warm, intimate atmosphere that complements its direct and emotionally honest writing. Although the song's lyrics date back to 2023, its sonic identity took longer to come together. DEMI revisited the track in 2025, when she found the sonic direction she wanted and entrusted the project to producer, mixing and mastering engineer, and track engineer Jianluigi “Plumberboi” Masongsong.

During that period, DEMI frequently listened to American singer-songwriter Leon Thomas, whose sound helped shape the musical atmosphere she envisioned for the track. That inspiration carried into the production, with Plumberboi bringing his own interpretation to the arrangement while preserving the rawness at the heart of DEMI’s songwriting.

“The writing is still the same, raw, DEMI—but more emotionally mature,” she explains.

Complementing the single is a lyric visualizer premiering on October 14 at 7 p.m. on DEMI’s official YouTube channel. Rather than translating the song's romantic narrative literally, the visual takes an unexpected approach, placing DEMI in a scenario where she explains herself to members of the media and reporters. The concept draws a parallel between defending one's intentions to the public and feeling compelled to justify a relationship to people beyond it.

“Sinasabi Ng Iba” is out now on all digital streaming platforms worldwide via Sony Music Entertainment. The official lyric visualizer premieres on October 14 at 7 p.m. via DEMI’s YouTube channel:https://www.youtube.com/channel/UCIqmn10s4gCrfRt3GEgCvbg.

Source: Nyou

Gab Cabangon rediscovers his passion for music in 5-track EP, Learn to Love Again

The Awit Awards Best New Artist nominee turns personal disappointments, emotional exhaustion, and the courage to begin again into a five-song release, led by the healing anthem “Love Again”

Photo credit: Meika Vieve Catog

MANILA, Philippines — Filipino singer-songwriter Gab Cabangon finds his path back into love on his debut 5-track EP, Learn to Love Again—out today via Underdog Music.

Cabangon describes the EP as an “open diary” of his experiences as a millennial singer-songwriter, chronicling the frustrations and emotional setbacks of life's grind while ultimately realizing there’s still room for renewed love and passion even in a world that tries to dim your light.

Across five songs, Gab Cabangon explores the difficult process of confronting life’s disappointments while finding his way back to the people, his own dreams and aspirations, and parts of himself that once brought him joy.

After years of navigating the demands of the industry, Gab Cabangon’s passion for songwriting and performing began to wane. He had to juggle gigging, supporting other artists behind the scenes, and pursuing his plans to release his own music—all while lacking the confidence to wear multiple hats with ease. Instead of letting uncertainty affect his morale, the Awit Award-nominated act confronted the frustrations that had kept him from moving forward. By collaborating with friends in the music scene, he turned his musings on life, career, and love into a body of work that speaks to him on a personal level. 

The result is Learn to Love Again, an EP that guides listeners through life’s uncertainties. The EP’s five tracks unfold as stages of emotional recovery, moving from distance and rediscovery to frustration, vulnerability, rest, and ultimately genuine love.

“I did realize in the process of developing the songs of Learn to Love Again that I didn’t have to be alone and that I do have my wife, my family, my friends, and a community to lean on when the going gets tough,” Cabangon shares. “I also realized after writing everything that I just needed to show up.”

[MORE PRESS PHOTOS HERE AND HERE] | Photo credit: Meika Vieve Catog

As both the focus track and emotional centerpiece, “Love Again” embodies the EP's collective energy: stepping away from something once cherished and finding your way back to it—at your own pace. Penned after Cabangon took a brief break from music during the pandemic, the song lets him reassess his relationship with his craft and reconnect with why he began making music in the first place. Upon returning, Cabangon found the inspiration to write about letting go, healing, and embracing renewed passion, and thus, “Love Again” was born.

“I think it taught me to rest and to pause,” Cabangon explains. “That I didn’t have to be impatient and do music non-stop. It didn’t make me less of an artist. It’s okay to step away from time to time so that I don’t get too tired or frustrated with my music.”

Cabangon dedicates Love Again to anyone who has ever gone through burnout, heartbreak, disappointment, and the frustration of feeling left behind. The song encourages listeners to resist the pressure to measure their progress against others and instead focus on why they pursue what they love.

“I also think that learning to love again isn’t necessarily linear,” he says. “We all go through the highs and lows of life, and I guess the important thing is that we never lose our way or the reason why we took on that journey.”

The EP expands on the aforementioned message through four complementary tracks. “Ikot Ulit” channels anger and frustration at false promises, disappointments, and the roadblocks along the way. “Pieces” offers a vulnerable acknowledgment that it is okay not to be okay, embracing the need to grieve, break down, and let others help in the healing process. “Kama” reminds us to slow down and find rest amid a world that constantly demands productivity. At the same time, “ngayon at kailanman” closes the collection on a hopeful note, looking toward a love that is genuine, reassuring, and honest.

The project also pulls together a circle of collaborators who helped translate Cabangon’s songwriting into its fullest musical expression. He worked with David Lina on arrangement and production, developing the tracks from acoustic demos through collaborative studio sessions. Nine Degrees North’s Shadiel Chan and Jan Fuertez handled mixing and mastering, while Cha Martinez contributed lead guitars to “Love Again.” For “Kama,” Cabangon collaborated with Gab Lazaro of Project Yass, vydd, Kyla Miel, and his wife, Geli, exploring new instrumental and vocal textures.

With Learn to Love Again, Cabangon turns the uncertainties of his own journey into anthems that acknowledge how hard it is to start over without losing sight of possibility. The EP doesn't promise immediate healing or easy resolution to every disappointment. Instead, it emphasizes the importance of stepping back when needed and reassessing one’s actions in order to make informed decisions in the future. Life, after all, isn’t a race.

About Gab Cabangon

Gab Cabangon is a Filipino singer-songwriter and an Awit Award nominated artist based in Metro Manila. He describes his music as a “nonchalant millennial sadboi” style of indie pop music that blends chill guitar melodies with soulful singing. As an introspective artist, Gab loves writing songs and stories about different phases of life and heartaches, both romantic and non-romantic.

Today, Gab Cabangon is also a solo recording artist, and he continues to showcase his music and share his stories while championing Filipino music in every stage and space he performs. Beyond intimate shows and music festivals, he has performed abroad in small concerts and shows, particularly in the US and Australia. He has also performed and worked alongside some of the icons and legends of the Philippine music industry, including Nyoy Volante, Ebe Dancel, Johnoy, Rivermaya, and Noel Cabangon, among others.

Source: Nyou

CisuMusiC Expands Cross-Border Music Connections Following SONIK Philippines 2026

Manila, Philippines — CisuMusiC strengthened its cross-border music connections through the participation of Vietnamese artists CHIVAN and MINH at SONIK Philippines 2026, held September 11–12 at Green Sun, Makati. Their performances marked a new connection between Vietnam and the Philippine music scene, while reflecting CisuMusiC’s broader work in creating opportunities for artists to reach audiences, industry communities, and markets beyond their home countries.

SONIK Philippines 2026 brought together Filipino and international artists, music professionals, and industry communities through a two-day conference and showcase focused on music export, international expansion, touring, and industry networking. The program moved from industry discussions into live performances, with SID opening the first day of the showcase and acts including One Click Straight taking the stage before Itchyworms closed Day 1 with a crowd-filled sing-along. Day 2 continued the showcase alongside conversations on pathways for Filipino artists to build international careers.

For CHIVAN and MINH, the event provided an opportunity to bring their work to a new audience in the Philippines while connecting with a wider community of artists and music professionals. Their participation demonstrates how cross-border artist development can happen through live showcases and industry platforms that create direct connections between artists and new markets.

Their participation was supported by CisuMusiC, whose work extends beyond individual artist appearances to a broader international music network. The platform works across music festivals, showcases, Livehouse tours, fan platforms, and media networks to help connect artists, audiences, music organizations, and opportunities across different markets.

CisuMusiC’s network includes connections across Vietnam, Thailand, Taiwan, South Korea, Malaysia, the United Kingdom, and other international markets. Through these cross-border activities, the platform creates pathways for artists to move between markets, build new audiences, and develop relationships with music communities beyond their home territories. The Philippines now forms part of this expanding network, with SONIK providing a platform for CisuMusiC-supported artists to engage directly with the local music ecosystem.

The Philippine market also presents opportunities for further two-way exchange. Beyond bringing international artists to Philippine stages, CisuMusiC sees potential to build relationships with Filipino artists, music organizations, festivals, and industry partners and connect them with opportunities across other Asian and international markets.

As the connection between CisuMusiC and the Philippine music industry develops, SONIK Philippines 2026 serves as an early example of how cross-border music activity can create new pathways on both sides. For CisuMusiC, the broader goal is to continue connecting artists, audiences, music organizations, and opportunities across markets—turning individual showcases into longer-term international music connections.

Source: Nyou

Rol3ert Releases "With you" Ahead of Debut Album "meet me in my head," and Announces First-Ever Shows in Jakarta and Manila

(Credit: Exciter Records)

Japanese singer-songwriter Rol3ert released "With you," the advance single from his debut full-length album meet me in my head, out October 21. The song features Malaysian singer-songwriter and producer Johnson, making it Rol3ert's first collaboration with a Southeast Asian artist on record, and a unique male-to-male duet in which both voices share the same longing.

The music video, shot in Singapore in May with a local production team, premiered on October 10.
 

STREAM "With you" HERE

WATCH the Music Video HERE

"With you" was written at SONG BRIDGE 2025, a songwriting camp held in Kyoto in May 2025 as part of the MUSIC WAY PROJECT, a co-creation initiative by CEIPA and TOYOTA GROUP to support the global growth of the Japanese music industry. Co-written with an internationally diverse group of creators, it is the first international collaboration to come out of SONG BRIDGE. The song portrays the two opposing sides of memory, a guiding light and binding chains, through the bittersweet lyric 「咲ききれないまま枯れるのを待つだけ」 ("left unbloomed, only waiting to wither") and the contrasting shades of Rol3ert's and Johnson's vocals. Beneath its smooth, urban sound runs a quiet struggle.

Rol3ert is heading to Southeast Asia to share the song with fans in person. From October 28 to November 1, he will make his first-ever promotional trip to Indonesia and the Philippines. On Wednesday, October 28, a week after his debut album is out, he will  play his first-ever show in Indonesia, Rol3ert "meet me in my head" Showcase & Fan Meet, at Houma Jakarta. Doors open at 18:30 WIB and the show runs from 19:00 to 20:30 WIB. The room is small on purpose: he will perform album tracks, talk, and stay afterwards to meet everyone who came. Entry is free, dinner is included, and there is merch to be won on the night. Seats are limited, so RSVP is required.

RSVP to the Jakarta Showcase HERE

Rol3ert will also be in Manila for promotion and a confirmed live appearance on October 31. Stay tuned to his social media for further details.

Spanning 14 songs written and sung in both Japanese and English, meet me in my head brings together fan favourites including "meaning," "savior," "Boy," "Kodoku," and "HOPE" with brand new songs. It is his first release on CD alongside digital formats, mastered by Mike Bozzi (Bernie Grundman Mastering), whose credits include Childish Gambino's "This Is America" and Jung Kook's "Seven (feat. Latto)." 

PRE-SAVE "meet me in my head" HERE

Album tracklist

1. Done

2. meaning

3. Boy

4. Aftertaste

5. i won’t see you anymore

6. savior

7. Realized

8. Kodoku

9. say my name - album version -

10. sweet tear- album version-

11. With you

12. (how could i be) honest?

13. HOPE

14. dreams

He will celebrate the album at home with "Rol3ert Live Tour 2026 'meet me in my head,'" at Osaka's BIG CAT on November 6 and Tokyo's Spotify O-EAST on November 12.

The Southeast Asia trip follows a breakout year. In June, Rol3ert took home the Rising Radio Artist of the Year Award at MUSIC AWARDS JAPAN 2026, and on Spotify, Taipei has overtaken Tokyo as his No.1 city in the world by listeners. It is a chance to bring that growing overseas response face to face with fans in Jakarta and Manila.

About Rol3ert

Born in the United States in 2005 and raised in Japan, Rol3ert debuted in 2025 with a cross-cultural sound blending English lyricism and J-pop-influenced melodies. Over the summer of 2025, he performed at major festivals including FUJI ROCK FESTIVAL '25 and SWEET LOVE SHOWER 2025, and in October was honoured with the Best Breakthrough Artist award at the Tokyo Alter Music Awards.

Following viral covers surpassing 4 million views, he broke through with "(how could i be) honest?" and "savior," which was selected for Spotify's New Music Friday in 22 countries. In 2026, Rol3ert was selected for Spotify Japan's RADAR: Early Noise 2026, named one of Japan's 25 representatives in Rolling Stone's global "Future of Music" project, chosen for "SPACE SHOWER NEW FORCE," sold out his headline show at Shibuya WWW X, and received the Rising Radio Artist of the Year Award at MUSIC AWARDS JAPAN 2026. He also performed at SUMMER SONIC 2026 in Tokyo and Osaka, and overseas in South Korea, Singapore and Taiwan.
 

With a growing listener base across Southeast Asia including Indonesia, Thailand, the Philippines, Malaysia and Singapore, Rol3ert is now bringing his music to the region in person for the first time.

Follow Rol3ert

Website | Instagram | YouTube | TikTok | X

Follow Exciter Records

Instagram | TikTok

For more information, contact blackstar

Ebe Dancel, Urbandub, and The Itchyworms rally behind Echo Singson in fundraising gig

The October 16 benefit show brings together friends and fellow musicians to help cover Echo’s medical expenses and rehabilitation following a stroke

MANILA, Philippines — The Filipino music community is coming together for “Alingawngaw Para Kay Echo,” a fundraising gig for Echo Singson, a longtime fixture in the local music scene who is recovering from a stroke.

Echo has long been part of the Itchyworms family, with ties dating back to when his older brother, Chino, joined. In 1999, he co-founded Boldstar with Jazz Nicolas, Marie Jamora, and Justin Sunico.

Over the years, Echo has worn many hats in the industry, including host, sound technician, production assistant, and lighting crew member. Apart from his behind-the-scenes work, he has remained a valued presence in the Filipino indie music community as both an active participant and supporter.

On September 19, Echo suffered a stroke while hosting a March of the Penguins gig at Mow’s. He was rushed to East Avenue Medical Center, where he received medical care before being discharged. As he continues his recovery, he has shown small signs of improvement, offering hope to his family, friends, and colleagues.

Official poster

In response, members of the music community have teamed up for “Alingawngaw Para Kay Echo,” a benefit gig on October 16 at 123 Block in Mandala Park, Mandaluyong City. Ebe Dancel, Urbandub, The Itchyworms, The Ronnies, and The Revisors are joining forces for an evening of music in support of someone who has given so much to the industry.

All proceeds from the fundraising gig will go directly to Echo for his medical expenses and rehabilitation. Every contribution, every presence, and every expression of encouragement can make a meaningful difference.

As Echo continues his fight toward recovery, his friends and colleagues are rallying around him with one shared message: he is not alone.

Tickets to Alingawngaw Para Kay Echo are available at the venue on the day of the event.

Source: Nyou

SLAYYYTER drops new single “i think he’s got a girl”

Watch the official music video here

Upcoming new album, wor$t man in america, out December 4, 2026

"one of 2026’s breakout pop stars” - THE NEW YORK TIMES

“a straight-up rock star” - VARIETY

“Slayyyter has fine-tuned one of the most visually alluring and intellectually interesting aesthetics in contemporary pop music” - BILLBOARD

(Los Angeles, CA) October 9, 2026 - Today, SLAYYYTERreleases new song and self-directed video, “i think he’s got a girl” out everywhere now via RECORDS / Columbia Records. The release arrives following the announcement of wor$t man in america, the ‘brother’ album to this spring’s critically acclaimed WOR$T GIRL IN AMERICA, due out December 4th via RECORDS / Columbia Records.

LISTEN TO “i think he’s got a girl” HERE

WATCH “i think he’s got a girl” OFFICIAL MUSIC VIDEO HERE

PRE-SAVE / PRE-ORDER wor$t man in americaHERE

Built around mounting suspicion and vulnerability, “i think he’s got a girl” captures the unraveling of a relationship with raw, emotionally charged honesty. The track has already built a strong fan following through its live performances throughout the sold-out WOR$T GIRL IN THE WORLD TOUR ahead of its official release. The vintage-inspired official music video, directed by SLAYYYTER, is out now.

Download Press Photos HERE | Credit: Kait Muro

Earlier this week, SLAYYYTER announced wor$t man in america, the counterpart to this spring’s critically acclaimed WOR$T GIRL IN AMERICA. The new album introduces contrasting visuals and a fresh perspective on the themes and ideas explored in the project before it.

While wor$t man in america is comprised entirely of new songs, each track is connected to the world established by WOR$T GIRL IN AMERICA. Some songs act as direct inversions, while others revisit familiar ideas from an entirely new angle, creating a parallel narrative that both mirrors and challenges the original project.

Download Artwork HERE

“i think he’s got a girl” follows the release of singles “brand new chanel$” and “crank 2”, the former of which marked her debut on the Billboard Hot 100 at #98. Slayyyter performed “brand new chanel$” live for triple j’s Like A Version - watchHERE.

The entirely sold out WOR$T GIRL IN THE WORLD tour began in July with three shows in SLAYYYTER’s hometown of St. Louis and hit major cities across the United States. The tour continues globally with shows in São Paulo, Rio de Janeiro, Paris, Berlin, and more before wrapping in London on November 5, 2026. SLAYYYTER is joined by Pearly Drops for all UK dates. Kalika will join as support for all EU dates.

This month, SLAYYYTER was announced as part of the Laneway 2027 and Lollapalooza South America lineups, during which she will perform her acclaimed live set across Australia, New Zealand and South America.

SLAYYYTER 2026-27 LIVE DATES

10/09/26 - Rio de Janeiro, Brazil - ZIG Festival^ SOLD OUT

10/10/26 - São Paulo, Brazil - ZIG Festival^ SOLD OUT

10/18/26 - Paris, France - Le Trianon** SOLD OUT

10/19/26 - Amsterdam, Netherlands - Paradiso** SOLD OUT

10/20/26 - Cologne, Germany - Die Kantine** SOLD OUT

10/22/26 - Copenhagen, Denmark - Vega** SOLD OUT

10/23/26 - Hamburg, Germany - Fabrik** SOLD OUT

10/24/26 - Warsaw, Poland - Palladium** SOLD OUT

10/26/26 - Prague, Czechia - Lucerna Music Bar** SOLD OUT

10/27/26 - Berlin, Germany - Metropol** SOLD OUT

10/28/26 - Antwerp, Belgium - Trix** SOLD OUT

10/30/26 - Manchester, United Kingdom - Albert Hall* SOLD OUT

10/31/26 - Birmingham, United Kingdom - O2 Institute* SOLD OUT

11/01/26 - Glasgow, United Kingdom - O2 Academy* SOLD OUT

11/03/26 - Brighton, United Kingdom - CHALK* SOLD OUT

11/05/26 - London, United Kingdom - Roundhouse* SOLD OUT

2/12/27 - Sydney, Australia - Laneway Festival^

2/13/27 - Brisbane, Australia - Laneway Festival^

2/19/27 - Melbourne, Australia - Laneway Festival^

2/21/27 - Auckland, New Zealand - Laneway Festival^

3/12/27 - 3/14/27 - Buenos Aires, Argentina - Lollapalooza Argentina^

3/12/27 - 3/14/27 - Santiago, Chile - Lollapalooza Chile^

3/19/27 - 3/21/27 - São Paulo, Brazil - Lollapalooza Brazil^

*with support from Pearly Drops; **with support from KALIKA

^festival date

About Slayyyter:

From her breakthrough 2019 self-titled mixtape through 2021’s Troubled Paradise, 2023’s STARFUCKER, and this year’s WOR$T GIRL IN AMERICA, SLAYYYTER has proved herself to be one of the great shape-shifters of our time, taking the past, present, and future of pop and twisting it to her will.

While her early releases established a devoted cult following, WOR$T GIRL IN AMERICA marked her boldest reinvention yet. Her third studio album is authentically her. She revisited her upbringing in St. Louis, and decided to make “iPod music” — a free-for-all of feral punk, corroded pop, and raunchy rap — conjuring the “Midwest-core tweaker bar rat” characters of her youth. Early singles “BEAT UP CHANEL$,” “CANNIBALISM!,” and “CRANK” steadily built hype for the project ahead of its release, with fans fervently embracing the raw, swaggering SLAYYYTER that emerged from the ashes of her past selves. The album became her highest-charting album to date, debuting at No. 22 on the Billboard 200 and No. 1 on Top Dance Albums, while earning widespread critical acclaim from outlets including Rolling Stone, Billboard, Pitchfork, and many more. Its success also earned SLAYYYTER two 2026 MTV VMA nominations, including ‘Best Dance’ with “DANCE…” This year, she brought that momentum to major festivals such as Coachella, Governors Ball, Lollapalooza, with audiences doubling in size each time.

Born from a surge of inspiration following the release of WOR$T GIRL IN AMERICA, wor$t man in america serves as a counterpart to its predecessor, expanding SLAYYYTER’s sonic world through an inverted lens. The new album introduces contrasting visuals and a fresh perspective on the themes and ideas explored in the project before it. Its first taste, “brand new chanel$,” marked SLAYYYTER’s Billboard Hot 100 debut and earned her second VMAs nomination for ‘Song Of the Summer’, while “crank 2” followed as a reimagining of one of her breakout tracks. wor$t man in america is out December 4.

Follow SLAYYYTER:

Spotify | Apple Music | Instagram | X | TikTok | YouTube |Facebook

Source: Nyou